Leslie Sanazaro Santi: an upbeat profile of a songwriter and working musician

To succeed as a musician who performs your own creations, you need a diverse skill set honed through hard experience. Being able to play an instrument proficiently is merely one part of that package. My recent interview of Leslie Sanazaro Santi reminded me of the many skills one must develop, as well as the immense amount energy one must invest, in order to have a successful career of performing one’s own music. Truly, the performing musician's skill set includes virtually every one of the multiple intelligences set forth by Howard Gardner. I first met Leslie Sanazaro more than a year ago, at a weekly farmer’s market at Tower Grove Park in St. Louis (Leslie was recently married and she is just beginning to use her new name: Leslie Sanazaro Santi). While staring at some vegetables, I heard some captivating music about 30 yards away. Helpless to resist the siren song, I walked up toward the sound-source and took a seat on a folding chair. Ten feet from me, a woman rocked on her keyboard bench as she sang and played, her whole body “dancing” with her rhythms and her foot actively stomping out the beats. It was obvious that this was a musician who truly felt her music and believed in it. She had no drum machine nor any other gimmicks. What I heard was straight-forward first-rate music. It occurred to me that she seemed too serious about her music to be playing for an audience of only a dozen people at a local market. My brother-in-law Steve, an accomplished blues and jazz musician, soon joined me in the small audience. We agreed that we were listening to an impressive performer and composer. After staying for a full set, I told Leslie I enjoyed her music, I handed her $10 for a copy of her CD, "Stars in the Attic," and I signed up for e-mail updates regarding her future performances. For the next year, I received mass-distributed e-mails every week or two indicating Leslie’s playing schedule, mostly at venues in or near the City of St. Louis. Eventually, her e-mails indicated that she was going on a tour through Asia, playing dozens of shows before returning to St. Louis. In September, 2008, the e-mails indicated that Leslie had released a new CD entitled "On Your Roof." It sounded like things were going her way. About a month ago, I visited Leslie's site at "Reverb Nation," to listen to several of her new tunes from "On Your Roof." Bottom line: this CD is impressive. Her music has ratcheted up to a new level and the clean studio product spared no attention to detail. More than ever, I was impressed with Leslie’s high quality voice work and the sparkling cadence of her lyrics. In order to fully understand my motivation for this elaborate (and yes, glowing) profile of Leslie Sanazaro Santi, take a moment to visit Reverb Nation and listen to a few of her tunes (I especially recommend listening to “Put on Your Shoes” and "Hot and Cold" to hear some of the many impressive things she can do with her voice).

[Part I]

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Atheists and believers can get along: Here’s Exhibit A

I’m not claiming that non-believers and believers always get along, but I do know that they can get along.  I know this for many reasons.  Here’s my newest evidence:  Last night I spoke about my lack of religious beliefs from the front of a packed church, during the religious service.

How this could possibly be true?  Here’s a bit of background. I previously wrote about a church in my neighborhood called The Journey.  (here’s the website of The Journey).

journey sign
After I wrote that post, Darrin Patrick, Pastor of The Journey, posted a comment at DI inviting me join him for lunch.  We’ve had two lunches now, and we’ve traded quite a few e-mails and phone calls. I now considered Darrin to be a friend.  We have many interests in common.  He’s also an intelligent, curious, sensitive church leader who is an exquisite reader of people and who has an undying commitment to funnel the energy of his congregation toward improving his community. Like most friends, Darrin and I have differences of opinion on topics we consider to be important. Like all friends of mine, however, we both realize that we have far more in common than those things on which we disagree.

About two months ago, Darrin asked whether he could interview me on videotape and then play portions of my interview for his congregation. I agreed and I sat for an interview of almost an hour, talking about Dangerous Intersection, my family, my concerns about my community, …

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The Journey: A church that dares to discuss skepticism

About a year ago, I visited The Journey, a new church in my neighborhood.   You can see that post here. Although I felt like a “misfit” at The Journey (because I don’t believe in the literal truth of any of the miraculous claims of the Bible) I reveled in the…

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Homegrown Cartoons

Back in the mid-1980’s, two graduates of Mercy High School (located in University City, Missouri) drew deeply on that Catholic education and decided to get together every week or so in order to create cartoons.   Whew!  That was more than twenty years ago.  Our plan was to make cartoons so insightful and/or funny that publishers would buy them and then we would never need to get real jobs.  It didn’t quite turn out that way.   Mike Harty was the guy who could draw and I was the guy who couldn’t, but who was willing to offer lots and lots of ideas until Mike found one worth drawing.  This brings to mind the idea of Linus Pauling:  “The best way to have a good idea is to have a lot of ideas.”

Mike and I are both baby-boomers.  We drew these in the midst of Ronald Reagan’s second term–cold war politics often worked its way into our cartoons.  As did death and “meaning of life,” and God, and incongruity.  We really didn’t have a plan other than to do something that resonated.  After reading these, you’ll probably pick up on the reason why Mike and I weren’t as popular as the football stars in high school . . .

We worked at drawing and scheming and creating, week after week, until we had created a couple hundred cartoons.  I recently spoke with Mike and asked whether it would be OK to publish some of them at DI.  He was delighted.  Tonight, …

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The dangers of turning our children into rampant consumers

On June 7, 2008, I had the opportunity to discuss the commercialization of American children with Josh Golin, the Associate Director of Campaign for a Commercial Free Childhood. Josh’s two-part interview was sponsored by—no one. Isn’t this total lack of commercial sponsorship a pleasant change of pace? People who warn about the commercialization of our children sound quaint or even shrill to most other Americans. After all, how could it possibly be a bad thing to buy lots and lots of things for our children, to “spoil” them? As Josh indicates in this interview, there is now scientific data substantiating that buying children more things is harming them. More stuff (and the anticipation of yet more stuff) leads to a warped set of attitudes and priorities, as well as obesity and attention disorders. I enjoy talking with Josh because he makes his case clearly and enthusiastically. You can see this for yourself by clicking on the two videos of his interview. What CCFC offers in place of a chokingly endless stream of products is common sense: children can thrive without owning the toys hawked by merchandisers. Instead of more toys, children need more creative play and more time developing real life relationships with other children and adults in their communities.

Part I - Interview of Josh Golin

We all know that American middle class children don’t need most of possessions they have (they are a lot like their parents in this regard). Because there is a limited number of hours in a child’s life, giving children more of what they don’t need leaves them with less time and energy for the sorts of things they do need, such as physical fitness, healthy relationships and creative play.

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