Chapter 13: My New Quest as an Author

One of the main reasons I am engaging in this 100-Day Creative Project is to find a new voice as a writer of essays.Since 2006, I have written more than 7,000 articles here at Dangerous Intersection. Since becoming an attorney in 2006, I have drafted thousands of court filings, including hundreds of lengthy appellate briefs. Doing so much of this work doesn’t mean that I’m good at it, but I do think I’ve learned a lot of things along the way and I do seem to be competent at that writing style.

But I want to learn how to be a better writer by exploring new styles. Most of my writing to this point has been technical and precision advocacy of a point of view. I am using this Project to explore a new style of writing. Still persuasive, but also more fluid, more free, more creative and with a dash of humor here and there. The only way I’ll know to get better at a new style is to have a lot of reps. Over and over for 100 days would be a good start. I’ve addressed (in my former writings) many of the ideas I am discussing in my lessons for “the newborn baby,” but I’m now working to present them in newer ways that might be more effective for a different audience. I hope t break down some old writing habits so that I can draw from heretofore rather quiescent parts of my brain. I hope those parts have been merely sleeping and that they haven’t completely died off.

I was inspired to create new styles of articles as my 100 Day Project after enjoying about a dozen essays by Freddie DeBoer, who describes himself as a “Marxist of an old-school variety.” https://dangerousintersection.org/2022/02/15/the-type-of-real-life-government-freddie-deboer-can-believe-in/ With his writing, Freddie successfully does a lot of the things that I want to do better. This Project will thus be a 100-step experiment and it’s clearly off to an uneven start, although I am clearly writing in a more unvarnished and less edited style (as you can see from the typos). I am forcing myself to write a lot and to do it more spontaneously. I am keeping in mind Mario Andretti’s admonition: “If everything seems under control, you’re not going fast enough.” I’m not striving for any length of these essays, but I am noticing that by the time I’ve emptied out my quiver, I’ve spilled out more than 1,000 words, which is a fairly grueling pace for me in the context of the other demands (including self-demands) I face in my life.

I am consciously trying to modify many deeply ingrained and ossified writing habits. I hope that by the end of this project I will have noticeably moved the needle regarding my style. It would be fun to see a difference by the hundredth essay, but more importantly, that the difference is for the better, which is not a given when one screws with some that has worked reasonably well. For more insight into a few of the things I’m aiming to accomplish, here’s an excerpt from my new writing guru Freddie DeBoer’s recent article: “If you Absolutely Must: a brief guide to writing and selling short-form argumentative nonfiction from a somewhat reluctant professional writer.”

Your politics are your affair. But fear all political fads, resist all political peer pressure, and be ruthless in asking yourself whether you actually hold a position or if you are just afraid of the consequences of appearing to not hold it. Then express yourself. Whatever you do, be weird. As a consumer of writing, please, for me, be weird. Whatever this profession needs, it does not need more hall monitors or commissars and it does not need more writers who seem to have nothing to offer beyond looking down their glasses at the world in shrill derision. That territory is covered. That corner has been taken. The whole point of writing, the only reason to have an alphabet, is to say what no one else is saying. To be singular. What is the value of replicating words that have already appeared in the same order? You can’t choose to be good and you can’t choose to be successful. But you can choose to be your own.

Be brave and tell the truth. Absolutely everyone and everything in the life you are choosing will try to force you to conform. They will hate you if you break ranks, but they’ll hate you if you say something inoffensive but easily misrepresented too. All they want is to root out heretics; it’s the only thing that makes them feel alive. So you may as well not live in fear. If you let them in there will be little of you left when they’re done, so don’t let them in. If you can hold on to some piece of yourself that does not care what they say, you can have the one pure thing left in an industry now made up only of snitches and nuns, that last virtue for a writer, the courage to be human.

. . .

But do write a lot. Writing is like playing an instrument: it’s all about reps. I know that this is as banal as advice gets. But I think we live in an age of distraction where there are so many other things fighting for your time; I think it’s easy to tell yourself that composing social media posts improves your longform writing when it does not; and I think there remains some unfortunate impression, perhaps left over from the Beats, that great writers produce writing the way a bird produces song.