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Tag: "rock"

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…and now for something completely different

…and now for something completely different

It’s time for some Gratuitous Self-Promotion! Yes, in lieu of having anything interesting to say about anything interesting, I shall talk about myself.

Apart from being an interweb crank and having been described, just the once, as an “in-your-face modern atheist” (whatever that’s meant to mean - I’ll take it as a compliment though, because people say that kind of thing about Richard Dawkins and I think he’s a top bloke), I’m also a musician. Specifically a singer and lyricist.

Since the age of 15 I’ve been in numerous bands, starting off playing metal & hard rock covers in a high school band named Mothdust in 1992 and joining my first original act, Roger The Band, in 1996. In 2000 Mothdust reformed and we started writing our own stuff. Having those two bands on the go was awesome if a little challenging, especially considering I was doing some acting with a small Adelaide theatre company at the time. In 2001 both bands released six-track EPs within a month of each other and it was a tiny thrill seeing both records in the local Adelaide charts! Both bands managed to attract a small but loyal following and many, many great times were had.

Eventually though, Roger The Band gradually started falling apart, as bands sometimes simply do after six years. I decided to move to Melbourne with the members of Mothdust in 2003, to see if we could make a go of it in Australia’s rock city. This also was not to be though, with one member going back to Adelaide after nine months and another getting married and buggering off to Manchester with his new bride six months later. After the final member and his wife returned to Adelaide to spawn, my lady Jo and I were left alone. I thought I’d be happy just strumming my guitar and writing electronic music on my computer for my own amusement, but I really missed collaborating with other musicians and playing really loud music, so I started looking online for Melbourne musos who were at a similarly loose end. Long story short: after many woeful demos I found a highly motivated and creative guitarist (Jiz) and drummer (Mike) who had been writing and performing together for a couple of years. We hit it off instantly, shared many of the same musical inspirations and attitudes and starting writing straight away. Eventually we found a bass player (Lachie) to round out the quartet (no mean feat - good bassists who aren’t in bands are hard to find in Melbourne) and Jiz named the band From The Ashes. This was 2005.

Last month From The Ashes released our debut independent album entitled Incendiary. We’re launching the record officially on July 31 at Melbourne’s famous Esplanade Hotel in St Kilda. DI’s own Mike Pulcinella is featuring one of our tracks, Said & Done, on his latest documentary, Raising The Bar 3 (which I’m looking forward to seeing and no, not just because our song’s on it - Mike makes a mean doco).

What do we sound like? I never know how to answer that question. We’re a rock band with diverse influences - everything from Elvis Costello, Paul Simon & The Police to The Mars Volta, Faith No More & Smashing Pumpkins. That doesn’t mean we sound anything like any of those artists, it just means we like musicians who put a lot of thought into their music, especially into constructing interesting melody & mood, and who aren’t afraid to be a little bit self-indulgent. Sometimes. That being said, we also just love bands that rock the f* out like Queens Of The Stone Age and Foo Fighters.

Now, I’ll do what I always do when asked what we sound like: invite the questioner to have a listen to the gear, decide for themselves what we we sound like and maybe leave some feedback. Here are some links containing preview tracks and other assorted rubbish:

myspace

Last.fm

iTunes

Thanks for your attention & I hope you like the material.

Cheers
Hank

L to R: Mike, Lachie, Jiz, Hank

Mike, Lachie, Jiz & Hank

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A tumultuous story told by a stone with streaks of pure iron

A tumultuous story told by a stone with streaks of pure iron

Back in December, I had the chance to walk through New York’s Museum of Natural History with Ebonmuse (of Daylight Atheism). He pointed out an exquisite stone from the Proterozoic Eon. You could plainly see broad streaks of pure iron running from side to side. Such streaks could never form today, due to our oxygen-rich environment. That observation was the beginning of a mind-expanding yet poetic story. I learned a bit of that story back in December. Now, Ebonmuse tells a much more expansive and dramatic version. Here’s an excerpt, but I’d highly recommend a visit to Daylight Atheism for the full dose:

Looking at this stone, you get some idea of the dizzying vistas of geological time, as well as the turmoil that life has endured to reach the present day. Each of those colorful red and silver layers represents what was, in its own era, a disaster beyond imagining, one that reset life to its starting point. Each of those layers, as well, is a silent testament to life’s tenacity in the face of overwhelming odds. Of course, the cycles of growth and destruction did not last forever. Eventually, evolution found a way, as evolution nearly always does, and oxygen was tamed to become a power source in an entirely new metabolic cycle. The oxygen-breathers arose, the remaining anaerobes retreated to the deep crevices of rocks and the sea, and life found a new equilibrium, with the balance of the atmosphere permanently changed. All the oxygen we breathe today is biologically produced, a tangible proof of life’s power to reshape its own world.

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Leslie Sanazaro Santi: an upbeat profile of a songwriter and working musician

Leslie Sanazaro Santi: an upbeat profile of a songwriter and working musician

To succeed as a musician who performs your own creations, you need a diverse skill set honed through hard experience. Being able to play an instrument proficiently is merely one part of that package. My recent interview of Leslie Sanazaro Santi reminded me of the many skills one must develop, as well as the immense amount energy one must invest, in order to have a successful career of performing one’s own music. Truly, the performing musician’s skill set includes virtually every one of the multiple intelligences set forth by Howard Gardner.

I first met Leslie Sanazaro more than a year ago, at a weekly farmer’s market at Tower Grove Park in St. Louis (Leslie was recently married and she is just beginning to use her new name: Leslie Sanazaro Santi). While staring at some vegetables, I heard some captivating music about 30 yards away. Helpless to resist the siren song, I walked up toward the sound-source and took a seat on a folding chair. Ten feet from me, a woman rocked on her keyboard bench as she sang and played, her whole body “dancing” with her rhythms and her foot actively stomping out the beats. It was obvious that this was a musician who truly felt her music and believed in it. She had no drum machine nor any other gimmicks. What I heard was straight-forward first-rate music. It occurred to me that she seemed too serious about her music to be playing for an audience of only a dozen people at a local market.

My brother-in-law Steve, an accomplished blues and jazz musician, soon joined me in the small audience. We agreed that we were listening to an impressive performer and composer. After staying for a full set, I told Leslie I enjoyed her music, I handed her $10 for a copy of her CD, “Stars in the Attic,” and I signed up for e-mail updates regarding her future performances.

For the next year, I received mass-distributed e-mails every week or two indicating Leslie’s playing schedule, mostly at venues in or near the City of St. Louis. Eventually, her e-mails indicated that she was going on a tour through Asia, playing dozens of shows before returning to St. Louis. In September, 2008, the e-mails indicated that Leslie had released a new CD entitled “On Your Roof.” It sounded like things were going her way.

About a month ago, I visited Leslie’s site at “Reverb Nation,” to listen to several of her new tunes from “On Your Roof.” Bottom line: this CD is impressive. Her music has ratcheted up to a new level and the clean studio product spared no attention to detail. More than ever, I was impressed with Leslie’s high quality voice work and the sparkling cadence of her lyrics. In order to fully understand my motivation for this elaborate (and yes, glowing) profile of Leslie Sanazaro Santi, take a moment to visit Reverb Nation and listen to a few of her tunes (I especially recommend listening to “Put on Your Shoes” and “Hot and Cold” to hear some of the many impressive things she can do with her voice).

[Part I]

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Carving and seeing nature at its joints

Carving and seeing nature at its joints

I previously wrote that I bought a little camera that I try to take everywhere. Having that camera nearby forces me to look more carefully at the startling sights that are everywhere. Many of those sights are the postures and expressions of people, but privacy concerns keep me from freely photographing or sharing [...]