When language fails

"War is what happens when language fails." --Margaret Atwood Yesterday the New York Times ran a piece by Sheryl Gay Stolberg about the recent disruptions to town hall meetings that were convened to discuss health care reform. Stolberg points out that this sort of "activism" subverts the democratic process. It is aimed not at furthering, but at overwhelming public discourse:

The traditional town hall meeting, a staple of Congressional constituent relations, had been hijacked, overrun by sophisticated social-networking campaigns — those on the right protesting so loudly as to shut down public discourse and those on the left springing into action to shut down the shutdowns.
(I once tried to discuss the first Gulf War with a dittohead, back in the day. He shouted at me for fifteen minutes; every now and then he yelled, "What do you say to that?" I couldn't say anything, it would've been like shouting into a full force gale.) Meanwhile, Snopes has an email making the rounds that claims that Obama's proposed health care reform bill mandates "euthanasia counseling" for seniors. Another pleads, "Please do not let Obama sign senior death warrants." Health care reform is just one front on a larger American skirmish, of course; one that's been going on for most of my lifetime. I was a child of the 60's, when social upheaval was just as marked as it is now. But in the 60's, the country was in good economic shape. And the outrage then really did originate at the grassroots. Today, tough economic times and the specter of America's gradually waning superpowers have intensified the culture wars. So have the right-wing media, which love to whip up hysteria, religious fanaticism, and paranoia--anything to further their political agenda. The town hall shoutfests, like the teabag protests earlier this year, may be Astroturf, but they tap into real, and fairly widespread, fear and rage. Lies, misinformation, and attempts to obstruct civil discourse make good-faith dialogue difficult if not impossible. How far will they go, and how do we overcome them? And if we can't, could the U.S. descend into another civil war? (Surely not. That's my imagination working overtime, fueled by my own paranoia. Isn't it?)

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Knowing someone versus loving someone

When I was a teenager, I sometimes got annoyed hearing people getting all excited when they talked with their children about the Disney characters Mickey Mouse or Donald Duck. I thought this was strange, because very few people could tell me anything at all about the personalities of these cartoon characters, other than what they looked like. In fact, I had seen a few old cartoons involving Donald and Mickey, and many of them left me unimpressed, bored or disturbed. Donald often flew off in a fit of anger. Not always, but often enough. Mickey didn't have the anger problem of Donald, but people who "loved" him usually couldn't tell me anything about him other than that he appeared in some cartoons, including "Steamboat Willie." Is he an exemplary character? Very few of the people who love him seem to care. I see the same phenomenon today. Tonight, I ran across this especially disturbing cartoon of Donald Duck, probably not one that you'll see featured at Disneyland. I can hear it now . . . "Hey, kids, look! There's a funny cartoon where Donald Duck commits MURDER!" I'm sure that most people don't care that Donald committed murder. They "love" him no matter what he has done. This cartoon goes to show you that people can think that they love a character without knowing anything at all about that character. We are really good at projecting, filling a knowledge void with good things (or bad things) about a character, a movie star or even a God. Case in point is Jesus, whom many people claim to know or love yet they know so very little about him. Or think of the people who insist that God loves us, yet they aren't interested in knowing about the many genocides committed by the God of the OT. Or consider a more modern example of a person who many people "love" or "admire" without knowing anything about her: Sarah Palin, who I've previously compared to "Helly Kitty." It turns out that many modern corporate characters are intentionally left empty, allowing the public to drum up their personalities in their imagination.

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Ubiquitous conspicuousity

At a park to weeks ago, a musician started singing “Somewhere Over the Rainbow.” I was talking with an acquaintance, who immediately pulled out his smart phone, clicked on a few buttons and brought up the movie “The Wizard of Oz” to play on his 1 ½” screen. He explained that he loved the movie and that he could watch it wherever he wanted. Impressive technology? Of course, but watching “The Wizard of Oz” (or any movie) is never such an important thing that I'd need to carry it in my pocket. Was my acquaintance really trying to tell me about his love of "The Wizard of Oz," or was he subconsciously trying to communicate something else to me?img_8221 For many years we’ve been trying to convince ourselves that electronics manufacturers were right that we HAD to have their gadgets, including 50" screen HD TVs. For decades, we’ve been convincing ourselves that electronic audio manufacturers were correct that we “needed” to plunk down $2,000 for high-end audio components with thick copper cables lest the sound degradation would piss us off too much to enjoy our music. But here we are in an age where small is cool, and we’re somehow able to enjoy full length movies on tiny lo-res phone and iPod screens. And people are somehow surviving with small low-res youtube videos. And consider that the music almost everyone is enjoying on their mp3 players is sampled at a noticeably lower rate than CD-quality. And consider that CD quality sample rates are severely degraded compared to live music. But somehow we’re now OK with far less than perfect because small and convenient and high tech are cool. I’m in the process of reading Geoffrey Miller’s riveting new book, Spent: Sex, Evolution and Consumer Behavior. We’ve all heard of conspicuous consumption (originally coined by Veblen). Miller refines and extends Veblen's concept, setting out the differences between conspicuous waste, conspicuous precision and conspicuous reputation as signaling principles. Cars exemplifying these three principles would be the Hummer (waste), Lexus (precision) and BMW (reputation). Conspicuous precision “can be achieved only through time, attention, and diligence, while conspicuous reputation (brand names) reflects a “vulnerability to social sanctions.” Most products exhibit each of these three forms of “signal reliability.” Other signaling principles including conspicuous rarity (exotic pets or pink diamonds) and conspicuous antiquity (ancient coins). I find it interesting how much we fool ourselves about how much we “need” products based on these qualities. We “needed” large high-quality electronic audio and visual players until it became a much more impressive display to have extremely small portable electronics. It turns out that our “need” for things isn’t ultimately about need for the product’s qualities. It’s about trying to impress others with our ability to differentiate and afford various types of products. A few years ago, I was looking at stunning images of a coral reef on the big new HD TV sets at Costco. I asked my wife whether we should think about “moving up” to a HD TV set. She asked me: “How often have you been watching a movie on our 25-year old TV set when it occurred to you that you weren’t enjoying the show because the screen was not huge or high definition? I answered truthfully: never. We still have our quarter-century old TV set and I’ve never again been tempted to “move up.” But I also admit that if I were trying to impress people today, I wouldn't be able to do it by showing off my TV. I wouldn’t be signaling that I can notice and afford fine engineering tolerances. I might show off my TV nonetheless, to signal my frugality, but my old TV wouldn’t be impressive to modern-day Americans, given that it is not (today) an expensive signal in any sense—I could buy a TV like mine very cheaply indeed at a garage sale. Miller's book is a powerful reminder that our "need" to buy SO many things is often not about the things themselves, but about the need to tell the world something about ourselves in order to increase our social status or to attract mates. Miller has a lot to say about the differences among the types of conspicuosity. For instance, Aristocrats eschew conspicuous waste. They tend to hone in on conspicuous precision and reputation. For more on Miller’s theory, see this book review at the NYT.

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More GOP Astroturf?

I watched Rachel Maddow last night, and one of her segments focused on the disruption of recent Democratic Town Halls by 'grass roots activists'. Her piece exposed the activists as following an agenda designed by a DC lobbying firm. In many ways this is worse that the Tea Party fiasco, since that was unfocused and generally laughable kookery. This, however, is targeted directly at health-care reform, and appears to be heavily funded by lobbyists for that industry (indeed, Rachel mentioned that some firms were sending 'representatives' to every state). I also happened to see many of the same clips on Fox & Friends this morning (forced upon me in the hotel gym). F&F 'reported' the 'protests' as legitimate outpourings of anger against the 'government's plans for healthcare reform'. I was surprised. Not! Think Progress has more on the Lobbyist memo.

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Hip hop has a bad ‘rap’.

Whether you consume rap and hip-hop or not, you know the genres have dingy reputations. I believe the hate for hip-hop and rap blossomed in the 90's. Rappers were actually cold-blooded gangsters at the time, people who occasionally shot one another. The music reflected the turmoil that its creators had experienced- growing up in crack-infused ghettos, resorting to crime to scrape by, and dying in a swarm of bullets even if they did finally make it out and become famous. "I'm twenty-three now but will I live to see twenty-four/ the way things is going I don't know," Coolio said in "Gangster's Paradise", and he was by no means a Tu-pac; he was gangster-rap-lite. The depression of 90's rappers manifested itself in loud, brash talk of guns and glory; no wonder white outsiders were scared. The violent content of 90's rap inspired Tipper Gore and their ilk to censor and criticize with fervor, cementing rap's image as a crude, violent genre for future gang-bangers. Hip-hop and rap also have the reputation of being degrading to women. This present stereotype was also inspired by past trends. After 90's gangster rap subsided, it was replaced with a money-cash-hoes mentality. In the early aughts, Jay-Z, 50 Cent and others spat mainly about their wealth, their rise from the streets, and the women that their amassed wealth could attract (Jay-Z wrote a song called "Money, Cash, Hoes"). Women were called hoes and bitches in earlier rap and hip-hop songs, it's true, but in the early 00's the music seemed more intently focused on the subject. Rap and hip-hop from this period was all about the ascent into fame, and the amassing of expensive objects. One of these objects happened to be attractive women. "I'm into having sex, I'm not into making love," 50 Cent reminds listeners in one of his most popular singles. Thus rap and hip-hop received another nasty label: it was degrading and shallow.

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