The Day Sam Harris Stopped Being a Skeptic

For many years I had listened to Making Sense, the podcast of Sam Harris. I admired Sam's ability to analyze many complex issues, including religion and cognitive science. I don't listen to him nearly as much any more. He has fallen off the tracks regarding COVID and censorship. I am also concerned that he has a bad case of Trump Derangement Syndrome - I describe TDS as a disgust of Trump that is so intense that one is willing to start with the premise that Trump cannot ever again be president, then to reverse-engineer government and media institutions that get in the way, disabling them if necessary, doing whatever is necessary to guarantee that Trump never again holds power.

Recently, I found myself wondering when it was that I first noticed that Harris fell off the rails on these topics. I think it was on his January 2, 2019 with Renée DiResta, who is described in the podcast notes as "Director of Research at New Knowledge and Head of Policy at the nonprofit organization Data for Democracy." I remember listening to this podcast several years ago, thinking that Sam was simply eating out of DiResta's hand, taking everything she said without exercising any meaningful skepticism or pushback. While I listened to that podcast, it seemed like a truly bizarre moment compared to other episodes of an otherwise excellent well-informed, highly-engaging podcast.

At minute 18 of the podcast, Sam seemed hypnotized into head-nodding as DiResta described "Russian Interference in the U.S. Presidential Election of 2016." When Harris asked whether we know this to be true, DiResta responded there is "no basis for doubt," that it is "crystal clear," "it happened" and an "incontrovertible truth." A claim like this should result in dozens of questions, including who, what, when, where, how and why.

But that was the day Sam-the-Skeptic died. At Minute 20, Sam assured DiResta that this Russian interference only went in one direction. It "was not a pro-Clinton campaign." DiResta explained to Harris that the Russian "Internet Research Agency" was growing "tribes" on social media, based on divisive issues having nothing to do with Trump, then somehow switching those tribes and disillusionment into pro-Trump propaganda. DiResta explained that this social media propaganda was organized around ideas of "pride" of Americans "to exploit feelings of alienation" on topics as diverse as Immigration, southern culture, LGBT, Bernie Sanders, religious rights, BLM and pro-police. And then the Russians started "weaving in their support for candidate Trump." Somehow those evil-doers converted people who allegedly found these to be topics of interest to channel their frustrations into votes for Trump. And somehow these social media posts (a mere "81 Facebook pages") swayed the outcome of a national American election where multi-millions of dollars were being spent by the candidates themselves. DiResta spun this spectacularly unconvincing story based on black-box "trust me" causation. She was allowed to sell this wild story without backing it up with any meaningful corroborating statistics or any psychological analysis of how this tactic could possibly work, yet Harris sat on his hands for the entire podcast drinking the Kool-Aid.

Now we know a lot more about Renée DiResta. According to Michael Shellenberger's recent article: "Why Renee DiResta Leads The Censorship Industry: How a former CIA fellow came to lead US government efforts to stamp out disfavored speech on the Internet."

DiResta’s rise to the highest levels of the U.S. intelligence community struck me back in December of last year as improbably meteoric. DiResta had repeatedly described her involvement in fighting disinformation as having started in 2013 when she became a new mom and grew concerned about spreading anti-vaccine information online. “In 2013,” she explained to Kara Swisher, “I had my first kid… You know, you have to do that preschool thing here, you’ve got to get them on a list a year early. I didn’t want to be in a preschool with a bunch of anti-vaxxers, candidly.” Two years later she was helping to fight ISIS online and by 2018 she was testifying before the U.S. Senate Intelligence Committee.

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BBC “Journalist” Fails to Define “Hate Speech” After Accusing Twitter of Having Increasing Amounts of “Hate Speech”

This kind of thing is what passes as "journalism" in many places these days (here's another grimace-worthy example). The BBC Journalist states that he has noticed more "hate speech" on Twitter since Musk. Musk asks him for an example of what he means by "hate speech." The "journalist cannot offer even one example. Instead, he defines "hate speech" as something "slightly racist" or "slightly sexist," but won't offer any example. Then he struggles mightily to stealth edit his claim, then tries to change the subject completely. This display of journalism malpractice was simultaneously recorded by BBC and Twitter. That's this video is publicly available.

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MLK on Violence, Home or Abroad

Martin Luther King:

As I have walked among the desperate, rejected, and angry young men, I have told them that Molotov cocktails and rifles would not solve their problems. I have tried to offer them my deepest compassion while maintaining my conviction that social change comes most meaningfully through nonviolent action. But they ask — and rightly so — what about Vietnam? They ask if our own nation wasn’t using massive doses of violence to solve its problems, to bring about the changes it wanted. Their questions hit home, and I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without having first spoken clearly to the greatest purveyor of violence in the world today — my own government. For the sake of those boys, for the sake of this government, for the sake of the hundreds of thousands trembling under our violence, I cannot be silent.

"Beyond Vietnam: A Time to Break Silence," given at Riverside Church in New York City on April 4, 1967.

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Word of the Day: Kayfabe

Word of the day: Kayfabe

In professional wrestling, kayfabe /ˈkeɪfeɪb/ (also called work or worked), as a noun, is the portrayal of staged events within the industry as "real" or "true", specifically the portrayal of competition, rivalries, and relationships between participants as being genuine and not staged. The term kayfabe has evolved to also become a code word of sorts for maintaining this "reality" within the direct or indirect presence of the general public.

Kayfabe, in the USA, is often seen as the suspension of disbelief that is used to create the non-wrestling aspects of promotions, such as feuds, angles, and gimmicks in a manner similar to other forms of fictional entertainment. In relative terms, a wrestler breaking kayfabe during a show would be likened to an actor breaking character on-camera. Also, since wrestling is performed in front of a live audience, whose interaction with the show is crucial to its success, kayfabe can be compared to the fourth wall in acting, since hardly any conventional fourth wall exists to begin with. In general, everything in a professional wrestling show is to some extent scripted, or "kayfabe", even though at times it is portrayed as real-life.

[Source: Wikipedia]

I often wonder how transgender activists talking about themselves when they are by themselves, out of public view.

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