Social movements in the consumerist world
Sunday, November 11th, 2007If I were asked to divide the world into two groups of people, I would flatly refuse. It is extremely unfair, I would argue that it would be absurd to divide humans, as ineffably complex and diverse as they are, on the basis of one quality or trait. But then again, that would just be me being politically correct. I actually believe that on some level, all of us tend of categorize people into two groups on the basis of one overarching quality. We tend to empathize with individuals who ‘have’ that quality, and believe that the world would be a better place if everyone were like them. For some this ‘vital’ quality is hard work, for others humility, and for some others, it may be looks, or a sense of style. The quality that I regard as most important is the ability to be affected by your surroundings.
I have to come to realize that I have always tended to view the world as consisting of two groups of people. The first group consists of individuals who only concern themselves with the interests of their own selves and that of the immediate circle of family and friends. These individuals do the work that is expected of them, and have no interest or concern for people who are not directly related to them. The other group, whose members I admire, consists of individuals who feel connected to and, hence, are affected by the larger environment they live in. They take a keen interest in their extended surroundings. Some of them even have a sense of moral obligation to alleviate humanity and human condition as a whole. I term people who belong to the former group as ’shallow’ and people who belong to the latter group as ‘humane’. Lately though, I have noticed, in many instances, an inexplicable overlapping of these two groups. Some people are so difficult to categorize into either of these groups that I have begun to question the very foundation of my system of assigning worth to individuals. Are the “humane” people of today genuinely humane, or are they merely a more fashionable manifestation of an all-pervasive shallowness?
In this context, I would like to mention two movies which dwell on moral ambiguity amidst urban decadence, the first being French film director Jean-Luc Godard’s classic 1960’s movie Masculin Feminin. A fragmented and frustratingly abstruse movie, the movie documents (and comments on) the attitudes among the French youth in the 1960’s, is universal in its significance. The filmmaker’s thoughts are equally valid for any youth almost anywhere in the developed or developing world today. The movie is about the doomed relationship between Paul, a young, politically aware, conscientious, idealistic man, and Madeleine, a girl who is an ardent consumer of pop culture, whose conscience has been rendered inactive by the self-indulgence encouraged by the consumerist culture around her. Through most of the movie, Madeleine is shown to be an insouciant creature. An aspiring pop-singer, she generally sports a blank expression on her face, inert to almost any problem around her, and most of her time is spent in combing her hair and applying make-up.
It would be easy to think that the director uses these two characters to represent the two ends of our modern moral spectrum: Paul, as an “ideal” human being, someone whom we must aspire to be like, and Madeleine as a symbol of urban decadence, the modern automaton, devoid of soul. But that is not the case, as the director is equally critical of both characters. The criticisms levelled against Madeleine, the quintessential consumer of modern capitalism, may have seemed unique in the 1960’s, but by now are commonplace in social and cultural criticism. She is a self-obsessed, vacuous woman who, despite her lack of intelligence and talent, manages to find success as a pop star. This woman represents the modern individualistic and anti-communal notions of success. In a striking segment of the film entitled “Interview with a consumer product”, Paul interviews a young teenaged girl who has been chosen as the face of a fashion magazine. The girl has no qualms in admitting her ignorance of almost all political events around the world. Yet, she admits she is drawn towards rebels, and dislikes ‘yes men’. The last point made by her is quite telling.
In this context, I would like to reference another movie, “Network”, directed by Sidney Lumet in 1976. (more…)
This post was written by Sujay Prabhu