On the Value of Information Technology

I'm not writing about gadgets here, but about the information that makes the gadgets useful: Software. This video is nominally about web design consulting. But I've lived these situations back before the web, as well as with web clients. One problem is that the buyer of information has no idea what it's worth until he has it. And once he has it, why should he pay someone for it? Therefore, it isn't valuable. This dovetails neatly into other copyright issues, but I'm not going there. I have a few websites, most of which are loaded with free information that I painstakingly collected and developed. The sites are also built from scratch, mostly with a simple text editor. Some people see value in this; I receive donations. Some years as much as the low three figures. People used to ask me if HTML was easy. I'd say, "Yes, you just need to remember how a few hundred easy commands interact." Most developers don't bother to make sure their site even meets official web standards (as published and tested for free by W3C.org). Even WordPress, the engine on which this site is built, shows errors in the validator. Google? Thousands of errors on every page. I've had clients who understand what I do, and were happy to pay. Unfortunately, usually their superiors had to be cajoled. Eventually, these situations melt down and leave me out of work. The "Just a small change" problem comes up often. After I've been reporting and demonstrating every step of the way, and finally a web site is finished, then do they bother to look and notice that it isn't what they need. They make "little" requests comparable to having a builder simply move a bathroom from the first floor to the second as the keys to a house are handed over. This video made me cringe.

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Andy Goodman’s story: The importance of communicating through storytelling

A few weeks ago, I attended the True Spin Conference in Denver. There were plenty of thoughtful presenters, but my favorite was Andy Goodman, author of a blog called Free Range Journal. Andy has latched onto an extraordinarily powerful theme: Telling stories is the most powerful communication tool there is. Andy earns his living by teaching people how to convey the purposes and functions of their organizations by telling stories. Over the years, he has assembled an impressive repertoire of ideas all based on the power of story telling. To be sure, the importance of telling stories has been recognized by numerous other people, including several other speakers at True Spin. It is often claimed that through story-telling, one frames one's message in a way that makes it memorable. It is also widely recognized that communicating through story-telling allows one to package arguments in such a way that they look like mere information rather than lecturing. How powerful is story telling? Consider this quote:

"If you can control a nation’s stories, you need not worry about who writes the nation's laws."
The author of this intriguing idea was Adolf Hitler. Building upon an entertaining blend of common sense and cognitive science, Andy Goodman takes story-telling to new heights. He has worked hard to become quite a storyteller about storytelling. In this post, I will recap some of the ideas he presented during his keynote talk. According to Andy, we all want to tell the truth, but in order to do this, we first need an operative definition for “truth” in order to give ourselves focus. "The truth isn't just what happened, but how we felt about it when it happened and how we feel about it now." As you might imagine, Andy has little patience for the dry presentations of facts that we often find on the websites of do-gooder organizations. For an example, take a look at this jargon-laden blurb offered by the American Cancer Society:
The American Cancer Society's international mission concentrates on capacity building in developing cancer societies and on collaboration with other cancer-related organizations throughout the world in carrying out shared strategic directions.
This is not an unusual example. As part of his presentation, Goodman displayed the websites of several of the organizations in attendance at True Spin, pointing out the bureaucratese. This tactic drew a mixture of embarrassed groans (by those belonging to the organizations responsible for the websites) and nervous chuckles (by those who worried that their own websites would be featured next). He warned that those who run organizations must be careful to not allow "mission-speak get in the way of your mission." What is the alternative to presenting dry "factual" information? As you might expect, the solution involves a conscious and careful use of narrative--storytelling. Narrative is so incredibly powerful because it sets forth our history, our identity, how are remember, why we give, and to whom we give. These emotionally charged ideas don’t readily sink in without the use of stories. In fact, without the power to tell its own stories, a culture has no opportunity to "grow up." Goodman made reference to the children's classic, Peter Pan, asking the audience why Peter didn’t grow up. According to the story, Peter’s answer was, "I don't know any stories." As we grow up to become adults, most of us stop telling stories. Becoming a grown-up in modern culture too often means that we are taught to communicate with technical jargon in order to be "serious." It is a travesty that so many of us get caught up like this. We are told to be more like “adults” and this is a shame because our stories effectively tell others (and ourselves) who we actually are. Stories allow us to remember who we are. [more . . . ]

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Pro-choice by pro-athletes

Planned Parenthood plans to run this pro-choice ad on Superbowl Sunday to counter an anti-abortion ad featuring Tim Tebow. This is a sophisticated spot that gets its point across without being confrontational. I do admire the work done to put it together. Then again, I suspect that tens of millions of people will see these two ads and not a single person will change his/her opinion on the issue of abortion.

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Using Media-Friendly Images to Get Your Message Out

At the recent True Spin Conference in Denver, I attended a session titled "How to Create Media-Friendly Imagery," presented by Jason Salzman, who is the co-founder of Effect Communications, and the author of Making The News: a Guide for Activists and Nonprofits (1998). Salzman was also instrumental in putting together the True Spin Conference. Salzman began his session with the idea that television is still the dominant news source for national and international news, according to a 2008 Pew survey. It is an undeniable fact that you need visual imagery to get your story onto the TV news. Visual imagery is also important for getting your story into local newspapers, another news source for many people. Maybe you're thinking that newspapers and television stations should simply be reporting on important stories, whether or not there is an accompanying clever visual image. That's a nice idea that doesn't happen in the real world. You absolutely need to decorate your stories with creative visuals, or else your stories will be invisible to local media. As Salzman says, "This is often ridiculous stuff, but it works." He presented the conference gathering with a long list of types of visual imagery. He added, "When you see some of these things, you might think they are juvenile or stupid, but they really work. As long as your imagery is on message, it's good." Now I know that some of you probably are still thinking that you're not going to sell out-- you would rather be dignified than be accused of being silly or desperate to get coverage for your important issue. Salzman encouraged the audience members to get over their inhibitions, however. "Stunts can be worthwhile. People forget the source, but they remember the message." What kinds of visual imagery seem to catch the attention of the local news media so that you can get your story some real attention? I will walk through Jason's list of seventeen media-imagery techniques, one-by-one. He has graciously allowed me to reprint some of his slides to illustrate these ideas (using these images makes sense, of course, given the topic). 1. Costumes. Salzman stated that costumes are the "oldest and best" use of imagery available. By dressing up as a giant pea pod, he was successful in gaining considerable media attention while making the point that George W. Bush and John McCain were "two peas in a pod." As you can see, he wore his pea pod costume at his session. As another of many examples, Salzman described how mobs of cameras once gathered around real pigs that were part of a protest of pork barrel projects. A member of the audience asked whether it would be better to surprise the media by suddenly pulling out the costume, but Salzman strenuously disagreed. "Don't surprise the media. Tell the media you'll be there [dressed up in your costume]." Members of the media love stories with images. "Tell them you'll be there and tell them how you'll be dressed. This will dramatically increase your odds of showing up on the news." 2. Dramatize a Phrase. Salzman pointed to an example of a huge "budget pie," to illustrate a story that one-half of discretionary spending went to the military. banners 3. Banners. If the timing is right, banners can work beautifully. Let the cameras pan those big banners! He gave the example of the New York garbage barge (at left). [More . . . ]

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