Copyright Bite

I received a warning when I logged into my YouTube account recently. I had openly and with attribution used a couple of popular tunes in some of my videos. Those have been flagged as violations of copyrights, my account to be reviewed, and the videos may be pulled, or my account suspended. Meanwhile, those videos sport pop-up ads to buy the tunes. The two offending videos use tunes that had their heydays in the 1930's and 1970's. Even the children of the original creator and performer of the older tune are all dead. Is it right that some corporation is making a fuss over my sharing this with a few friends? There have been less than 75 views in the year since it's been posted. I see no reason to fight this. I'd be quite content to have ads pop up for the tunes I use. I even wish there were a mechanism in place to request ads to pay for use of related content. It's not so much that I like ads, but that I respect content creators. But I don't respect any right in perpetuity for corporations to hold creative rights once a creator and his direct heirs are out of the picture. Like McCartney having to pay the estate of Michael Jackson to use his own songs.

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Checking out

Sometimes, after a stressful period digging through work, family, and community obligations, I find myself driving past a cemetery and telling myself a private joke. "Lucky bastards," I utter in a serious voice. "They get to to have endless amounts of deep sleep." I'm trying to be ironic at those moments (though I always do enjoy my own jokes!). There is a serious point to this. Many people have had enough, and they do want to end their lives. It turns out that they do have some options other than an often gristly self-inflicted suicide, the type of death that leaves behind families that are horrified, angry and/or guilt-ridden. Since 2002, Holland has allowed euthanasia to those afflicted with 'hopeless and unbearable suffering' certified by two doctors. But now, after 112,500 signatures were collected on the issue, Holland’s legislature is considering pushing the envelope even further. According to World News, the Dutch legislature is considering a measure that provides for this:

Assisted suicide for anyone over 70 who has simply had enough of life is being considered in Holland. Non-doctors would be trained to administer a lethal potion to elderly people who 'consider their lives complete'. The radical move would be a world first and push the boundaries even further in the country that first legalised euthanasia. Supporters say it would offer a dignified way to die for those over 70 who just want to give up living, without having to resort to difficult or unreliable solitary suicide methods.

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On the Value of Information Technology

I'm not writing about gadgets here, but about the information that makes the gadgets useful: Software. This video is nominally about web design consulting. But I've lived these situations back before the web, as well as with web clients. One problem is that the buyer of information has no idea what it's worth until he has it. And once he has it, why should he pay someone for it? Therefore, it isn't valuable. This dovetails neatly into other copyright issues, but I'm not going there. I have a few websites, most of which are loaded with free information that I painstakingly collected and developed. The sites are also built from scratch, mostly with a simple text editor. Some people see value in this; I receive donations. Some years as much as the low three figures. People used to ask me if HTML was easy. I'd say, "Yes, you just need to remember how a few hundred easy commands interact." Most developers don't bother to make sure their site even meets official web standards (as published and tested for free by W3C.org). Even WordPress, the engine on which this site is built, shows errors in the validator. Google? Thousands of errors on every page. I've had clients who understand what I do, and were happy to pay. Unfortunately, usually their superiors had to be cajoled. Eventually, these situations melt down and leave me out of work. The "Just a small change" problem comes up often. After I've been reporting and demonstrating every step of the way, and finally a web site is finished, then do they bother to look and notice that it isn't what they need. They make "little" requests comparable to having a builder simply move a bathroom from the first floor to the second as the keys to a house are handed over. This video made me cringe.

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Real Progress

Colin Beavan ("No Impact Man") discusses progress:

2009 had cooler cell phones than 2008. 2010 has cooler cell phones than 2009. 2011 will have even cooler cell phones than 2010.

That won't be progress. Year in, year out, we have cooler cell phones. If it's the same year in, year out, how can it be progress? Because it's not actually progress. It's more of the same . . .

Far away from us, one billion people in the world have no access to clean drinking water. Because of this, far away from us, a child dies of diarrhea every 15 seconds . . .

Ask the average person: Do you want to watch TV on your cell phone or save the world's children from dying of diarrhea? I know what they'd say. People are good . . .

What would be real progress? . . .

When we find a way to concentrate on bringing clean drinking water to the billion people who don't have it instead of looking for a way to bring better TV reception to our cell phones.

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About good hair

Tonight, the parents of my children's school were given a chance to view and discuss the 2009 Chris Rock movie: "Good Hair." As you can see from the following YouTube trailer, the film is characterized as a "comedy," and there were certainly many lighthearted moments throughout the film. On the other hand, the subject of the film is also tragic, in that it is the story of millions of African-American women who have been convinced that their natural hair is not beautiful. Chris Rock documents the extreme lengths that many African-American women go to to cover up their African-American hair. The story starts when one of Rock's young daughters asked him, "Daddy, why don't I have good hair?" What can an African-American woman do when she wants to have "good hair"? The options include the use of highly caustic sodium hydroxide for straightening the hair (with its potential for painfully scalding the skin). I knew about that particular practice, but I had no idea that so many African-American women have actually covered up their own hair with "weaves," straight dark human hair grown by women from other cultures. Rock traces some of the most sought-after weave hair to India. Many Indian women periodically give up their hair (having their heads shaved completely bald) in religious ceremonies called "tonsure." From those temple rituals, that hair somehow ends up in the United States, where it is purchased by African-American women at prices ranging from $1,000 on up. It's even more amazing to consider that so many women of modest means work so hard to cover up their hair with weaves. Several of the women stated that an African-American woman simply cannot succeed in the business world without hair that has been straightened or covered with a weave. Many of the women featured in the film indicated that taking care of a weave is extraordinarily difficult--no swimming for these women, and many of them wouldn't dream of ever letting a man touch their delicate fake hair, even their lover. I had no idea that so many women would go to such extraordinary lengths to have "proper" hair, or that so many women consider it to be more "natural" to display hair that is not their own natural hair. Watching this film was a wonderful anthropological journey for me; this story is thoroughly about people and in the lengths to which they will go to display themselves in what they see to be culturally appropriate ways; it's not just about hair. I truly enjoyed viewing the delightful interviews of the many people Chris Rock artfully stirred into his vivid mosaic. The broader lesson is not about hair, or even about African-Americans. It seems to be about consumerism and the deep need of humans to display their traits to each other in expensive ways.

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