Blogs will save us from objective journalism.

Bill O’Reilly hates the blogosphere. He hates many things, of course, among them Pepsi, rapper Ludacris, a wide array of conventional media outlets, and even some of his own guests. But today I focus on an entire media outlet that O’Reilly labels as biased, lacking in evidence, and in large part sensationalized: political blogs.

Of course, O’Reilly doesn’t oppose online journalism on his own. Even more mainstream news anchors (if you can call Mr. O’Reilly a news anchor) tend to scoff and roll their eyes at the notion of “the blogosphere” or the opinions expressed over the internet. O’Reilly has led the most outspoken movement against internet editorialism, though. In June of 2003, Bill had this to say about bloggers:

“Nearly everyday, there’s something written on the Internet about me that’s flat out untrue…the reason these net people get away with all kinds of stuff is that they work for no one. They put stuff up with no restraints. This, of course, is dangerous…”

By July of 2005, the “blogosphere” had become a common slang term for the mainstream news media, and became the focus of one episode of O’Reilly’s Factor program:

“Personal attacks lodged through the internet! How are so-called “Web logs” being used as ideological weapons? And who’s behind the smear campaigns? We’ll have a No Spin look at a dangerous new weapon in the culture wars!”

But as “dangerous” as these “weapons in the culture wars” may seem to some, online outlets such as …

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The One-Percent Doctrine

The “One Percent Doctrine” is the title of a new book by Ron Suskind about the so-called “strategic thinking” of our current presidential administration. In case you are still wondering why we attacked Iraq, and you don’t buy any of the president’s ever-changing explanations, you might want to check out…

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The elephant in the (Hollywood) living room

In the days of the Hollywood studio system, films were classified as “A” or “B” pictures: the former were the studio’s prestige projects, the latter generally shorter and produced cheaply and quickly. Ironically, sometimes “B” pictures are more interesting today because they were less subject to studio control (due to…

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Gay Rights “Not a Civil Rights Issue”?

The Gay Lesbian Straight Education Network (GLSEN) supplies high school LGBT rights groups around the United States with a wealth of useful information, tools, and event and activity guides. For the last few years, I’ve appreciated the planning guides GLSEN provides as a source of brainstorming and public-relations hints. But looking through a GLSEN binder of open forum topics and public speaking tips recently, I came across an unusual and off-putting suggestion:

“Do NOT compare the LGBT Rights movement to the Civil Rights movement.”

Wait, what? The battle for LGBT rights mirrors the Civil Rights movement in a variety of ways. The reactionary backlash and lack of logic behind opponents’ arguments read exactly the same, complete with desperate biblical references. Take for example this judge’s ruling in Loving v. Virginia, a pre-Civil-Rights case on interracial marriage:

“Almighty God created the races white, black, yellow, malay and red, and he placed them on separate continents. And but for the interference with his arrangement there would be no cause for such marriages. The fact that he separated the races shows that he did not intend for the races to mix.”

Indeed, and Almighty God also created Adam and Eve, not, as the social conservatives say, Adam and Steve. The slow social acceptance and increase in violent hate crimes look much the same, too. So what differentiates Gay Rights from Civil Rights, again?

Well, nothing really. It just ruffles a lot of (black, evangelical) feathers to make the comparison. Apparently GLSEN doesn’t …

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Val Lewton and the Madness of Authoritarianism

I’ve always been a fan of Val Lewton films, and I recently discovered a “new” one which can be enjoyed for reasons which go beyond the Lewton trademark cinematography and low-budget creativity. The Ghost Ship (dir. Mark Robson, 1943) was pulled from theaters almost immediately after its release due to…

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