In Praise of FoxTrot Professional Search Software for Mac

I have sometimes struggled to comb through several decades of legal research (as well as science and philosophy research) on my iMac 4tb hard drive. I've used Apple Spotlight's multi-faceted document search function over the years and it is often quite helpful. Today, however, I learned about FoxTrot Professional Search. It is incredibly powerful, allowing you to pinpoint documents, images, spreadsheets and mail in dozens of ways, including proximity searches and tailor-made search strings with exceptions. You can apply complicated search requests to multiple indices on your main HD, as well as external drives (I've got another 3+ TB of data on my external drive. I've been exploring the parameters of FoxTrot for a couple of hours now and I highly recommend it. $100 per workstation. I hope this helps somebody out there . . .

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How to Be a Human Animal, Chapter 26: The Magic of Tuna Acceleration and Workspaces

This is Chapter 26 of my advice to a hypothetical baby. And yes, what I'm really doing is acting out the time-travel fantasy of going back give myself some pointers on how to navigate life. If I only knew what I now know . . .  All of these chapters (soon to be 100) can be found here.

You are only 26 days old, but you will someday escape your crib and your room with the same aplomb with which you escaped your mother's womb. And at some point in your adventures as a bipedal ape, you might be lucky enough to see some fish. One thing that I always found amazing is how fast a fish can go from zero to some absurdly fast speed. It turns out that this was explained in Andy Clark's excellent book, Being There: Putting Brain, Body, and World Together Again (1998). I had the opportunity to take four graduate seminars with Andy at Washington University and he excelled at filled our heads with non-stop counter-intuitive observations and explaining them in clear English. Here's how fish can take off like rockets:

The swimming capacities of many fishes, such as dolphins and bluefin tuna, are staggering. These aquatic beings far outperform anything that nautical science has so far produced. Such fish are both mavericks of maneuverability and, it seems, paradoxes of propulsion. It is estimated that the dolphin for example, is simply not strong enough l to propel itself at the speeds it is observed to reach. In attempting to unravel this mystery, two experts in fluid dynamics, the brothers Michael and George Triantafyllou, have been led ro an interesting hypothesis: that the extraordinary swimming efficiency of certain fishes is due to an evolved capacity to exploit and create additional sources of kinetic energy in the watery environment. Such fishes, it seems, exploit aquatic swirls, eddies, and vortices to " rurbocharge" propulsion and aid maneuverability. Such fluid phenomena sometimes occur naturally (e.g., where flowing water hits a rock). But the fish's exploitation of such external aids does not stop there. Instead, the fish actively creates a variety of vortices and pressure gradients (e.g. by flapping its tail) and then uses these to support subsequent speedy, agile behavior. By thus controlling and exploiting local environmental structure, the fish is able to produce fast starts and turns that make our ocean-going vessels look clumsy, ponderous, and laggardly. " Aided by a continuous parade of such vortices," Triantafyllou and Triantafyllou (1995, p. 69) point out," it is even possible for a fish's swimming efficiency to exceed 100 percent." Ships and submarines reap no such benefits: they treat the aquatic environment as an obstacle to be negotiated and do not seek to subvert it to their own ends by monitoring and massaging the fluid dynamics surrounding the hull.

The tale of the tuna reminds us that biological systems profit profoundly from local environmental structure. The environment is not best conceived solely as a problem domain to be negotiated. It is equally, and crucially, a resource to be factored into the solutions. This simple observation has, as we have seen, some far-reaching consequences. First and foremost, we must recognize the brain for what it is. Ours are not the brains of disembodied spirits conveniently glued into ambulant, corporeal shells of flesh and blood. Rather, they are essentially the brains of embodied agents capable of creating and exploiting structure in the world.

This passage brings me to today's advice: Don't just "Do," as Yoda suggests. Prepare your workspace and then "Do" with apparent super powers! Tuna prepare the nearby water by setting up their own currents before tapping into them. Ka-Bang!  Reminds me of the acceleration technique of the cartoon Roadrunner, but tuna acceleration is not fiction.

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Having more fun with photos using Lightroom 4

Yesterday, my 14 year old daughter JuJu and I spent the entire day at Studio 314 in Midtown St. Louis learning Adobe Lightroom 4. I'd been using Picasa for organizing my photos, and Picasa/Photoshop for processing. Lightroom is an incredible package --it allows you to quickly sort through your photos and also to "develop" them using sophisticated controls that allow for individual tweaks and batch processing. It's a professional tool, and even after a day of studying it and most of a day (today) continuing to study it and use it on my own, I only think I've tapped into 50% of what the program can do. Not that knowing the controls is being proficient at using the program either. I'm sure that I'll be picking up lots of tips and efficiencies over the next six months or so (there are tons of Youtubes and other videos offering instruction in Lightroom). What I've already noticed is that I'm turned some mediocre shots into decent shots and I've turned many decent shots into impressive images. Lightroom offers far more flexibility than the free photo organizing and processing programs out there, such as Picasa and iPhoto. Lightroom 4 is only about $100, so it's well in range of amateur photographers like me. Today I spent a couple hours at the St. Louis Zoo capturing images, so that I could have something interesting to process in Lightroom 4. I'll paste a couple of my photos below, but also offer a gallery (you can get to the gallery by clicking on the title of this post if you don't see it). I invite you to click on the photos below to see them in much better detail. So far, so good. I'm definitely going to incorporate Lightroom into my workflow. [These images were taken a Canon S95 and a Sony HX10V, two modest priced cameras, nothing fancy].

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