Note to most mourning journalists: You are not like Walter Cronkite

Glenn Greenwald offers yet another column sharply critical of many of today's so-called journalists. It is well worth reading the entire thing. Here's an excerpt:

[M]edia stars will spend ample time flamboyantly commemorating Cronkite's death as though he reflects well on what they do (though probably not nearly as much time as they spent dwelling on the death of Tim Russert, whose sycophantic servitude to Beltway power and "accommodating head waiter"-like, mindless stenography did indeed represent quite accurately what today's media stars actually do). In fact, within Cronkite's most

[caption id="attachment_8158" align="alignright" width="300" caption="Image: public domain: Library of Congress"]Image: public domain: Library of Congress[/caption] important moments one finds the essence of journalism that today's modern media stars not only fail to exhibit, but explicitly disclaim as their responsibility. Greenwald also quotes New York Magazine's Yada Juan, quoting Harper's Lewis Lapham:

The new tradition is that the press speaks on behalf of the government.” An example? “Tim Russert was a spokesman for power, wealth, and privilege,” Lapham said. “That’s why 1,000 people came to his memorial service. Because essentially he was a shill for the government. It didn’t matter whether it was Democratic or Republican. It was for the status quo.” What about Russert’s rep for catching pols in lies? “That was bullshit,” he said.

Greenwald includes a short clip of an interview where Walter Cronkite expresses his greatest regret. And here is one of his best moments, when he forcefully spoke truth to power. Note:, Even Cronkite got caught up on the power and patriotism of war, a fact that is documented in the transcript of the excellent documentary, "War Made Easy," which I reviewed here.

NORMAN SOLOMON: Every war, we have US news media that have praised the latest in the state-of-the-art killing technology, from the present moment to the war in Vietnam.

WALTER CRONKITE: B-57s -- the British call them Canberra jets -- we're using them very effectively here in this war in Vietnam to dive-bomb the Vietcong in these jungles beyond Da Nang here. Colonel, what’s our mission we're about to embark on?

AIR FORCE COLONEL: Well, our mission today, sir, is to report down to the site of the ambush seventy miles south of here and attempt to kill the VC.

WALTER CRONKITE: The colonel has just advised me that that is our target area right over there. One, two, three, four, we dropped our bomb, but now a tremendous G-load as we pull out of that dive. Oh, I know something of what those astronauts must go through. Well, colonel.

AIR FORCE COLONEL: Yes, sir.

WALTER CRONKITE: It’s a great way to go to war.

You can watch the entire documentary here (1 hour and 10 mintes) .

Continue ReadingNote to most mourning journalists: You are not like Walter Cronkite

Planning one’s death at the end of a long illustrious life

Conductor Edward Downes and his wife Joan decided to end their lives on their own terms:

He spent his life conducting world-renowned orchestras, but was almost blind and growing deaf – the music he loved increasingly out of reach. His wife of 54 years had been diagnosed with terminal cancer. So Edward and Joan Downes decided to die together.

Downes – Sir Edward since he was knighted by Queen Elizabeth II in 1991 – and his wife ended their lives last week at a Zurich clinic run by the assisted suicide group Dignitas. They drank a small amount of clear liquid and died hand-in-hand, their two adult children by their side. He was 85 and she was 74.

Many people feel that suicide necessarily cheapens one's life. In many cases, I don't agree. I do think that the choice of when and how to die belongs to each person individually, as long as the decision was not made impulsively or under the influence. If the day comes when I decide that I can't bear the pain, or that I no longer find joy in my life, I would hope that I wouldn't need to travel all the way to Switzerland because inter-meddlers think they know better than me about the meaning of my own life.

Continue ReadingPlanning one’s death at the end of a long illustrious life

The Missing Past and Short Attention Spans: A Space Odyssey

Stan Lebar worked for Westinghouse in the 1960s. He led the developmental team that produced a state-of-the-art camera for NASA---the camera that was taken to the moon on Apollo 11 and recorded the first moonwalk. Most people have seen those images, many times---grainy, fuzzy black & white pictures of something that looks kind of like an astronaut slowly descending something that kind of looks like a ladder on the side of a large object that we are told is the lander. Whatever. We suffered through these scenes, probably many of us annoyed at the quality, impatient that better pictures weren't available. (Better still pictures became available, shot with specially-made Hasselblads, that remain absolutely stunning in clarity and detail, so made up for the sub par video, at least for some of us.) After all, even Hollywood, using by today's standards primitive technology, could create vastly superior space vistas---compare the images from the 1966 film 2001: A Space Odyssey with the NASA footage from a few years later and you grasp the disappointment. (It has long been my opinion that support for the space program waned because NASA managed to take something as exciting and sexy as space exploration and turn it into the equivalent of a lecture on statistics. The late, great science fiction author Robert A. Heinlein chastised NASA at Congressional hearings for not doing more P.R., better P.R. When he was told that the government didn't do P.R., he had further things to say about campaigns and such like and then pointed out "NASA has a press department, doesn't it? That's the job of the press department." Anyway...) The camera built by Mr. Lebar's team was far superior to the poor images we all saw---and continue to see. The recording medium, however, was incompatible with broadcast television at the time.

Continue ReadingThe Missing Past and Short Attention Spans: A Space Odyssey

Guest sums it up colorfully and the new anchors apologize

Firedoglake's Marcy Wheeler, urging that we should investigate secret operations of the CIA, describes the situation the same way that smart people on the street would describe it. Then, the anchors fall all over themselves allegedly apologizing for Wheeler and allegedly apologizing for themselves. This is pathetically sanctimonious.

Continue ReadingGuest sums it up colorfully and the new anchors apologize

What is St. Louis like?

People from my town of St. Louis are going ape-shit thinking that the national spotlight will come to our city along with the All-Star Game. It's really sounding like mega-insecurity to me. If you're really proud of your city, then be proud. You shouldn't need some sports announcer to say a few nice things about one's tourist attractions between pitches in order to feel validated. And if that sports announcer's opinion is so important, let's make sure that he takes a tour of our decaying city schools before the baseball game so that he can give the national sports audience an informed opinion or two on that, between pitches. And, really, what's more important if you had to choose between having first rate tourist attractions and a first rate school system? But my ambivalence leads to an important question. What is St. Louis really like? I've lived here all my life, and there is much to like about our city (as well as many things that need much improvement). Rather than write my own lengthy description of St. Louis, I'm going to refer you to this well-written balanced account by Alan Soloman of the Philadelphia Inquirer. What should we be thinking about St. Louis as the All-Star Game approaches? Here's Soloman's ominous opening, although his article eventually veers to many of the positive aspects of my river city.

The Gateway Arch, symbol of the place, and the museum beneath it represent the nation at its swaggering best, symbols of a Western expansion that would define us in so many ways. That we're talking about St. Louis - a city that's seen its share of rough times and that, like the country, isn't exactly in swagger mode right now - in a way adds particular power and poignancy to this year's celebration.

For another angle on how St. Louis is doing, check out this article in The Riverfront Times, where the author asks whether the recent efforts to beautify St. Louis amount to "putting lipstick on a pig."

Continue ReadingWhat is St. Louis like?