Generalizing the travel advice of Rick Steves

My daughter and I just returned from a trip to Europe, where travel guru Rick Steves served as our primary guide. We relied heavily on his travel books regarding Berlin, Paris and London. These travel guides are detailed, well-organized and well-written. I highly recommend them to anyone intending to travel to Europe. What I especially like about Rick Steves, though, is his constant urging to live close to the ground while traveling, to work hard to interact with real people and to avoid expensive travel arrangements that prevent you from interacting with others on their terms. This approach does not come naturally to many Americans. Steves thus works hard to prepare Americans for visiting places that are not America. He doesn’t mince his words. Consider, for example, this passage from his London 2011 book, at page 17:

We travel all the way to Europe to enjoy differences-to become temporary locals. You'll experience frustrations. Certain truths that we find "God-given" or "self-evident," such as cold beer, ice in drinks, bottomless cups of coffee, hot showers, and bigger being better, are suddenly not so true. One of the benefits of travel is the eye-opening realization that there are logical, civil, and even better alternatives. Europeans generally like Americans. But if there is a negative aspect to the image the British have of Americans, it's that we are big, loud, aggressive, impolite, rich, superficially friendly, and a bit naive. [More . . . ]

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Culture and Copyright in the 21st Century

On 24 March, 2009 Lawrence Lessig delivered the keynote speech, Getting the Network the World Needs, at the OFC Conference in San Diego, CA. This is a revision of a REMIX talk, distinguishing between parts of the 20th Century that were Read-Only and parts that were Read-Write. His brilliantly delivered thesis discusses how culture prior to the 20th century was essentially read-write, everyone consumed and created the culture interactively. During the 20th century centralization and control of media and distribution transformed our culture to a read only - where creation was almost exclusively the province of professionals and professional distribution channels (tv, movies, music). He then suggests that the 21st century brings the promise and the demand for building a read-write culture once more, and for moving far beyond the mash-up of the past decade. He also discusses the necessary legal and infrastructural changes needed to accommodate this changed reality. Warner Music has tried to serve a DCMA takedown, based on his inclusion of some music and media clips - despite the obvious and clear "fair use".

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