It’s time to break the taboo and to talk frankly about human overpopulation

If you are feeling brave, take a look at the World Clock. You'll see that more than twice as many people are being born as are dying for any given interval (click the "Now" button to see the numbers spinning out from the present). world-clock Click the "Deaths" tab and note that for every 100 deaths, there are also more than 60 abortions, and yet the Earth's population still spirals out of control. Click around on the other tabs and you will probably find yourself transfixed by magnitude of these numbers. Notice the vast amount of forest being decimated by clicking on the "Environment" tab. Under the "Energy" tab, notice the incredibly disconcerting "Oil Depletion Timer," indicating that we have 40 years of oil left on the entire planet (you'll need to do the math, dividing the days left by 365--this estimate is based on the admittedly laughable assumption that it would be economically viable to scoop up every drop of oil). Notice the ghastly numbers of entire species being lost each week (almost 300 extinctions per week). Notice the many thousands of preventable deaths every week (under the Death tab), including ghastly numbers of children dying from preventable things like lack of nutrition. The World Clock sends me into an existential swirl. Watching these numbers accumulate fascinates me and, regarding some categories, horrifies me. Regarding the needless deaths, for example, it occurs to me that no human being has sufficient cognitive capacity or sufficient empathy to properly understand or react to numbers of this magnitude. It is impossible to feel sufficient empathy for the needless deaths of thousands people, week after week. Last year, I posted on an effort by Global Population Speak Out (GPSO) to discuss the need to discuss overpopulation. But many people are too horrified to even consider this topic. One such person repeatedly vilified me in the comments, arguing that I was an elitist (and worse) because I merely dared to raise this issue. But this issue of overpopulation is too important to ignore. [more . . . ]

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The roots of morality: It’s time to look far beyond religion.

Many articles purporting to examine morality bore me. They tend to be laundry lists of personal preferences--the writer's catalog of things that personally annoy and delight him or her--completely un-anchored by the scientific method or, for that matter, by any sort of disciplined thinking. Such articles have been around for a long time. Many of them were written prior to 1785, when Immanuel Kant wrote his Foundations of the Metaphysics of Morals, where he urged that we get serious about morality's underpinnings. Though Kant's categorical imperative leaves much to be desired as a full description of phenomenon of morality, it should be noted that Kant did not have access to the modern findings of cognitive science. At edge.com, Marc D. Hauser, a Harvard Professor of Psychology, Organismic & Evolutionary Biology and Biological Anthropology, has published an article entitled "It Seems Biology (Not Religion) Equals Morality." Hauser's article, based on many of his prior writings, is a rigorous, insightful and succinct account of the roots of human morality. Hauser starts his article with an attack on the commonly heard claim that religion is a major source of our moral insights. There is not a drop of evidence suggesting this, as should be obvious. After all, morally deficient believers and morally enlightened nonbelievers are ubiquitous (and vice versa). Hauser does acknowledge that religions do endow their members with a sense of meaning and community. His sharp attack, however, is on the narrow claim that religions provide "the only-- or perhaps even the ultimate-- source of moral reasoning." This raises an obvious question: If our sense of morality is not based on religion, on what is it based? Hauser argues thatscience has demonstrated that each of us is endowed with a gift from nature: "a biological code for living a moral life." Our biologically endowed "cold calculus" takes the form of rules such as these: Actions are seen as worse than omissions; and forcing someone to do something for the greater good is worse if you make a person worse off in the process. Hauser describes this set of rules as a "moral grammar . . . and impartial, rational and unemotional capacity . . . an abstract set of rules for how to intuitively understand when helping another is obligatory and when harming another is forbidden." This impartial grammar has been revealed through experiments in which people were presented with unfamiliar moral dilemmas (he avoided such well-worn topics as abortion and euthanasia). For instance, is it permissible for a hospital to involuntarily take various internal organs from a healthy person walking by the hospital in order to save the lives of five patients needing transplants? When these sorts of dilemmas are presented to people of wildly divergent cultural backgrounds, the surprising finding is that their particular backgrounds are virtually irrelevant to determining how they will resolve such dilemmas. The work of Frans de Waal dovetails nicely with Hauser's writings. In particular, De Waal has argued that humans have evolved to be predominantly groupish and peace-loving beings who are well-tuned to look out for each other. Therefore, the question arises: what has gone wrong where we see moral atrocities? Hauser's answer is that these atrocities arise due to culturally constructed emotions that fuel "in-group favoritism, outgroup hatred and ultimately dehumanization." Essentially, we become just like psychopaths with regard to those we perceive to be in out-groups. Psychopaths are generally this way toward all others--they know the "rules" but they don't care. The rest of us are psychopaths toward every who we characterize to be our outgroup. We see these people in outgroups as "disposable." We allow children overseas to die, even when we have the money to prevent these deaths, and even when we would not allow the child of a sibling or a neighbor's child (who we perceive to be in our ingroup) to suffer.

Here lies the answer to understanding the dangers of nurture, of education and partiality. When we fuel in-group biases by elevating and praising members of the group, we often unconsciously, and sometimes consciously, denigrate the "other" by feeding the most nefarious of all emotions, the dragon of disgust. We label "the other" (the members of the outgroup) with a description that makes them as subhuman even an adamant, often parasitic and file, and thus disgusting. When disgust is recruited, those in the ingroup have only one way out: purge the other.
Hauser's work also dovetails well with the research of Jonathan Haidt, who has argued that disgust is one of the five pillars of morality. Haidt considers in-group/outgroup tension to be another one of those five pillars of morality (a separate pillar), whereas Hauser appears to be consolidating these two factors (people in outgroups disgust us). This consolidation seems to be the case, at least on an intuitive and anecdotal basis. Xenophobia and disgust do seem to go hand in hand. Mistreatment of members of outgroups not only allowed, but sometimes encouraged by those who preach universal love. Consider, for instance, the way that the members of many religions characterize gays--they are usually relegated to the outgroup. Hauser's argument also comports with the basic findings of those who have studied human reactions to ingroups and outgroups. If left unexamined and unchecked, our evolved system of simplistically categorizing people into ingroups and outgroups leads to moral catastrophe. This simplistic and intuitive system evolved while we lived in small groups of highly familiar people (many of them family members), and during times when there were no formal laws that coordinated large numbers of widely diverse individuals. According to Hauser, this genesis of the problem also presents a potential solution. Although all animals have evolved the capacity to distinguish between members of the in group and out groups, these features are not calibrated in the genome. They are "abstract and content free," much as our biologically endowed rules of moral grammar. We learn how to define our ingroup (and consequently, outgroups). Even seemingly compelling distinctions among humans, such as "racial" differences can be diminished or even eliminated by spending time with different-seeming others. Moral education requires introducing all children, early in life, to a wide varieties of religions, political systems, languages, social organizations and races. Research shows that those who dated or married people of other "races" don't so readily characterize those of other "races" to their outgroup. Exposure to diversity is perhaps our best option for reducing, if not eradicating, strong outgroup biases. Hauser urges that we take our intuitive moral intuitions to task. We need to consciously push ourselves beyond our local family and community and train ourselves to "listen to the universal voice of [our] species." We need to become "champions of plurality." At bottom, we need to recognize that diversity is not simply a buzzword. It is a critical part of the moral curriculum. We need to make ourselves spend time with different others, so that we are more likely to see one race, not many. We need to learn to see only fellow humans, rather than "our people" versus sub humans. Only when we have trained ourselves this way can our universal instinct toward empathy and our biologically endowed abstract moral grammar work together t pragmatically resolve differences peacefully. This would be a much better alternative to cracking heads and going to war based upon our ancient impulses toward unexamined, unenlightened and unjustified disgust.

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When lyrics were not as self-absorbed

There are still many incredible lyricists who write about a wide variety of issues, but it seems to me that today's typical lyrics (at least those that on can hear broadcast on mainstream radio) tend to be self-absorbed: songs about a small social circle consisting mostly of me and what I want and what I'm feeling about me, and aboutyou and what you think of me. Maybe it's more difficult to write about political change these days because our problems today seem so much more intractable. Back in the 70's I was part of a eight-piece jazz-rock band we called "Ego." Yes, many of the tunes we played were about falling in love and breaking up, but we also played songs dealing with the need for social change. One of those tunes was called "Dialogue," by Chicago. It consisted of a dialogue between Peter Cetera (also the bass player) and Terry Kath (an extraordinary guitar player). As I listened to "Dialogue" this morning, I was transported back to an earlier day when more of the music that was played on the radio challenged us to think and to change. The consolidation of the mass media makes it much less likely that you'll hear these kinds of ideas when you listen to music on the radio, but you could hear such ostensibly political lyrics in the past, and they planted powerful seeds in some of us. Here is the two-part dialogue that so moved me: Part I Are you optimistic 'bout the way things are going? No, I never ever think of it at all Don't you ever worry When you see what's going down? No, I try to mind my business, that is, no business at all When it's time to function as a feeling human being Will your Bachelor of Arts help you get by? [more . . . ]

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Fans, Freedom, and Frustration

Over on her blog, Kelley Eskridge has a video of a "Bono Moment" in which you see two distinct types of fans interacting with U2's lead singer. Check it out and come back here. Okay, the guy in the t-shirt obviously is carrying on a conversation. he may be being a fan, but he hasn't lost his mind. The female is being...a groupie, I guess. Though the groupies I've met in my time have been a bit more specific about what they wanted and had a better plan on how to get it. In any event, the questions Kelley raises are interesting and relate on so many levels to so many different things. The fan reaction---mindless adulation bordering on deification---looks to me, has always looked to me, like exactly the same kind of nonsense people put into religion. Mindless, utterly uncritical adoration of an image and the set of emotions with which that image is connected in the mind of the adulant. You can see the same thing in politics. To a lesser degree with less public personalities---writers, painters, photographers (I never knew anyone who elevated a photographer to the level of sex god, but I have known people who got off on sleeping with painters, and of course there's a kind of Nabokovian/Bellow/DeLillo-esque subculture of writer groupies...) and other creative types---but actors and musicians seem to get all the dedicated obsessives. I've never had this happen to me. I'm not sure if I'm grateful or resentful---having somebody want to associate themselves with you in a mindless swoon because your work has made them, I don't know, climax maybe is on a certain level appealing. But it's appealing the same way porn is---something most people, if they're at all sane and grounded, kind of grow out of and get over. I know I would not find it very attractive now. When I was twenty-five? You betcha. Bring 'em on. But if I'd had that then I think I'm fairly sure I would have wearied of it very quickly. I long ago realized that sex, to me, involved the other person---emphasis on Person---and the best sex I ever had included the good conversations before and, especially, after. (There is a point, of course, where you realize that sex is a conversation, of a very particular sort, and takes on a whole new dimension, which one-night-stands, no matter how good they might be, just can't provide.) But the real problem with all this is that art is more than just any one thing and the artist is not the art. The two are inextricably linked. Here is a video discussing the question of artist-in-relation-to-muse which I find illuminating. The notion that the talent "arrives" and you act as conduit through which creativity happens is not, as the speaker suggests, a new one, and it's not one I'm particularly in sympathy with---it all happens in my brain, it's definitely mine---but I certainly find her analysis of the psychology of following through intriguing and true. Once the muse is finished with you on a given project, you do not continue to exist as though in the grip of the work. There is a person there that pre-figures the work and who will be there after it's done that has all the needs and wants and sensibilities of a normal human being. To be treated as some kind of transcendence generating machine by people is in some ways disenfranchising. For a writer, if the well from which inspiration and material are drawn is the honesty of human interaction, then the gushing idiot fan robs the writer, for a few minutes at least, of exactly that. But it also sets the artist up to become a prisoner. A prisoner of other people's expectations. Those expectations always play a part in anyone's life, but certain aspects---the most artificial ones---get exaggerated in the instance of fan adoration. Watch Bono shift from one stance to another when he finally acknowledges the female. No, he doesn't stop being Bono, but it's almost as if he says "Oh, it's time to do this sort of thing now" as he first recognizes her presence and then automatically poses for the camera, with this not-quite-disingenuous smirk. Because he also recognizes that, however silly this person is being, what she's feeling right then is her's and to claim it is artificial is wrong. Maybe an artificial set of expectations led her to this point, but now that she's In The Moment, the emotions are real. If he'd ignored her or told her something snarky in an attempt to snap her out of it, all that would have resulted would have been an ugly moment, a bit of cruelty, and a lot of confusion on the fan's part. [more . . . ]

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What we need to do differently when we talk politics

To the extent that society can be understood as a big family, psychologist John Gottman has important suggestions for improving our communications. Based on his track record, Gottman is someone to whom all of us should carefully listen. His techniques have allowed him to predict with 90% accuracy which newly marriage couples will still be married six years later. Gottman describes many of his techniques in The Seven Principles for Making Marriage Work, a 1999 book that has enriched the lives of countless married couples trying to get back on track. In this book, he demonstrates that there is no better way to destroy a working relationship than to employ the following four techniques, which he labels “the Four Horsemen”:

A) Attacking another person's character or personality; B) Showing contempt through such things as sneering, sarcasm, cynicism, name-calling, eye-rolling, mockery and hostile humor. C) Defensiveness that proclaims that “The problem isn’t me, it’s you.” And D) Stonewalling: tuning out completely.
When I read this list, it struck me that these four techniques precisely describe the state of political dialogue in this country. These are also the techniques by many of the people who conduct interviews in the media. Think, for example, of a typical Bill O'Reilly interview, though O'Reilly is merely one of the more egregious examples. Many news programs expect and encourage conflict in an attempt to keep the audience mesmerized so that the network can sell more advertisements. The resulting conflict commonly manifests itself through these four above-mentioned techniques. It is critically important to note that none of these techniques is necessary, no matter who the other person is and no matter what he or she is saying. Smart and disciplined people don't stoop to these techniques. Period. Here's another important cause of communication failure: In functional relationships, the parties communicate at least five times as many positive ideas as negative ideas to one another. Consider that the ratio of positive to negative in public forums is probably the reverse of the minimum optimum. In most contemporary forums where political ideas are discussed, it is a rare bird who dares to admit that one's opponent has any decent ideas at all. Instead, we hear the parties villainizing each other and attempting to totally destroy each other ideas. Success is all too often seen as publically demonstrating that the other person, almost always termed one's "opponent," is an idiot. In short, the way we publicly attempt to communicate with each other regarding the important issues of the day has been scientifically demonstrated to be a guaranteed formula for failure. What is the solution? For starters, it would require that we stop using the above techniques when we attempt to communicate. In fact, until we call a cease-fire regarding these four techniques, further attempts to communicate will only exacerbate conflict and paranoia. Until we change the way we attempt to talk with each other on many news programs, it would be better if we stopped talking at all. That's how bad things have gotten.

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