Jonathan Haidt Explains Why Progressives Should Support Heterodox Academy

Jonathan Haidt, speaking on behalf of Heterodox Academy, which he co-founded. Here is an excerpt:

Universities are by their very nature progressive institutions. They encourage students and faculty to study the existing order and try to come up with something better. They broaden students’ minds and encourage curiosity about different people and ways of living. The ranks of nearly all progressive institutions are full of the top students from our top universities.

But something started going wrong on many campuses in the early 2010s. The combination of more polarizing social media, an intensifying culture war, and a changing Republican party drove an intense new kind of activism among a subset of progressive students that — whatever its noble motives — is damaging what is most precious about university life: the ability to have open and wide-ranging conversations. Students and faculty across the political spectrum now say that they are “walking on eggshells,” afraid that one slip could bring about terrible social consequences. As they learn to avoid making verbal “mistakes” in an unforgiving environment, students are being trained in habits of mind and heart that are antithetical to their own mental health, their own success in life, and the success of their political activism.

This is why many leading progressives have been warning, since 2015, that the new university culture is harmful to the country overall and to the Democratic party in particular . . .

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What Happens When Academics Go to a Comedy Club to Start a Conversation that is Finished by Comedians?

A recent episode of Glenn Lourie's podcast occurred in the NY comedy club, The Cellar. The conversation was started by academics and thinkers including Glenn Loury, Roland Fryer and Coleman Hughes. Once under way, the comedians entered the conversation and many interesting things were spoken. Oh, and many of those interesting (and serious) things were hilarious. The comedians included Andrew Schulz, Judy Gold, Shane Gillis, T.J., Rick Crom, Nikki Jax and Sam Jay. Definitely worth an hour and a half of your time. I love hearing comedians talking shop and that is a lot of the conversation. There is another main theme, however. Can the comedians save us from cancel culture and wokeness?

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David Sachs’ Response to “Big Tech are Private Companies” and “Go Invent Your Own Internet”

Bari Weiss recently interviewed David Sachs on Common Sense, Bari's Substack. It is an excellent discussion of issues you will not see in legacy media outlets, who would like to see alternative media competition crushed. Here's an excerpt:

BW: The criticism that I hear a ton in response to what you're saying is: David, these are private companies. If I invent YouTube and I pay for the servers of YouTube and I've set up the whole architecture of the company, why can't I do what I want? Same with Facebook. Why don't I get to decide that I don't want some kind of clickbait or fake news or whatever on my thing? I'm going to police it. Who are you to tell me I can't?

DS: I think it's a very disingenuous argument. The same people who say that these social media companies, these big tech companies, should be free to do whatever they want because they're private companies are the same people pushing six bills through Congress right now to restrict and regulate those companies because they see them as monopolies. So they don't even believe their own argument. They all start making these libertarian arguments when these big tech companies are restricting speech in a way that they like. When they agree with the outcome, they want to give these companies the freedom to produce that outcome.

We need to fundamentally understand that free speech in our society has been privatized. The town square has been privatized. When the Constitution was written, the internet didn't exist. Back then, the town square was a physical place that you could go to, and there was a multiplicity of town squares all over the country. There were thousands of them and anybody could put their soapbox down and speak, and anyone could gather around and listen. That’s why, if you look at the First Amendment, it doesn't just protect freedom of speech and of the press. It also protects the right to peaceably assemble.

Well, where do people assemble today? They assemble in these giant social networks that have these gigantic network effects. That is where speech, especially political speech, occurs. And if you are shut out of that digital town square, to what extent do you still even have a First Amendment? To what extent do you have a right to speech? Well, I don't think you do. If you were to grab your soapbox today and go on the courthouse steps, they'll think you're a lunatic. You have no free speech right in this country if you are kicked off of these social networks.

So, I don't think it's good enough to say, well, these are private actors and, therefore, they can do whatever they want. Those private actors have too much power. They have the power to decide whether you, as an American, have an effective free speech right in this country. I think that's unacceptable. I think the Founders, the Framers of the Constitution, would never have permitted that.

...

BW: What do you say to the people who argue: If you don't like the way YouTube conducts itself, if you don't like the way Facebook conducts itself, no problem. Go make another one. Why is that not an acceptable solution to this problem?

DS: This is what you heard when Twitter and Facebook banned Trump. Their argument was: Go to a different app. And then Apple and Google banned Parler, which was the different app. And then the argument was, Well, that's not censorship. Just go create a website. And then Amazon Web Services started banning websites. So, at some point, when are you going to say this is an undue imposition on free speech? What am I supposed to do? Go create my own internet? All I wanted to do was post a tweet. Let’s not be obtuse to the power of these monopolies. I think people are being selectively oblivious to the network effects.

BW: We hear that phrase a lot: network effects. What does it mean?

DS: A network-effect business is one where the value of the service increases with the number of users. So if you think about Twitter or Facebook or the phone company, the more people who are on the service, the more value it has to everybody else. The value actually increases exponentially because the number of connections that can be made increases exponentially every time someone joins the service. If you or I want to create our own Twitter clone, it'll be very, very hard to do that because nobody else will be on it. So you have this huge chicken and egg problem. This is why these social networks are so powerful. They’ve got these huge network effects based on the fact that everybody is already on them, and it gets very, very hard to try and create a competing one.

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Definition of Cancel Culture

Greg Lukianoff defines "cancel culture," documents its existence and urges that we not give in to its perpetrators who claims that it does not exist:

A culture of censorship—of shaming, shunning, and attempting to destroy people’s lives for ideological reasons—exists in America, and Americans have a name for it: cancel culture.

Let’s not abandon that name in a vain attempt to please the people most responsible for perpetuating the problem.

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Tara Henley Describes the Identitarian Left

Who are these people? Here's one tell: You will not find them on the streets actually helping to improve the people they claim they care about. You will not find them in the kinds of colleges that most people attend. You won't find them inviting open-ended discussions with the people they disagree with.

Tara Henley tells us more about the Identitarian Left, whether you call them this or whether you call them Woke Moralists or Social Justice Warriors or whatever:

One term I’ve heard lately that’s helpful in unpacking the new left is “identitarian moralism.” This phrase captures the new left’s puritanical thrust and quasi-religious fervour, along with its festishization of identity, while also signaling its ability to shape-shift to take up the Twitter cause du jour, whether that happens to be pandemic public health policies or, this week, recasting Madeleine Albright as some sort of feminist icon. What remains consistent, across all fronts, is a strident illiberalism.

Let’s be clear: If you do not agree with the new left’s list of approved narratives, it one hundred percent expects you to keep your mouth shut (or, alternatively, to “do the work” of “listening and learning,” ideally on Instagram, so that you can be shunned and shamed in as public a manner as possible).

The goal of the new left is, in fact, explicitly to shut down debate of any ideas deemed “harmful,” so as not to perpetuate the harm. This unfortunately leads to an endless parade of bad faith arguments, since the goal is never to make sense or persuade people, but rather to bring discussions to an abrupt halt.

It also leaves a great number of people politically homeless.

Who is Tara Henley? Someone who lives by her principles. A former decorated reporter with the Canadian Broadcasting Corporation. Here is why she resigned at the end of December 2021:
It used to be that I was the one furthest to the left in any newsroom, occasionally causing strain in story meetings with my views on issues like the housing crisis. I am now easily the most conservative, frequently sparking tension by questioning identity politics. This happened in the span of about 18 months. My own politics did not change.

To work at the CBC in the current climate is to embrace cognitive dissonance and to abandon journalistic integrity.

It is to sign on, enthusiastically, to a radical political agenda that originated on Ivy League campuses in the United States and spread through American social media platforms that monetize outrage and stoke societal divisions. It is to pretend that the “woke” worldview is near universal — even if it is far from popular with those you know, and speak to, and interview, and read.

To work at the CBC now is to accept the idea that race is the most significant thing about a person, and that some races are more relevant to the public conversation than others. It is, in my newsroom, to fill out racial profile forms for every guest you book; to actively book more people of some races and less of others.

To work at the CBC is to submit to job interviews that are not about qualifications or experience — but instead demand the parroting of orthodoxies, the demonstration of fealty to dogma.

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