Pay for Delay

Why is it that generic drug makers sometimes delay entering the market, sometimes long after the drug patent expires? This is another tale in corporatocracy, told by Alternet:

[I]magine you’re a big-time drug company. You want to keep competitors off the market as long as possible. Your move is to basically sue the pants off the generic drugmaker for copyright infringement, setting in motion a long and tortuous legal process. And these usually end with “pay-for-delay” deals. The brand-name drug company pays the generic manufacturer a cash settlement, and the generic manufacturer agrees to delay entry into the market for a number of years. In the case before the Supreme Court, the drug company paid $30 million a year to protect its $125 million annual profit in AndroGel, a testosterone supplement. It’s hard to see this as anything but bribery, designed to preserve a lucrative monopoly for the brand-name drug maker. In fact, this is what the Federal Trade Commission has argued for over a decade. They consider it a violation of antitrust law, arguing that the exchange of cash gives the generic manufacturer a share of future profits in the drug, specifically to prolong the monopoly. As SCOTUSBlog summarizes from the FTC’s court brief, in the regulator’s view, “Nothing in patent law … validates a system in which brand-name companies could buy off their would-be competitors.” Indeed, everyone wins with pay-for-delay but the consumer: the FTC estimates that the two dozen deals inked in 2012 alone cost drug patients $3.5 billion annually, with the brand-name and generic manufacturers splitting the ill-gotten profits.

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Another batch: my favorite quotes

Here's another batch of quotes I have been collecting. It's a constantly growing collection, supplemented by my personal review of anything I happen to read. I realize that this collection is getting quite large. Here's the latest batch: "Live and let live," writes a clear-headed Austrian officer, "is no device for an army. Contempt for one's own comrades, for the troops of the enemy, and, above all, fierce contempt for one's own person, are what war demands of every one. Far better is it for an army to be too savage, too cruel, too barbarous, than to possess too much sentimentality and human reasonableness." - William James. From The Varieties of Religious Experience. “School is the advertising agency which makes you believe that you need the society as it is.” ― Ivan Illich "If I'd written all the truth I knew for the past ten years, about 600 people, including me, would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism." -Hunter Thompson “You may choose to look the other way but you can never say again that you did not know.” ― William Wilberforce "Life should not be a journey to the grave with the intention of arriving safely in a pretty and well-preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming, 'Wow! What a ride!" -Hunter Thompson "Learn how to see. Realize that everything connects to everything else." -Leonardo da Vinci "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents." H. P. Lovecraft (1890 - 1937), "The Call of Cthulhu", "Public speaking is the art of diluting a two-minute idea with a two-hour vocabulary." Evan Esar (1899 - 1995) [More . . . ]

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Delightful unplayable music

Those of you who read music might enjoy John Stump's score titled "Faerie's Aire and Death Waltz (from "A tribute to Zdenko G. Fibich"). I ran across this and enjoyed its repeated moments of musical absurdity. Faerie aire I searched for some background for the piece and found this:

The composition Faerie's Aire and Death Waltz (from "A Tribute to Zdenko G. Fibich") by John Stump is an unpublished satirical work written and copyrighted in 1980 that is best known for, simultaneously, its humor and unplayability. The piece is most often seen hanging on the walls in music rooms and orchestral settings for the musicians' amusement, due to musical directions such as "Rigatoni", "light explosives now... and... now", "insert peanuts", "Moon-walk", "release the penguins", and "Like a Dirigible".

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