Illusions and paradoxes

Here's a big page-full of well-presented optical illusions and paradoxes. Many of these are oldies-but-goodies, but there are more than a few that were new to me. Many of these are startling. The site offers succinct explanations for many of the illusions. Related post:http://dangerousintersection.org/2006/12/08/optical-illusion-extravaganza/ And don't forget that we are subject to mental illusions too.

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More evidence that the Internet is making us stupid

According to new book by Nicolas Carr, the brain's plasticity is a double-edge sword--to the extent that we make ourselves into Internet skimmers, we allow other cognitive abilities atrophy. Carr's new book was reviewed at Salon.com by Laura Miller:

The more of your brain you allocate to browsing, skimming, surfing and the incessant, low-grade decision-making characteristic of using the Web, the more puny and flaccid become the sectors devoted to "deep" thought. Furthermore, as Carr recently explained in a talk at the Los Angeles Times Festival of Books, distractibility is part of our genetic inheritance, a survival trait in the wild: "It's hard for us to pay attention," he said. "It goes against the native orientation of our minds."

Concentrated, linear thought doesn't come naturally to us, and the Web, with its countless spinning, dancing, blinking, multicolored and goodie-filled margins, tempts us away from it. (E-mail, that constant influx of the social acknowledgment craved by our monkey brains, may pose an even more potent diversion.) "It's possible to think deeply while surfing the Net," Carr writes, "but that's not the type of thinking the technology encourages or rewards." Instead, it tends to transform us into "lab rats constantly pressing levers to get tiny pellets of social or intellectual nourishment."

Rather than claim that the Internet makes us "stupid" (a term used in the title of an article on this topic that Carr published in The Atlantic, "Is Google Making Us Stupid?"), it would be more accurate to suggest that constant skimming and clicking develop those particular skills at the expense of the ability to focus deeply. Thus, we trade-off one ability for another, it seems, an idea captured by Howard Gardner's suggestion that it is misleading to speak of a unified version of intelligence--hence his concept of the multiple intelligences. There is no doubt that the ability to quickly navigate the Internet and to multitask can be quite useful in many situations. The question is whether a long-term development of these skimming and clicking skills, to the extent that it diminishes traditional skills associated with "intelligence," leads to the kinds of ideas and abilities that we need to solve modern day problems faced by society. This is an issue recently raised by Barack Obama:

With iPods and iPads and Xboxes and PlayStations -- none of which I know how to work -- information becomes a distraction, a diversion, a form of entertainment, rather than a tool of empowerment, rather than the means of emancipation.

I notice that I am often not focusing well when I read on a screen, especially after long hours of looking at the screen. I find that my focus improves dramatically when I switch to printed material, especially when I also use a pen to ink up the article with my own highlights and notes. Perhaps this is another illustration of the same problem noted by Carr. Perhaps I will need to actually buy and read the print version of Carr's new book to fully appreciate his analysis! To complicate matters, I caught the above-linked potentially important ideas and articles while surfing the Internet.

Continue ReadingMore evidence that the Internet is making us stupid

No crowd gathered, therefore nothing important happened.

What happens when one of the finest classical musicians in the world decides to perform incognito in a Washington D.C. subway station for 45 minutes? In January, 2007 violinist Joshua Bell played a string of exquisite musical pieces on his Stradivarius in D.C.'s L'Enfant Metro Station, yet no crowd gathered and only $32 was thrown into his violin case. This is a man who was filling $100 seats at evening concerts at this time, yet barely anyone stopped to listen, and the exceptions to this rule were barely exceptions. Bell was repeatedly disoriented when he heard the total lack of applause at the conclusion of each of his riveting pieces. No one walked up to him and asked for his autograph.

Three minutes went by before something happened. Sixty-three people had already passed when, finally, there was a breakthrough of sorts. A middle-age man altered his gait for a split second, turning his head to notice that there seemed to be some guy playing music. Yes, the man kept walking, but it was something.

A half-minute later, Bell got his first donation. A woman threw in a buck and scooted off. It was not until six minutes into the performance that someone actually stood against a wall, and listened.

Things never got much better.

The Washington Post described this fascinating experiment in great detail, and provided video as well. The outcome invites conducting another experiment where a sophisticated symphony audience would listen to two symphonies playing behind curtains and were then asked to guess which one consisted of the career musicians and which one consisted of skilled high school students like these. It's an experiment that would never be run, I assume, because it risks inflicting massive damage and embarrassment on the symphony and its audience. But there's another take-away from this experiment. At a gut level, when there is no gathered crowd, it's not an important event. A world-class musician playing world-class music should seemingly be of the same importance, existentially speaking, wherever it occurs, whether that be in a packed symphony hall or in Mr. Bell's living room. But that's not how the world works. And even when a crowd gathers, it apparently needs to be the right kind of crowd. That is why the final game of the spring training baseball season is not significant, whereas the first game of the official season is of great significance, even though both of them are well attended.

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Bobby McFerrin illustrates the simple beauty of the pentatonic scale

This is fun--actually delightful. Bobby McFerrin plays the audience, and they produce a pentatonic baseline for McFerrin's improvising. World Science Festival 2009: Bobby McFerrin Demonstrates the Power of the Pentatonic Scale from World Science Festival on Vimeo. For more of McFerrin's magic, watch the video below:

World Science Festival 2009: Notes & Neurons, Part 1 of 5 from World Science Festival on Vimeo.

Continue ReadingBobby McFerrin illustrates the simple beauty of the pentatonic scale