New graphically illustrated book is filled with sex and violence.

R. Crumb has recently released his illustrated "The Book of Genesis." Caveat for parents of small children: No visual detail is left out. As Crumb indicates on the book cover, "Adult Supervision Recommended for Minors."img_1972 Crumb used the actual words from commonly used translations of the Bible, and simply interpreted what was going on, illustrating each passage with a cartoon-like drawing--the book is filled with many hundreds of drawings, quite a few of them explicit in their sexuality and in their violence. Crumb worked hard to show the expressions you might expect on Bible characters facing the situations they allegedly faced. Notice, for example, the expression on Noah's face (in the thumbnail at right), when hearing God disclose His genocidal intentions. Crumb is a well-known artist and illustrator, "critical, satirical, subversive view of the American mainstream." Reading Crumb's book makes me wonder whether Crumb is being sincere or coy in his claim that it was not his intention to ridicule or make visual jokes. There's a hint in Crumb's Introduction: "If my visual, literal interpretation of the Book of Genesis offends or outrages some readers, which seems inevitable considering img_1971that the text is revered by many people, all I can say in my defense is that I approached this as a straight illustration job, with no intention to ridicule or make visual jokes. That said, I know that you can't please everybody." In an interview published by USA Today, he gives more hints, but nothing definitive. Consider this: "So much of [the Bible] makes no sense. To think of all the fighting and killing that's gone on over this book, it just became to me a colossal absurdity. That's probably the most profound moment I've had — the absurdity of it all." But also consider another Crumb quote from the same article: "[The Bible] seems indeed to be an inspired work." My suspicion is that Crumb is at his subversive best in writing drawing The Book of Genesis, and that the commentary he offers in his book is his attempt at plausible deniability. Just my suspicion, based upon my belief that the best counter-argument to "inerrancy" is to encourage people to actually read the Biblical text, combined with the fact that illustrating Genesis will make it more likely to be read by many people, especially teen-agers and young adults. Crumb's book fascinates me. I read/viewed a big chunk of it today, and wondered whether any folks who believed that the Bible is inerrant would dare have their young kids read this version, even though its text matches commonly used translations and even though the drawings fairly match the text. There's an awful lot of senseless sex and violence in the Bible, which is even harder to ignore in Crumb's edition than in the versions of the Bible that lack drawings. But ignore these parts many religious folks do. Most Believers with whom I've spoken freely admit that they cherry pick when they read the Bible. Statistics bear out that great numbers of Believers fail to read the Bible carefully. At bottom, Crumb's work seems accurate, perhaps too accurate, to be recommended to members of most congregations, but it's a fascinating thought experiment to imagine a preacher conveying such graphic details of the Book that irritates me mostly to the extent that it is considered inerrant. After all, if the Bible is really inerrant (or even if it is only somewhat inspired), and if it's authored by the Creator of the Universe, why would anyone skimp on any of the the inconvenient details?

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Pun time

My 9-year old daughter Charlotte likes to draw. She came up with this drawing totally on her own and gave me permission to share on DI. Click to enlarge this drawing she calls "Soap Opera." soap-opera-jan-2010

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Wikileaks struggles to stay alive

Wikileaks has shut down, hopefully temporarily, for lack of money. Here's what you'll see if you visit the site:

The Sunshine Press (WikiLeaks) is an non-profit organization funded by human rights campaigners, investigative journalists, technologists and the general public. Through your support we have exposed significant injustice around the world—successfully fighting off over 100 legal attacks in the process. Although our work produces reforms daily and is the recipient of numerous prestigious awards, including the 2008 Economist Freedom of Expression Award as well as the 2009 Amnesty International New Media Award, these accolades do not pay the bills. Nor can we accept government or corporate funding and maintain our absolute integrity. It is your strong support alone that preserves our continued independence and strength.
To help out, visit Wikileaks and make a donation. I just donated, because Wikileaks has proven itself to be a critically important resource for allowing us to really know what is going on and I wanted to do my part.

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The type of damage caused by media violence

Media Education Foundation has released a new video: The Mean World. This documentary studies the work of communications scholar George Gerbner, who carefully studied media violence for four decades. What is the effect of media violence? It doesn't seem to make most of those who watch it engage in violent acts. Rather, viewing repeated acts of violence is "likely to make us more scared of violence being done to us." Gerbner's team repeatedly determined that "commercial media have eclipsed religion, art, oral traditions, and the family as the great story-telling engine of our time." As Gerbner noted, a small handful of commercial conglomerates have global marketing formula that are imposed on the people in Hollywood [who are told] put in more action. Cut out complicated solutions. Apply this formula because it travels well in the global market. These are formulas that need no translation, that are image-driven, that speak action in any language . . . and the leading element of this formula is violence." This tidal wave of highly choreographed violence is unprecedented, and it is being pumped into every home. Most children now see 8,000 murders by the end of elementary school. Gerber holds that this violence is so dangerous because it has become routine.

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