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Okay, so I contributed to the James Cameron Self Love Fund and saw AVATAR. Yesterday we went to the 3-D showing (no way I would spend money on the normal view, I can wait for the DVD the way I do with 99% of the movies I see anymore). I’ve had a day to think about it now and I’ve come to some conclusions, which are hardly profound, but I think worth saying. Let me say up front that I wasn’t bored. Visually, this is a stunning achievement. But that’s what everyone is saying. It is, in fact, the best 3-D I’ve ever seen. Often in the past the effect is minimal and the cost in headache high. This was neither. And it fully supported the visuals rather than masking mundane or poor image elements. Pandora, the planet involved, is magnificently realized. Cool stuff. Real gosh wow. The biology is problematic. You have a wide mix of lifeforms analogous to Earth. Some big lumbering critters like hippos or rhinoceri that also have features of a dinosaur, and some small things that are clearly wolves, and one big nasty cat-like thing that’s like a sabertooth tiger. It’s unclear if any of these creatures are mammalian, but it doesn’t matter much. Dinosaur analogs. Most of them apparently four-legged. But the “horses” the natives ride are six-legged, reminiscent of Edgar Rice Burroughs’ thoats. How does that play out in evolutionary terms? Well, maybe that’s a quibble. How then do you evolve humanoids out of this? Well, maybe that’s a quibble, too. This film is not about science on any level, regardless of the few bits of dialogue suggesting there are, you know, scientists, and that there is a studyable cause to any of this. Because the story, basically, is hackneyed, cynical, and cliched. [more . . . ]

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Tortucans and the Problem of Truthful Perception

The actor Dan Blocker, who played Hoss on the old television show Bonanza, suffered through an incident once that is by turns charming and chilling. He was at a public event, signing autographs, when an older lady came up to him and started complaining that the cook on the Ponderosa, Hop Sing, wasn’t feeding them right. “When you get back there,” she insisted, “you tell you pa that you need to get someone who knows how to cook good American food, feed you all properly.” Blocker, who by all accounts was the epitome of a gentleman, explained to her after a couple of minutes of this that there was no Ponderosa, that Bonanza was a tv show—fiction—and that he was just an actor playing a part. “Yes, yes,” she said impatiently, “I know that. But really you must tell Ben to fire that Chinaman and get a real cook before all you boys dry up and blow away.” She was absolutely convinced of the reality of the Cartwrights, the “fact” of the Ponderosa, and the need to be concerned on their behalf, as if the events on the show were somehow as real as anything she encountered in her daily life. Charming, yes, but chilling in the respect of encountering a rock hard, immovable assertion of the reality of something fabricated. Made up. One can dance around this in a variety of ways, philosophically speaking. As a writer of fiction I object when critics assert that what I do is tell lies for a living. “What you create is not true.” In one sense, I must agree completely. The events I depict in my stories have never, nor will likely ever, “happen” in so-called “real life.” But there is another level in which the “fact” of the story is itself a reality—the story exists, the events depicted have an effect in the reader’s imagination, there is no contravention of consensual reality in the sense that the story replaces the actual world, and yet there is a substance to them (if I’ve done my job well enough) that is not so easily dismissed as a lie. On yet another level, the question of truth comes into it in regards to the felicity of the essence of the story to what we might recognize as truthful observations, mainly about the human condition. A piece of fiction can tell a truth—in fact, good fiction does exactly this by examining human nature under conditions where a revelation about how people are takes place. We find ourselves responding to characters, in the course of reading fiction, as if they were, in some sense, real. This is what Art does. It reveals truth. [more, including several videos . . . ]

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An Alternate Look At The Way Things Did Not Go

Alternate history is a subset of science fiction. Stories and novels of this sort have been written for a long time, but in the last three decades or so the form has come into its own. Many of them are playful What-Ifs that look at how things might have gone had a detail or two gone differently. They are then excuses for adventure or thriller plots that quite often have little real poignance, not least because often the point of departure for the changed history is quite unlikely.

The best ones, however, play with changes that actually might have happened given just a nudge in one direction or the other, and the unfolding drama gives a glimpse of worlds that could easily have come about, often forbidding, thoroughly cautionary. We tend to assume, unconsciously at least, that things work out for the best, even when there is evidence to the contrary. An understandable approach to life given the limit power any of possess to effect events, change the course of history, or otherwise fight perceived inevitabilities. But unlike in fiction, it is rarely up to one person to fight evil or correct wrongs. It is a communal responsibility and the only tool we possess collectively is the wisdom accrued over time from which we might draw clues what to do.

Word War II provides a wellspring of speculation on what might have been done differently if. It seems occasionally that the outcome was a foregone conclusion. Seen purely from a military standpoint, perhaps so. For all its formidable abilities, Nazi Germany was ultimately limited by available resources, something certain generals tried to address on multiple occasions but ultimately failed to successfully repair. But politically? The world at the time offered faint comfort to those who thought the democracies could win in a toe-to-toe fight with the tyrants.

Allow me, then, to recommend a trilogy of novels that represent the better aspects of alternate history and effectively restore the chilling uncertainties of those times.

[more . . . ]

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Rape Amendment Passes

Al Franken's amendment to the new DoD appropriations bill has passed. Obama has signed it into law. This is the now infamous anti-rape amendment, which opens up and begins to hold accountable contractor abuse in cases involving sexual assault. The vote was 68-30, which is not exactly close. The thirty votes against? Republicans: Alexander (R-TN) Barrasso (R-WY) Bond (R-MO) Brownback (R-KS) Bunning (R-KY) Burr (R-NC) Chambliss (R-GA) Coburn (R-OK) Cochran (R-MS) Corker (R-TN) Cornyn (R-TX) Crapo (R-ID) DeMint (R-SC) Ensign (R-NV) Enzi (R-WY) Graham (R-SC) Gregg (R-NH) Inhofe (R-OK) Isakson (R-GA) Johanns (R-NE) Kyl (R-AZ) McCain (R-AZ) McConnell (R-KY) Risch (R-ID) Roberts (R-KS) Sessions (R-AL) Shelby (R-AL) Thune (R-SD) Vitter (R-LA) Wicker (R-MS) Most of these people have not explained themselves, but have carped loudly afterward at their "characterization" as somehow pro-rape. An accusation Franken did not make. (Part of the heat around this has been generated by Franken's acrimonious row with Senator's Corker and Alexander, who co-wrote an op-ed piece condemning the amendment.) Senator Cornyn has been quoted in the after math thus:

Trying to tap into the natural sympathy that we have for this victim of this rape —and use that as a justification to frankly misrepresent and embarrass his colleagues, I don’t think it’s a very constructive thing.

Any embarrassment seems, however, to have been self-acquired in this case. Senator Sessions complaint about the amendment curiously misses the point of it while sounding a standard Republican note:

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Border Incident

You may have heard about this by now. Biologist and science fiction writer Peter Watts was stopped on his way back into Canada by border guards. He'd been helping a friend in the United States move and he was returning. He was flagged to the side and the guards fell on his vehicle. He stepped out to ask what was going on, was told to get back in his vehicle, and when he asked again for the reason for the search, he was pepper sprayed, beaten, thrown in a lock-up overnight, and the next day sent into a winter storm on foot in shirtsleeves, all his personal property confiscated pending arraignment on charges of assaulting a federal officer. In his own words:

Along some other timeline, I did not get out of the car to ask what was going on. I did not repeat that question when refused an answer and told to get back into the vehicle. In that other timeline I was not punched in the face, pepper-sprayed, shit-kicked, handcuffed, thrown wet and half-naked into a holding cell for three fucking hours, thrown into an even colder jail cell overnight, arraigned, and charged with assaulting a federal officer, all without access to legal representation (although they did try to get me to waive my Miranda rights. Twice.). Nor was I finally dumped across the border in shirtsleeves: computer seized, flash drive confiscated, even my fucking paper notepad withheld until they could find someone among their number literate enough to distinguish between handwritten notes on story ideas and, I suppose, nefarious terrorist plots. I was not left without my jacket in the face of Ontario’s first winter storm, after all buses and intercity shuttles had shut down for the night.

In some other universe I am warm and content and not looking at spending two years in jail for the crime of having been punched in the face.

Here is a post on his behalf. A legal defense fund is being built by the writing community as you read this. The first thing, I admit, that occurred to me when I heard about it was a kind of reflexive "well, he must've said something," the kind of self apology for representatives of my government that springs automatically to mind. Because none of us want to believe that thugs and bullies work for us. I dismissed that idea. Watts is the least likely individual to provoke such a response. [more . . . ]

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