On March 17, 2021, Author Abigail Shrier testified at a Senate Judiciary Hearing. Because of the harm that it would cause to girls and women and unfairness to female athletes, she strongly opposes the pending "Equality Act."
At TK News, Matt Taibbi lays out ten disturbing examples of the U.S. news media recklessly getting it wrong. Have they learned their lesson? Not a chance. After presenting the evidence of journalistic malpractice, Taibbi concludes:
Does this mean the Russians don’t meddle? Of course not. But we have to learn to separate real stories about foreign intelligence operations with posturing used to target domestic actors while suppressing criticism of domestic politicians. It’s only happened about a hundred times in the last five years — maybe it’s time to start asking for proof in these episodes?
In my work as an attorney I often encounter opposing attorneys who object to my written questions (interrogatories), insisting that they are "vague." Opponents often make these objections in an attempt to avoid answering my questions or to slow down the progress of the lawsuit. I remind my law students that they will often encounter this unfortunate behavior when they graduate. When it is convenient for them, the people we communicate with often give us the least charitable readings of our words. This common occurrence is one of my least favorite parts of being an attorney. It eats up a lot of time and money trying to force motivated opponents to acknowledge common and ordinary meanings of words.
This isn't just a problem for attorneys. Whenever any of us communicate, the attitude of the other person often determines whether we will get a responsive answer or no meaningful answer. Word meanings can easily be bent and twisted and it often happens when there is no ill-intent. Consider too the existence of contronyms, words that have some opposite or contradictory meanings, such as "bolt," "dust" or "out."
There is also a fun side to unreasonable misunderstandings. It can make for good comedy. Here's an example from Monty Python's "Holy Grail":
One of the most entertaining uses of intentional misunderstanding is found in the work of photoshop artist James Fridman. Many people send James requests to improve their photos and James intentionally misunderstands their requests. Over and over. Here are a few examples of Fridman's work:
and here . . .
Check out many more examples of Fridman's work here.
John McWhorter is self-publishing his new book, The Elect, chapter by chapter, on his website at Substack, It Bears Mentioning. His intended audience is instructive. His book is not necessary medicine for people who are actively self-critical, skeptical and enthusiastically open to facts that challenge their world views. Rather, McWhorter's new book is especially intended for those who have fallen into world views where these things have become forbidden and scary and where independent thought on certain matters is prohibited by one's tribe. McWhorter explains:
I am not writing this book thinking of right-wing America as my audience. I will make no appearances on any Fox News program to promote it. People of that world are welcome to listen in. But I write this book to two segments of the American populace. Both are what I consider to be my people, which is what worries me so much about what is going on.
One is New York Times-reading, National Public Radio-listening people who have innocently fallen under the impression that pious, unempirical virtue-signalling about race is a form of moral enlightenment and political activism, and ever teeter upon becoming card-carrying Third Wave Antiracists themselves. I will often refer to these people in this book as “white,” but they can be of any color, including mine. I am of this world. I read the New Yorker, I have two children, I saw Sideways. I loved both The Wire and Parks and Recreation.
The other is black people who have innocently fallen under the misimpression that for us only, cries of weakness constitute a kind of strength, and that for us only, what makes us interesting, what makes us matter, is a curated persona as eternally victimized souls, ever defined by the memories and injuries of our people across four centuries behind us, ever “unrecognized,” ever “misunderstood,” ever in assorted senses unpaid.