Representative Alan Grayson makes the truth hurt.

Some would call it a stunt, but all indications suggest that Alan Grayson was spot on. Lots of people are dying because of the lack of health insurance. Many of those people live in Congressional Districts overseen by Republicans who prefer the status quo. Grayson simply added 2 plus 2, and it made the Republicans livid. If they don't like it, then they should do something about it. That's how I see it. The solution is not to hide the facts that people in your district are dying from a problem that might have a solution but that you are not seeking any solution.

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Congress Approves $500 Billion For Monument To Human Folly

As reported by The Onion, "Congress Approves $500 Billion For Monument To Human Folly."

In recognition of mankind's inherent propensity for tragically foolish decisions, Congress allocated nearly $500 billion Monday for the construction of a new national monument honoring human folly.

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Fans, Freedom, and Frustration

Over on her blog, Kelley Eskridge has a video of a "Bono Moment" in which you see two distinct types of fans interacting with U2's lead singer. Check it out and come back here. Okay, the guy in the t-shirt obviously is carrying on a conversation. he may be being a fan, but he hasn't lost his mind. The female is being...a groupie, I guess. Though the groupies I've met in my time have been a bit more specific about what they wanted and had a better plan on how to get it. In any event, the questions Kelley raises are interesting and relate on so many levels to so many different things. The fan reaction---mindless adulation bordering on deification---looks to me, has always looked to me, like exactly the same kind of nonsense people put into religion. Mindless, utterly uncritical adoration of an image and the set of emotions with which that image is connected in the mind of the adulant. You can see the same thing in politics. To a lesser degree with less public personalities---writers, painters, photographers (I never knew anyone who elevated a photographer to the level of sex god, but I have known people who got off on sleeping with painters, and of course there's a kind of Nabokovian/Bellow/DeLillo-esque subculture of writer groupies...) and other creative types---but actors and musicians seem to get all the dedicated obsessives. I've never had this happen to me. I'm not sure if I'm grateful or resentful---having somebody want to associate themselves with you in a mindless swoon because your work has made them, I don't know, climax maybe is on a certain level appealing. But it's appealing the same way porn is---something most people, if they're at all sane and grounded, kind of grow out of and get over. I know I would not find it very attractive now. When I was twenty-five? You betcha. Bring 'em on. But if I'd had that then I think I'm fairly sure I would have wearied of it very quickly. I long ago realized that sex, to me, involved the other person---emphasis on Person---and the best sex I ever had included the good conversations before and, especially, after. (There is a point, of course, where you realize that sex is a conversation, of a very particular sort, and takes on a whole new dimension, which one-night-stands, no matter how good they might be, just can't provide.) But the real problem with all this is that art is more than just any one thing and the artist is not the art. The two are inextricably linked. Here is a video discussing the question of artist-in-relation-to-muse which I find illuminating. The notion that the talent "arrives" and you act as conduit through which creativity happens is not, as the speaker suggests, a new one, and it's not one I'm particularly in sympathy with---it all happens in my brain, it's definitely mine---but I certainly find her analysis of the psychology of following through intriguing and true. Once the muse is finished with you on a given project, you do not continue to exist as though in the grip of the work. There is a person there that pre-figures the work and who will be there after it's done that has all the needs and wants and sensibilities of a normal human being. To be treated as some kind of transcendence generating machine by people is in some ways disenfranchising. For a writer, if the well from which inspiration and material are drawn is the honesty of human interaction, then the gushing idiot fan robs the writer, for a few minutes at least, of exactly that. But it also sets the artist up to become a prisoner. A prisoner of other people's expectations. Those expectations always play a part in anyone's life, but certain aspects---the most artificial ones---get exaggerated in the instance of fan adoration. Watch Bono shift from one stance to another when he finally acknowledges the female. No, he doesn't stop being Bono, but it's almost as if he says "Oh, it's time to do this sort of thing now" as he first recognizes her presence and then automatically poses for the camera, with this not-quite-disingenuous smirk. Because he also recognizes that, however silly this person is being, what she's feeling right then is her's and to claim it is artificial is wrong. Maybe an artificial set of expectations led her to this point, but now that she's In The Moment, the emotions are real. If he'd ignored her or told her something snarky in an attempt to snap her out of it, all that would have resulted would have been an ugly moment, a bit of cruelty, and a lot of confusion on the fan's part. [more . . . ]

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The problem with lobbyists

Jeffrey Sachs talks about the problem with lobbyists:

Lobbyists for powerful corporations are crawling over every piece of pending legislation- from health care, to banking regulation, to climate change -- keeping a chokehold on deep reforms. Jankowsky says that lobbying is transparent. . . . Special interests have already spent $2.5 billion dollars this year on 13,000 lobbyists like Mr. Jankowsky and his colleagues at the firm Akin Gump, with many contributing their expertise to gutting financial oversight of Wall Street, delaying control of greenhouse gas emissions, and preventing real controls on health insurance costs.

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Dylan Ratigan asks why Tim Geithner still has a job

In a succinct and powerful video, Dylan Ratigan wonders why Tim Geithner still is our Treasury Secretary. Senator Maria Cantwell, who makes an appearance on this video, wonders this too, calling Geithner's job performance "appalling." I agree. It's time for Obama to start fresh while we are not in crisis mode. He can do this without starting a panic by saying something like, "We thank Mr. Geithner for his service getting us through this crisis." But then, by all means, throw the bum out and let's pick an honest outsider (not another Goldman Sachs alum) to lead the way. Am I being harsh when I say "bum"? Nope . . . I'm being restrained. Geithner should be taking the time to use the mass media to teach common people what went wrong, how we can avoid it happening again, and explaining exactly where our public tax dollars have gone. Because he refuses to do any of this, and he refuses to be an powerful advocate for taxpayers, he should step aside. It is clear that he doesn't understand who he is supposed to represent. If I were to speak more bluntly, I would say that Tim Geithner is committing a fraud on the U.S. public. Here are the words of Robert Johnson, former economist at the Senate Banking Committee and the Senate Budget Committee

[Geithner] speaks as though they’re doing very comprehensive reform. Unfortunately, in the United States, one of the reasons we had the bubble and the crisis was because we have a broken political system, where campaign money, lobbying influence of the financial sector is enormous, and it created bad regulations, bad laws. I’m going back into the Reagan period, Bush the senior, particularly the Clinton era. We’ve made a mess, and now we come back from a crisis where the population knows darn well what a mess we’ve made. But the problem is, at this point, the people in power, the moneyed interests are still in power. And a large portion of these reforms are either cosmetic or designed by the industry and quite ineffective. . . Ground Zero, the San Andreas Fault of our financial system, where it blew up last time, was in the intersection between “too big to fail” firms and over-the-counter derivatives and that these derivatives need to be put on exchanges, because they’re too complex, and when they’re combined with the “too big to fail” firms, which have a 95 percent market share in OTC derivatives, five banks, that it can create a situation, like we were talking about moments ago, where Citibank could not be restructured. The spider web of positions in derivatives is so complex and so entangled that it deters policy officials from being able to put them through restructuring, because they’re afraid of what kind of spin-offs and consequences will happen. I spoke about the credit default swap market and the illusion of safety that those credit default swap contracts created when they’re unregulated, because everybody thought AIG was going to be able to pay the bill, but they weren’t, and then the taxpayer got to provide that capital.
It's also time for Cantwell and her Senate colleagues to quit blaming Treasury for failing to lead the way. Congress has the power to make laws; it should should pass the necessary laws to close the "loopholes" she finds so appalling.

Continue ReadingDylan Ratigan asks why Tim Geithner still has a job