There are still many incredible lyricists who write about a wide variety of issues, but it seems to me that today’s typical lyrics (at least those that on can hear broadcast on mainstream radio) tend to be self-absorbed: songs about a small social circle consisting mostly of me and what I want and what I’m feeling about me, and aboutyou and what you think of me. Maybe it’s more difficult to write about political change these days because our problems today seem so much more intractable.
Back in the 70’s I was part of a eight-piece jazz-rock band we called “Ego.” Yes, many of the tunes we played were about falling in love and breaking up, but we also played songs dealing with the need for social change. One of those tunes was called “Dialogue,” by Chicago. It consisted of a dialogue between Peter Cetera (also the bass player) and Terry Kath (an extraordinary guitar player). As I listened to “Dialogue” this morning, I was transported back to an earlier day when more of the music that was played on the radio challenged us to think and to change. The consolidation of the mass media makes it much less likely that you’ll hear these kinds of ideas when you listen to music on the radio, but you could hear such ostensibly political lyrics in the past, and they planted powerful seeds in some of us. Here is the two-part dialogue that so moved me:
Part I
Are you optimistic ’bout the way things are going?
No, I never ever think of it at all
Don’t you ever worry
When you see what’s going down?
No, I try to mind my business, that is, no business at all
When it’s time to function as a feeling human being
Will your Bachelor of Arts help you get by?
I hope to study further, a few more years or so
I also hope to keep a steady high
Will you try to change things
Use the power that you have, the power of a million new ideas?
What is this power you speak of and this need for things to change?
I always thought that everything was fine
Don’t you feel repression just closing in around?
No, the campus here is very, very free
Don’t it make you angry the way war is dragging on?
Well, I hope the President knows what he’s into, I don’t know
Don’t you ever see the starvation in the city where you live
All the needless hunger all the needless pain?
I haven’t been there lately, the country is so fine
But my neighbors don’t seem hungry ’cause they haven’t got the time
Thank you for the talk, you know you really eased my mind
I was troubled by the shapes of things to come
Well, if you had my outlook your feelings would be numb
You’d always think that everything was fine
Part II
We can make it happen
We can change the world now
We can save the children
We can make it better
We can make it happen
We can save the children
We can make it happen

Erich, I suspect that the corporate controlled media is the major influence in broadcasting these days. Many of the network radio affiliates are completely automated and broadcast canned programs from corporate headquarters, or simply relay live programs from a few stations. The network headquarters controls the play list. Since commercial broadcast media is primarily an advertising venue, then the play lists will tend toward the bubblegum pop variety of whichever genre fits the stations format. Self-asorbed lyrics tend to match and promote the individualistic mindset of the conservatives.