Come to the United States for slow and expensive Internet

As reported by Common Dreams:

The New York Times reported on Wednesday that the U.S. has sunk to 25th in a global ranking of Internet speeds, just behind Romania. Why? Because our nation's regulators abandoned an earlier commitment to foster competition in the marketplace for Internet access providers.
Here's the problem:  Most households in the United States have little-to-no choice when it comes to land line broadband:

The lack of competition has turned America into a broadband backwater. In the aftermath of the FCC’s decisions, powerful phone and cable companies legislated and lobbied their way to controlling 97 percent of the fixed-line residential broadband market — leaving the vast majority of consumers with two or fewer choices of land-based providers in any given market.

This article links to a Free Press publication, "Dismantling Digital Deregulation: Toward a national Broadband Strategy," which tells us what deregulation has brought us:
Almost right out of the gate, the Bush administration’s FCC declared war on competitive ISPs. It quickly decided that even though the cable platform had transformed into a two-way communications medium, cable companies didn’t need to abide by any of the pro-competitive requirements of the 1996 Act. The FCC also decided that incumbent monopoly phone companies would no longer be required to provide competitive broadband ISPs wholesale access at reasonable rates and conditions. This abandonment of “open access” policy flew in the face of congressional intent and doomed the competitive ISPs to irrelevancy and bankruptcy. Meanwhile, overseas, other countries maintained this commitment to competition and reaped the benefits. The OECD countries with open access policies have broadband penetration levels nearly twice that of countries without these policies. Citizens in the countries with open access policies also get more broadband bang for their buck. For example, consumers in countries with “line sharing” open access policies pay about $14 per Mbps; consumers in countries without these policies pay more than double this amount. The FCC, in its blind pursuit of deregulation, abandoned line sharing and other open access policies in the hopes that this “regulatory relief” would inspire incumbents to make massive investments in broadband infrastructure. But this hope, based in part on the promises made by the incumbents to get favorable FCC treatment, turned out to be completely false. An examination of the data reveals that the pace of broadband deployment was no different in the years before major FCC broadband deregulation than it was in the years after. States like Virginia and Maine saw no improvement in deployment, while in some states like Nebraska, things actually got worse. The FCC also justified its abandonment of competition policy by arguing that the incumbent phone and cable companies would offer third-party ISPs wholesale access on favorable terms, even though they weren't obligated to do so. In retrospect, letting the fox guard the henhouse was a colossal mistake. An examination of the offerings of the few remaining third-party broadband ISPs illustrates the obvious: that incumbents have absolutely no reason to offer their competitors favorable wholesale rates. For example, Earthlink still resells Time Warner Cable broadband service, but the monthly rate is so high that no consumer in his or her right mind would pay it. Earthlink’s 7 Mbps tier costs consumers nearly $30 more than if they bought it from Time Warner Cable directly, while the lowest-price tier is nearly 20 percent cheaper if purchased from Time Warner Cable. In many cases, once they were granted relief from providing reasonable wholesale access, incumbents refused to offer wholesale altogether or jacked up the rates so high that third-party ISPs would lose money.

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Telecommunications industry working overtime to misrepresent net neutrality

I don’t believe that money is speech, but I’ve repeatedly seen that money motivates dishonest speech, much of it uttered by paid “experts.” This money-motivated dishonesty is a recurring problem regarding many issues, including the topic of this article, net neutrality. On August 8, 2011, I was pleased to see that the St. Louis Post-Dispatch published my letter to the editor on the topic of net neutrality.  Here’s the full text of my letter:

Maintain neutrality We pay Internet service providers to move data from point to point. We don't pay them to steer us to selected sites (by speeding up access times) or to discourage us from using other sites (by slowing down or blocking access). Nor do we pay them to decide what applications we can use over the Internet. I should be free to use Skype even if it competes with the phone company's own telephone service. Giving Internet users this unimpeded choice of content and applications is the essence of "net neutrality," and it has inspired unceasing innovation over the Internet. The Senate soon may vote on a "resolution of disapproval" that would strip the Federal Communications Commission of its authority to protect Americans from potential abuses. If it passes, net neutrality would be at serious risk. Congress is under big pressure (and receiving big money) from companies like AT&T, Comcast and Verizon, who want to become the gatekeepers of the Internet. They would like to carve up the Internet so that it would become like cable TV, with tiered plans and limited menus of content that they would dictate. Phone companies should not be allowed to dictate how we use the Internet. I urge Sens. Claire McCaskill and Roy Blunt to support net neutrality by voting against the resolution of disapproval. Erich Vieth • St. Louis
I wrote this letter as a concerned citizen.  I have long been concerned about net neutrality.  I have seen ample evidence that increasingly monopolistic telecommunications companies have no qualms about forcibly assuming the role of Internet gate-keeper.  As for-profit entities, their instinct is to limit our Internet choices if it would make them ever greater piles of money. Call me a pragmatist based on America’s television experience; telecommunications companies want to control how we use the Internet much like cable TV companies shove users into programming packages in order to maximize profit. On August 18, 2011, I noticed that the Post-Dispatch published an anti-net-neutrality letter. Here is the text of that letter: [More . . . ]

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A Subtle Change to the Way the Web Works

A recent article on ZDNet, 10 things you should know about HTML5, brought to mind the good old days. I wrote my first web site in early 1995, back before there was a World Wide Web Consortium, before there were hundreds of thousands of web sites, before Internet Explorer was even a gleam in Bill Gates' eye, and HTML 1.0 had recently been ratified. I had to manually install a TCP/IP stack in DOS (underlying Windows 3.11), and bought a book on the proposed HTML 2.0 standard to use with my purchased 3½" disc of the new Netscape 2.0. Yes, I wrote my first several sites using Notepad, before moving up to the superior Notepad++. Netscape had some good debugging tools built in that IE never felt the need to mimic. The first deficiency that I noticed in the HTML standard was that there was no graphical mode. They had no way to draw a box, a line, a circle, or any graphical image except for the img tag to import Microsoft BMP and CompuServe GIF files. The open JPG standard was just coming out. I couldn't believe it. The HPGL vector language seemed pretty standard to me back then, and has since become the universal vector drawing protocol in plotters and such. But somehow the designers of the new, image-based World Wide Web addition to the Internet had no apparent plan to explicitly support graphics. Sure, one could buy Flash and embed it as an object on a page. But it was expensive, clumsy, and not widely deployed back in the 300/1200/2400 baud world. But now, only sixteen years later the W3C is finally putting together the new HTML 5.0 standard, including both vector and video graphics as part of the basic language! Because of the now-entrenched nature of Flash, that isn't going away quickly. After all, many web sites still use the CompuServe GIF 1989a (formerly proprietary) image format. But Flash or DivX or QuickTime will no longer be necessary to build fully graphical web pages.

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Apparently We Need More Accidental Criminals

I was reading my usual science blogs, and came across Weekend Diversion: And now, they're coming for me. Yeah, me. Because I write for you. at Starts With a Bang. Apparently Congress is creating new classes of felons that would have no idea they were doing anything even technically wrong. In brief,  U.S. Senate Bill 978 (that just cleared committee) makes it a Federal Offense (felony) if you happen to embed someone's video on your post that someday someone may claim infringed on a copyright. If I, for example, embed a video of some stranger's birthday party on this blog, that pans briefly across a television set that happened to be playing a commercial for shoes, that has background music by the Beatles, and in five years Michael Jackson's heirs decide that this infringed on their copyright on the music of McCartney and yank the video, I could technically be sentenced to up to 5 years in prison. Even if the creator of the video, the owners of the network, and the shoe company and its marketing agent all had approved my use. Ethan Siegel has more details about this silliness and suggestions on his post.

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Ira Glass and the taste-ability gap.

Creation is daunting. Partly because the drive to create is always rooted in admiration for others' creations. What writer hasn't struggled against inadvertently ghost-writing their favorite author? What aspiring auteur, poet, or painter doesn't begin with work that is heartrendingly derivative of others' better attempts? Or worse-- what creative person hasn't struggled to make something 'great', something 'great' as the art they adore, only to find they can't quite compete? And who doesn't infer from these failings that maybe they weren't cut out to be a creative type after all? Ira Glass, creator and longtime host of This American Life, says there's a very simple reason for the head-bashing frustrations of early creative production. Simply put: if you are interested in creating something, it's probably because you have immaculate taste. Taste that outpaces your own ability. At least, at first. Glass says:

“What nobody tells people who are beginners — and I really wish someone had told this to me . . . is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
I found this snippet in a video interview with Glass (below) a year or two ago, and I find it incredibly inspiring. Glass' view of creativity suggests that even if you lack innate, immediate creative ability, you are not a lost cause-- and that, in fact, a little creative self-loathing may be a sign of good aesthetic instincts. It also suggests there is a solution to the problem of making unsatisfying dreck: just keep making more. And more. And more. This wisdom is especially powerful in context. As a radio producer, Glass was a very late bloomer. He worked in public radio for twenty years before conceiving of This American Life; he readily admits (in another portion of his interview, and on his program) that the first seven years of his radio work was deeply underwhelming and often poorly-paced.  He'll readily admit that his early stories were bad, and that even he knew they were bad, and that this tormented him. Only through tireless efforts and the cultivation of exceptional taste was he able to develop and bloom. And he bloomed big:  This American Life is one of the most widely-heard public radio programs ever, with 1.7 million weekly listeners, and has topped the Itunes podcast chart continuously for years. If Ira had given up after a few years of shoddy radio stories, we'd all have missed out on TAL's  hundreds of hours of thoughtful, poignant, high-quality public radio. I found this interview snippet a little over a year ago, and Glass' words of experience have galvanized me ever since. Whenever I write something that strikes me as uninspiring or derivative dreck, I reassure myself it's a matter of taste, and time. And more time.

Continue ReadingIra Glass and the taste-ability gap.