Deep Music Photo

I'm trying to learn some new photo processing techniques by reworking some of my photos from the past. This is a selective color photo of one of my favorite people, Dan Rubright, who is an educator, philosopher, father and lecturer. Mostly, though, I know Dan as an incredibly talented musician who has the knack of transporting himself "inside" of his music and coaxing it to do magic-seeming things. Here's a shot I took of Dan about 4 years ago while he was performing with his group, Wire Pilots. I shot this one through the drums and sticks of Dan's brother Ted Rubright, also a brilliant, multi-talented man. This image brings back vivid memories of their awesome music.



My main challenge in this photo was to pump up the edges without also exposing the noises. In the end, I had to use hand-selection of the blackness, then reverse-texture (LR) in the end, to get the totally black background. There was simply too much noise, given that I had to use high ISO to keep the image tack sharp during the shoot.

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Survivorship Bias

Many of us are somewhat anxious, but there are other people out there who lack the ability to feel any anxiety.  Many of those flagrant risk-takers are not with us any more.  They died because they drove recklessly, explored base jumping and generally lived on the edge.  Many others who are no longer with us ignored long term risks like drinking, eating and smoking to excess.  Many of them struggled with cancer, heart diseases and strokes on their way out.

What we see at any given moment are only the survivors. We are the survivors.  We are not living among a true cross-section of humanity.  It's good to remind ourselves of that, because doing risky things puts us at risk, right?  We are living among those who have hit the lottery, and that includes more than a few of the risk takers who are here because they have been extraordinarily lucky.  Those risk-takers are interesting to us.  We watch them, sometimes with admiration, intrigued that they can do dangerous things and yet survive.  They seem to defy death, disease and immense financial risks.  But, again, we forget that we are not looking at a cross-section. Many people jump in and open new restaurants even though 80% of restaurants fail within four years.  When we decide to go out to eat at a restaurant, we are choosing only among the survivors.  The streets are also populated by hundreds of invisible ghost restaurants too.

We are looking at only the lucky ones, and this can mislead us to think that it is relatively easy to do those sorts of things and yet survive.  We might cheerfully announce that we are going to engage in risky behavior without doing a Bayesian analysis. This is exacerbated by the fact that we don't know enough to know the risks, an over-confidence invited by the Dunning Kruger Effect. 

Farnham Street Blog recently took a look at the Survivor Bias:

Can we achieve anything if we try hard enough? Not necessarily. Survivorship bias leads to an erroneous understanding of cause and effect. People see correlation in mere coincidence. We all love to hear stories of those who beat the odds and became successful, holding them up as proof that the impossible is possible. We ignore failures in pursuit of a coherent narrative about success.

Few would think to write the biography of a business person who goes bankrupt and spends their entire life in debt. Or a musician who tried again and again to get signed and was ignored by record labels. Or of someone who dreams of becoming an actor, moves to LA, and ends up returning a year later, defeated and broke. After all, who wants to hear that? We want the encouragement survivorship bias provides, and the subsequent belief in our own capabilities. . . . Most leaps of faith go wrong. It does not mean we should not try, just that we should be realistic with our understanding of reality.



How could I end this article without mentioning the biggest survivorship bias of them all? The eight billion human animals now populating the surface of the earth are all survivors of long unbroken lines of ancestors. We can look around and see only these those human beings who are actually here, not those whose ancestors failed to survive long enough to pass on the next generation at every generation, extending back to the beginnings of life on earth.  This survival of the fittest, natural selection, is sometimes referred to as "breed and weed," nature's amoral culling of ever-new versions of human beings, separating the survivors from those who do not survive.

I find this to be an immensely terrifying and awe-inspiring thought. If you are lucky enough be able to read this, you are a survivor in one of the most long-shot schemes you could ever imagine.  In order for you to be here, your parents had to meet at the right time, be attracted to each other, have sex at the right time and then someone had to take enough interest in you to raise you.  This had to happen twice for your parents to exist. Eight times for your great-grandparents to exist. These numbers grow exponentially as you you look back even a few hundred years.  This is even more stunning when you consider how quickly this occurred--even a millennium is not a long period of time when you break it into generations.  I illustrated this quick passage of time with a hypothetical visual in a post I titled, "Ancestors along the Highway."

On those days when you might not feel special, then, cheer up!  You are special! You are literally a survivor in a long line of organisms extending back to shew-like mammals who found opportunities with the demise of the dinosaurs.  Your line survived all the way back to the first fish to walk on the land, Tiktaalik.  You are a survivor of the sponges, and beyond.

The odds of you being here are infinitesimally small, essentially nil.   So, again congratulations!  That said, good luck with the rest of your day.  And please remember to treat each of the people you encounter as the miraculous survivors they are.  And remember, also, that each of them is a member of your own family.  

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From Photo Hobbyist to Featured Artist at an Art Gallery

This is going to seem more like a journal entry than a blog post, but it's been a fun weekend and I wanted to share my day in the sun.

Two months ago, I walked into a beautiful art gallery, the Silver Sycamore Gallery of Fine Arts in Sainte Genevieve, Missouri. It's a beautiful art gallery located about an hour's drive south of St. Louis, Missouri. After looking at some of the work then on display, I showed the gallery manager (Leon Basler) some of my own work on my iPhone.

To my surprise, Leon took an immediate intense interest in my work and offered to display my photography, further offering to designate me to be the "featured artist" during  a citywide celebration: "The Ste. Genevieve Annual Holiday Christmas Festival."  Of course I said yes.  Leon eventually decided to display all 30 images that I hauled down in a van earlier this week. Displayed, they took up half of the gallery. What an honor! The gallery owners and the people stopping by the gallery treated me like a celebrity, which is serving as an antidote for my bout of imposter syndrome. More about that below.

 

The opening was this weekend. If you click on the title to this article, you will find a gallery of many photos from this weekend, including some of my displayed photos.

Also on display this weekend were dazzling paintings by at least three other artists who were in attendance, including 90-year old Charles Rhinehart and 92-year old illustrator/painter, Don Langeneckert, who still paints every day, and who will be the featured artist in an upcoming show.  Leon's own works were also on display. Leon, who also works as a pilot and an engineer, has explored so many styles of painting in so many ways, that you would be certain that a room filled with his work was actually the work of 5 or 6 different artists; check out his website.  Also at the gallery, across from my photos, one can admire the exquisite paintings of Ali Cavanaugh.  It's truly stunning work, which you will see if you visit her website. 

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Carol Carter Explores South Saint Louis in New Exhibit

Earlier this year, I attended a short beginner's water color course, where I learned how difficult it is to get the paint and the water to behave. And that's assuming you know where to put the paint. That little course has allowed me to more fully appreciate the complexity of Carol Carter's work. I've been an admirer of Carol and her work for years. Both up close and farther away, it's really a joy to see the magic on her canvas. She is as humble as she is talented. I asked her about a fractal effect she created for a swan's feathers and she merely said "It's not easy to do that."

I attended Carol's South City Exhibit tonight at her studio. In the many years she has done water color, this is the first time she has featured scenes from South STL City. Really cool work. Here is a link to Carol's website.

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