We need a monarch.

I hate to sound like a Tea-Party nutbag, but I really love the United States' Constitution. As I've mentioned before, I'm a free-speech fanatic. I love the Constitution's sharp focus on individual liberties, its emphasis on the rights of the accused, and that grade-school-civics favorite, the checks and balances of power. I despair when these ideals meet real-life sacrifices, especially glaring ones like, oh, the utter lack of Congressional declarations of war since WWII. I also don't like to sully the document's purity with excessive amendments, interpretations and adaptations. No Defense of Marriage Amendment, please, but while you're at it, no marriage at all (it violates the establishment clause, you see). But don't call me a Scalia-esque strict constructionist. If I could, I would copy-edit the otherwise brilliant Constitution and correct a centuries-old omission with no qualms: I would give the United States a monarch. It probably seems unamerican, undemocratic and all-around anti-freedom-y to propose that we foist an unquestioned figure to the crown of government. It probably sounds old-fashioned, all uppity and needlessly symbolic and European. I know it does. It's exactly my point.

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Can you tolerate NAMBLA?

image courtesty of the Federal Art Project, via Wikimedia Commons You think you're open-minded? What if the North American Man-Boy Love Association wanted to distribute a newsletter in your town? What if they wanted to hold a local parade celebrating pederasty? I am currently studying social psychology in graduate school, and I'm particularly interested in political psychology. One of my present research interests is political tolerance. "Political tolerance" refers to individuals' willingness to extend equal civil liberties to unpopular groups. When political scientists and psychologists measure political tolerance, they often probe individuals for their ability to withstand the most offensive, outlandish groups and speech possible. For example, a liberal-minded person may be asked whether they would be willing to allow a rally for the Klu Klux Klan or some extremist, militaristic group. Paradoxically, a truly tolerant person must be willing to allow racially intolerant speech. Political tolerance plays a cornerstone role in functioning democracies (at least, we think so). If voters can strip away the civil liberties of disliked political groups, those liberties lay on precarious ground indeed. If we cannot tolerate the words of anarchists or members of the Westboro Baptist Church, then we do not really believe in the boundlessness of speech at all. Academics say as much. In reality, voters are not so tolerant.

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Pics or it didn’t happen!

Image by Rohan Kar, courtesy of Wikimedia Commons I was mulling around the Lincoln Park Zoo today with a friend when a man stepped on me. He was filming a Siberian tiger with a high-end digital video camera, which he held on an expensive mounting. He was fidgeting with all of the camera's features, backing up to get the perfect shot, and he stepped all over my feet. The foot-stomping didn't bother me so much as the man's intent focus on something other than his present surroundings. A beautiful creature stood before him, but his attention was directed at the camera and the filming of the tiger more than it was the tiger itself. Not much later, something similar occurred in the Tropical Birds House. As I was watching the bleeding-heart pigeons, a man, family in tow, came around the corner with a massive video camera. He also had it placed on an expensive mount. Obliviously, he nudged forward until his lens nearly leaned on the display's glass. He fiddled and fidgeted. He zoomed on the critters for a moment, and left. "Do you think he'll ever watch that footage?" my friend asked. "No," I guessed. Without much thought I noted, "It isn't about the footage. He probably just bought that camera, and is filming because he wants to play with it." "So the actual footage is useless," he observed in return. I intuited that the man's camera was a new purchase because I've done the exact same thing with a fresh 'toy'.

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Why are all the Youtube stars from LA?

Youtube was supposed to be one of Web 2.0's shining examples of user-generated original content. In a world (in 2005) when everything worthwhile was already online and fully consumed, Youtube was supposed to provide us with a new outlet to both create and consume. I know it is hard to recall Youtube's original intent as a creative landscape, but keep in mind that the site's slogan was and is "Broadcast Yourself". Most of us don't broadcast ourselves, or watch broadcasts of other selves. The last time I fired up Youtube, I was looking for a free way to stream James and the Giant Peach. Any cute skits or beautiful shorts I discovered thereafter were barely bonuses; they were just tasty little incidentals to be quickly forgotten. Most people go to Youtube to view unoriginal creations- movie, TV and music clips or mashups thereof. Youtube's most viewed videos of all time are music videos like "7 Things" by Miley Cyrus and Rihanna's "Don't Stop the Music". My little sister uses Youtube as a combination DVR-Itunes-Pandora player. Nothing original seeps in unless I send it to her myself- and then it's usually just a video of a cute animal, not a creative work. Ah, but Youtube does have some high-caliber producers of original goodies! People who put on elaborate comedy skits with costumes, professional lighting and substantial editing. People who pull in millions of views. People with whom Youtube has formed profitable, advertising-driven partnerships. These people are broadcasting themselves. But they aren't like "us". They are all from Hollywood.

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Hip hop has a bad ‘rap’.

Whether you consume rap and hip-hop or not, you know the genres have dingy reputations. I believe the hate for hip-hop and rap blossomed in the 90's. Rappers were actually cold-blooded gangsters at the time, people who occasionally shot one another. The music reflected the turmoil that its creators had experienced- growing up in crack-infused ghettos, resorting to crime to scrape by, and dying in a swarm of bullets even if they did finally make it out and become famous. "I'm twenty-three now but will I live to see twenty-four/ the way things is going I don't know," Coolio said in "Gangster's Paradise", and he was by no means a Tu-pac; he was gangster-rap-lite. The depression of 90's rappers manifested itself in loud, brash talk of guns and glory; no wonder white outsiders were scared. The violent content of 90's rap inspired Tipper Gore and their ilk to censor and criticize with fervor, cementing rap's image as a crude, violent genre for future gang-bangers. Hip-hop and rap also have the reputation of being degrading to women. This present stereotype was also inspired by past trends. After 90's gangster rap subsided, it was replaced with a money-cash-hoes mentality. In the early aughts, Jay-Z, 50 Cent and others spat mainly about their wealth, their rise from the streets, and the women that their amassed wealth could attract (Jay-Z wrote a song called "Money, Cash, Hoes"). Women were called hoes and bitches in earlier rap and hip-hop songs, it's true, but in the early 00's the music seemed more intently focused on the subject. Rap and hip-hop from this period was all about the ascent into fame, and the amassing of expensive objects. One of these objects happened to be attractive women. "I'm into having sex, I'm not into making love," 50 Cent reminds listeners in one of his most popular singles. Thus rap and hip-hop received another nasty label: it was degrading and shallow.

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