Conspiracies, Fiction, and New TV

Time out for a bit of pop culture. Indulge me, this is only marginally serious. I just finished watching the new show on SyFy called Warehouse 13. I enjoyed it, it was a good ride, even though they clearly went after the X-Files crowd with this one. It could be worth a few hours to see where they go with it. They took the endless warehouse from Indiana Jones, added some National Treasure grace notes, stirred in a dollop of Muldur and Scully, and introduced a bit of humor. That last is very important, because when you have a premise that is this borderline, taking it too seriously is risking alienating a lot of audience. The main reason the X-Files worked was the mood, the color, the textures that Chris Carter wove into it, and he played the conspiracy theory game like a master. But for me, it got very old very fast. The problems with the X-Files were manifold and manifest. The biggest one was Scully. She was the dumbest "scientist" I'd ever seen on television or read in fiction. To remain so obdurately unseeing through all that she was put through required zero imagination in the character, zero sense of humor, and probably some sort of serial fixation or related pathology. If they'd played that up it might have worked, but for pity's sake she was just dense. And therefore unbelievable. Not to mention, of course, that much of the "science" in X-Files was atrocious. But that's a charge that can be leveled as many shows on television, many movies, and quite a few novels. (It would seem to me, though, that when a show is based supposedly on science, even fringe science, an attempt would be made to Get It Right. It wouldn't take much in most instances, just someone on staff who could say "That won't work" and then offer a way that it would. I understand some shows have such a person, but he or she is more often ignored than heeded, probably because the recommendations wouldn't be dramatic. But I often wonder if the real reason they're ignored is because the assumption is made that putting in valid science would make the audience feel stupid---since clearly it makes the producers of the shows feel stupid!) The other problem with it was the profundity of the secrets ultimately being kept. It worked well when Muldur was just going through a bunch of old case files no one wanted to tackle because they led to bizarre places. Kept modest like that would have allowed the concept to work on the fringe, where it started out, and could have been very entertaining. But when it became this all-encompassing, "the aliens have been here and we are in league with them" kind of schtick, it became ridiculous. Because they were trying to keep it consistent with mimetic fiction.

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Our incredibly fickle media turns all of its spotlights on Michael Jackson

Check out the home page of MSNBC tonight (click on the thumbnail below). Do you see ANYTHING about the crisis in Iran? Instead we are presented with endless drivel about Michael Jackson, who was an extremely talented entertainer many years ago. But I suppose that there is nothing interesting going on in Iran. And nothing much else going on anywhere else either, apparently. For all you can tell by looking at the MSNBC homepage, the problems in Iran have been entirely resolved. Or maybe the problem is that MSNBC doesn't have anybody on the ground in Iran, and when a tree falls in the forest where there aren't any mainstream media reporters, the tree didn't really fall at all. Even though sustained coverage of Iran is potentially a lifeline for the brave Iranian men and women who are standing up to their government, which apparently stole their national election. And BTW, had we elected John McCain and had he gotten his way to bomb Iran, would our media have tried to present an accurate viewpoint of these young heroes? Or would we have merely seen a reply of the Iraq invasion, lots of videos of bombs being dropped and missiles being launched? msnbc-no-iran MSNBC is merely doing what the rest of the commercial news sites are doing. ALL of the commercial news sites have decided that Michael Jackson is far more important than . . . well . . . everything else combined. See the thumbnails below to see the home pages of CNN and ABC. What do these news priorities say about our commercial news businesses, and what do they say about us as commercial news consumers? I'd suggest that this fickle coverage suggests that the commercial media doesn't take its job seriously. Not at all. cnn-not-much-iran abc-barely-mentions-iran Absolute insanity.

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Why should scientists shun Templeton Foundation?

I've wondered why so many respected scientists participate in Templeton Foundation activities. One reason is money, but not all lovers of science acquiesce, as indicated on Richard Dawkins' site. For example:

I hope you will understand that this is by no means directed at you personally, but I don't engage in Templeton-associated matters. I cannot agree with the Templeton Foundation's project of trying to make religion respectable by conflating it with science; this is like mixing astrology with astronomy or voodoo with medical research, and I disapprove of Templeton's use of its great wealth to bribe compliance with this project. Templeton is to all intents and purposes a propaganda organisation for religious outlooks; it should honestly say so and equally honestly devote its money to prop up the antique superstitions it favours, and not pretend that questions of religion are of the same kind and on the same level as those of science.

Anthony Grayling

Here's one more excerpt from a letter to Edwin Cartlidge of the Templeton Foundation, this one by Daniel Dennett:

If you had said that you were studying the views of scientists, philosophers and, say, choreographers on this topic, I would at least be curious about what expertise choreographers could bring to it. If you had said scientists, philosophers, and astrologers, I would not even have replied to your invitation. The only reason I am replying is to let you know that I disapprove of the Templeton Foundation’s attempt to tie theologians to the coat tails of scientists and philosophers who actually do have expertise on this topic.

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Cultural death in threes –

I am experiencing a rather weird feeling - three cultural icons whose flames burned brightest during my own youth have all been extinguished in the same week. First Ed McMahon, who, for years has been but a caricature of himself, died, essentially of old age, at 86. Not a big surprise, except I wonder how someone who was so vibrant when I was a teen managed to get that old?! A friend pointed out that deaths like his make her feel old, and I get that. But so do the deaths of Farrah and Jacko today - at least for me. Because I can still remember believing that only old people lose contemporaries in any large number - and perhaps because we lost a mom at my oldest daughter's school to ovarian cancer this month - I'm feeling a bit too close to death's doorway. I was never a big fan of Farrah, but I know several men who, as boys, would glaze over just staring at her poster on their bedroom walls. She and her fellow Angels were early purveyors of girl-power - except it was the toxic kind, a power that came primarily from great bodies, beautiful faces and big hair. Oh, and yeah, they could kick butt against the bad guys, of course. Theirs was a cultural impact similar to Barbie's - a completely unrealistic picture of femininity to strive for, girls! But still, they were women in formerly man-held roles, and they were part of my girlhood, for better or worse. Farrah, of course, was always the top angel. Not a role model, although back then some tried to paint her as such; just an icon, replete with faults that became more apparent as she got older and the media more intrusive. Like her or not, I am saddened by the long suffering she had to endure up to her end. As for Michael Jackson, I simply don't know how to feel.

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PBS bans new religious TV shows

As reported by the Washington Post:

The Public Broadcasting Service agreed yesterday to ban its member stations from airing new religious TV programs, but permitted the handful of stations that already carry "sectarian" shows to continue doing so. . . Until now, PBS stations have been required to present programming that is noncommercial, nonpartisan and nonsectarian. But the definition of "nonsectarian" programming was always loosely interpreted, and the rule had never been strictly enforced.

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