One way to fight patent trolls

Farhad Manjoo gives us some good news in the wars against patent trolls:

When companies are sued for patent infringement, or when they’re proactively protecting themselves from an infringement claim, they often hire a prior art search firm to look for related inventions. But such searches tend to be expensive—you usually need to hire researchers in many different countries—and not all that effective, because even professional searchers tend to miss a lot of stuff. More than a decade ago, a young patent attorney named Cheryl Milone had a flash of insight for solving this problem: “I wondered, instead of looking for a needle in a haystack, what if you could ask each piece of hay if it’s a needle?” That might sound like some kind of riddle, but Milone’s insight has transformed patent litigation. In 2008, she founded Article One Partners, a firm that invites amateurs to look for prior art and rewards successful researchers with cash.

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Apparently We Need More Accidental Criminals

I was reading my usual science blogs, and came across Weekend Diversion: And now, they're coming for me. Yeah, me. Because I write for you. at Starts With a Bang. Apparently Congress is creating new classes of felons that would have no idea they were doing anything even technically wrong. In brief,  U.S. Senate Bill 978 (that just cleared committee) makes it a Federal Offense (felony) if you happen to embed someone's video on your post that someday someone may claim infringed on a copyright. If I, for example, embed a video of some stranger's birthday party on this blog, that pans briefly across a television set that happened to be playing a commercial for shoes, that has background music by the Beatles, and in five years Michael Jackson's heirs decide that this infringed on their copyright on the music of McCartney and yank the video, I could technically be sentenced to up to 5 years in prison. Even if the creator of the video, the owners of the network, and the shoe company and its marketing agent all had approved my use. Ethan Siegel has more details about this silliness and suggestions on his post.

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Copyright bottom-feeder on the prowl

From Threat Level, we learn about a big business called Righthaven picking on little people and non-profit organizations who run blogs. If you are running a blog, there are two options. A) Register as a DMCA takedown agent with the U.S. Copyright Office (which I am now in the process of doing) or B) Prepare to travel to Las Vegas federal court to defend yourself against this copyright troll, based (usually) on a commenter's use of copyright material. Here's an excerpt from the Threat Level article:

Founded in March, the Las Vegas-based Righthaven has begun buying out the copyrights to newspaper content of the Las Vegas Review-Journal for the sole purpose of suing blogs and websites that re-post, or even excerpt, those articles without permission. The company has settled about 60 of 160 cases for a few thousand dollars each, and plans to expand its operations to other newspapers across the country. Many of its lawsuits arise, not from articles posted by a website’s proprietors, but from comments and forum posts by the site’s readers.
How-to instructions are provided at Threat Level.

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ASCAP attacks Creative Commons

No, this is not a comical make-believe headline from The Onion. ASCAP has lashed out at Creative Commons.

At this moment, we are facing our biggest challenge ever. Many forces including Creative Commons, Public Knowledge, Electronic Frontier Foundation and technology companies with deep pockets are mobilizing to promote "Copyleft" in order to undermine our "Copyright." They say they are advocates of consumer rights, but the truth is these groups simply do not want to pay for the use of our music. Their mission is to spread the word that our music should be free.
This smear campaign is a staggering display of ignorance. Did ASCAP actually hire a lawyer to advise them here? Do they have the faintest idea of what Creative Commons is all about? Here's the response of Creative Commons:
Last week, the American Society of Composers, Authors and Publishers (ASCAP) sent a fundraising letter to its members calling on them to fight “opponents” such as Creative Commons, falsely claiming that we work to undermine copyright.* Creative Commons licenses are copyright licenses – plain and simple. Period. CC licenses are legal tools that creators can use to offer certain usage rights to the public, while reserving other rights. Without copyright, these tools don’t work. Artists and record labels that want to make their music available to the public for certain uses, like noncommercial sharing or remixing, should consider using CC licenses. Artists and labels that want to reserve all of their copyright rights should absolutely not use CC licenses.
Here's more analysis, from Techdirt.
ASCAP's blatant attack on Creative Commons (and EFF and PK; both of whom focus on consumer rights, but not undermining artist's rights at all) shows their true colors. They're not about artists' rights at all. They're about greater protectionism -- which is not (at all) the same thing.

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