Hypocrisy award goes to “children advocacy” center

If you want to know about an organization's character, watch what it does; don't listen to what it says. Campaign for a Commercial Free Childhood is a gutsy little organization. How little? Two employees. How gutsy? They make a lot of noise and they get a lot done. CCFC is the hero in the story I'm about to tell. Here's a post featuring one of those two employees, Josh Golin, speaking intelligently and from the heart about the disturbing trend of increased commercialization of childhood. And consider this bold stand that CCFC took when President Bush praised a fraudulent corporate scheme to make children "smarter" during his 2007 State of the Union address. Not content to simply make a lot of noise, CCFC threatened litigation against Baby Einstein (which had become part of the Disney empire). This approach resulted in Disney offering refunds for its Baby Einstein products which, alas, weren't actually able to make children smarter--in fact, there is good evidence that they hinder the development of children's brains because many of the products require plopping babies in front of televisions for extended periods. Happy ending, right? Nope. Now I'm going to tell you about children advocacy organization that refused to do the right thing. It appears that Disney wanted some revenge against CCFC, and that Disney pressured "Judge Baker Children’s Center," (CCFC's landlord) to suddenly evict CCFC from it's headquarters. It also appears that Disney attempted to gag CCFC at about the time when Disney agreed to offer those refunds (under threat of litigation by CCFC). Therefore, it appears that Disney used its power to turn a large prestigious children's center against a tiny children's advocacy group. And the more you know about JBCC, the more it is clear that this move is about far more than choice of office space--CCFC was kicked in the teeth thanks to this eviction. For the record, Disney's actions were reprehensible, but that's what I've come to expect from all big for-profit corporations (note this for the record). Maybe I'm naive, but I still assume that non-profits such as JBCC will generally do the right thing. I just sent an email to JBCC to voice my intense displeasure at its actions. In the subject field, I entered "Shame on you." Here's my email:

To: John R. Weisz – President, Judge Baker Children’s Center Stephen Schaffer - Chief Operating Officer Michele D. Urbancic - Vice President of Advancement And to everyone else it should concern at the Judge Baker Children’s Center:

I have just read in the New York Times that your prestigious Center suddenly evicted a tiny do-gooder organization that had recently exposed consumer fraud committed by the Walt Disney Company.

In case you folks haven’t done it recently, I’d recommend that you each spend about a minute to read your own mission statement.

The Judge Baker Children's Center promotes the best possible mental health of children through the integration of research, intervention, training and advocacy . . . Through advocacy we use scientific knowledge to expand public awareness and inform public policy.

[Emphasis added]. Truly, your Center has just demonstrated a lack of class so momentous that it deserves some sort of special public recognition above and beyond the recent NYT article. At least now we know that your mission statement is for sale. And PLEASE don’t blame it on your board. No one forced any of you to sit there in silence while your Center betrayed Campaign for a Commercial-Free Childhood. You were free to call the NYT and criticize your own Center; of course, that would have taken courage and scruples. And no one forced any of you individuals to acquiesce when your Center tried to gag a bona fide children’s advocacy organization.

The rank hypocrisy of what you did (and tried to do) to CCFC reeks all the way to my hometown of St. Louis. Here’s a suggestion to avoid this kind of scolding in the future: try to remember that your mission is “improving the lives of children.” Your mission (and your “shifting focus”) should not be to serve as the enforcement arm for corporate wrong-doing.

For your punishment, you should each go look in a mirror and contemplate who it is that you are seeing.

I’ll leave you with a quote:

"Our lives begin to end the day we become silent about things that matter." Martin Luther King, Jr.

Erich Vieth St. Louis, Missouri http://dangerousintersection.org/

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Copyright Bite

I received a warning when I logged into my YouTube account recently. I had openly and with attribution used a couple of popular tunes in some of my videos. Those have been flagged as violations of copyrights, my account to be reviewed, and the videos may be pulled, or my account suspended. Meanwhile, those videos sport pop-up ads to buy the tunes. The two offending videos use tunes that had their heydays in the 1930's and 1970's. Even the children of the original creator and performer of the older tune are all dead. Is it right that some corporation is making a fuss over my sharing this with a few friends? There have been less than 75 views in the year since it's been posted. I see no reason to fight this. I'd be quite content to have ads pop up for the tunes I use. I even wish there were a mechanism in place to request ads to pay for use of related content. It's not so much that I like ads, but that I respect content creators. But I don't respect any right in perpetuity for corporations to hold creative rights once a creator and his direct heirs are out of the picture. Like McCartney having to pay the estate of Michael Jackson to use his own songs.

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On the Value of Information Technology

I'm not writing about gadgets here, but about the information that makes the gadgets useful: Software. This video is nominally about web design consulting. But I've lived these situations back before the web, as well as with web clients. One problem is that the buyer of information has no idea what it's worth until he has it. And once he has it, why should he pay someone for it? Therefore, it isn't valuable. This dovetails neatly into other copyright issues, but I'm not going there. I have a few websites, most of which are loaded with free information that I painstakingly collected and developed. The sites are also built from scratch, mostly with a simple text editor. Some people see value in this; I receive donations. Some years as much as the low three figures. People used to ask me if HTML was easy. I'd say, "Yes, you just need to remember how a few hundred easy commands interact." Most developers don't bother to make sure their site even meets official web standards (as published and tested for free by W3C.org). Even WordPress, the engine on which this site is built, shows errors in the validator. Google? Thousands of errors on every page. I've had clients who understand what I do, and were happy to pay. Unfortunately, usually their superiors had to be cajoled. Eventually, these situations melt down and leave me out of work. The "Just a small change" problem comes up often. After I've been reporting and demonstrating every step of the way, and finally a web site is finished, then do they bother to look and notice that it isn't what they need. They make "little" requests comparable to having a builder simply move a bathroom from the first floor to the second as the keys to a house are handed over. This video made me cringe.

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About good hair

Tonight, the parents of my children's school were given a chance to view and discuss the 2009 Chris Rock movie: "Good Hair." As you can see from the following YouTube trailer, the film is characterized as a "comedy," and there were certainly many lighthearted moments throughout the film. On the other hand, the subject of the film is also tragic, in that it is the story of millions of African-American women who have been convinced that their natural hair is not beautiful. Chris Rock documents the extreme lengths that many African-American women go to to cover up their African-American hair. The story starts when one of Rock's young daughters asked him, "Daddy, why don't I have good hair?" What can an African-American woman do when she wants to have "good hair"? The options include the use of highly caustic sodium hydroxide for straightening the hair (with its potential for painfully scalding the skin). I knew about that particular practice, but I had no idea that so many African-American women have actually covered up their own hair with "weaves," straight dark human hair grown by women from other cultures. Rock traces some of the most sought-after weave hair to India. Many Indian women periodically give up their hair (having their heads shaved completely bald) in religious ceremonies called "tonsure." From those temple rituals, that hair somehow ends up in the United States, where it is purchased by African-American women at prices ranging from $1,000 on up. It's even more amazing to consider that so many women of modest means work so hard to cover up their hair with weaves. Several of the women stated that an African-American woman simply cannot succeed in the business world without hair that has been straightened or covered with a weave. Many of the women featured in the film indicated that taking care of a weave is extraordinarily difficult--no swimming for these women, and many of them wouldn't dream of ever letting a man touch their delicate fake hair, even their lover. I had no idea that so many women would go to such extraordinary lengths to have "proper" hair, or that so many women consider it to be more "natural" to display hair that is not their own natural hair. Watching this film was a wonderful anthropological journey for me; this story is thoroughly about people and in the lengths to which they will go to display themselves in what they see to be culturally appropriate ways; it's not just about hair. I truly enjoyed viewing the delightful interviews of the many people Chris Rock artfully stirred into his vivid mosaic. The broader lesson is not about hair, or even about African-Americans. It seems to be about consumerism and the deep need of humans to display their traits to each other in expensive ways.

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Who is crazy?

The mainstream media is going after anyone who dares to stray from what they consider to be the proper boundaries of discourse. He dares to treat mainstream political discourse "as the political freak show that it is." That's why Alan Grayson, who is one of the few people in Congress who is really working hard to get to the bottom of serious problems, has a big target on his back--he is being labeled as crazy by a mainstream media that doesn't know what to do when someone asks real questions about real issues. Glenn Greenwald of Salon.com explores this problem at length, pointing out the other side of the coin, that in Media-World, those who are certifiably insane are being labeled as "sane" as long as they stay within predesignated boundaries. For example:

Just consider who is supported and embraced by those who slap the "crazy" label on the forehead of every perceived dissident. Hillary Clinton -- the ultimate embodiment of Democratic Party Seriousness and Sanity -- supported the invasion of Iraq by warning of scary weapons and Al Qaeda ties that did not exist . . . and she spent her campaign beating her chest and doing things like threatening to "totally obliterate" Iran. While in office, Barack Obama has endorsed putting people in cages with no charges, assassinating American citizens with no due process, eavesdropping on Americans en masse with little oversight, increasing military spending beyond its shockingly inflated levels while searching for ways to cut Medicaid and Social Security, and blocking judicial review of presidential felonies and war crimes on the ground that those criminal acts constitute vital "state secrets" and must be protected. Most Serious, Sane Democrats have supported all of that insanity.
What honest person can argue with Greenwald's list? But he was just getting warmed up. There's a lot more, including this:
Meanwhile, the GOP establishment from top to bottom spent a decade cheering on torture, disappearances, abductions, unprovoked wars, chronic presidential lawbreaking and truly sick McCarthyite witch hunts. Both of the Sane Parties conspired to transfer, with little accountability, massive amounts of public wealth to the very Wall Street firms which virtually destroyed the entire world economy, while standing by and doing very little about tragic levels of joblessness or the future risk of Wall-Street-caused financial crises; kept us waging war for a full decade in multiple countries (while threatening others) even as we near the precipice of bankruptcy, the hallmarks of under-developed nation status and the disappearance of the social safety net; and are so captive to the corporate interests which own the Government that they viciously compete with one another over who can be a more loyal servant to those interests.
Greenwald is not suggesting that those who step out of the mainstream are always correct about everything they say. But he does give credit to Alan Grayson, Dennis Kucinich and Ron Paul for not buying into most of the rubbish that we are being fed by the media. We live in world painted upside-down by a media that is largely not about traditional Fourth Estate values. Rather than feed us information that will allow a democracy to thrive, the mainstream media, based on its constant miserable failures over the past ten years, is clearly more interested in destroying those who dare to ask questions that might threaten our corporate-military-prison-industrial-Complex.

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