Tim Wu discusses slow photography

Many of us, much of the time, run around snapping lots of photos to document our lives. There is an alternative to this "fast photography," as described by Tim Wu at Slate. It is a technique for enhancing our experience of the moment:

[S]low photography is the effort to flip the usual relationship between process and results. Usually, you use a camera because you want the results (the photos). In slow photography, the basic idea is that photos themselves—the results—are secondary. The goal is the experience of studying some object carefully and exercising creative choice. . . . Step 1 in slow photography is spending a long time studying the subject. As one guide enjoins, "pay more attention to your subject than to your camera." . . . When you look carefully and avoid trying to label what you see, you inevitably start to notice things that you mightn't have otherwise. . . .Step 2 is the exercise of creative choices—the greatest pleasure that our automatic cameras rob us of. What should be in the frame and what should be excluded is the most obvious decision, but there's also exposure, depth of field, and more technical choices beyond that. Making such deliberate decisions requires a little bit of courage, for you cannot blame the camera if the results are bad. Yet these choices are, to my mind, the whole game. They are what individualizes photography, what puts the stamp of your personality on the photo.

Continue ReadingTim Wu discusses slow photography

Old photos

I co-founded a band in 1973. We called it Ego, and the 8 of us (sometimes nine) played the music of Chicago, Blood, Sweat and Tears, Doobie Brothers and many other types of music. Many of our arrangements were our own. The trumpet player for Ego (Ron Weaver) recently sent me some photos from our band days 35 years ago, and I'm astounded at the emotions that the photos have triggered. At this point (see below--I'm the 3rd from the left), we ranged in age from 16 to 20 years of age. We were all going to school and most of us were working other jobs too. Yet playing with Ego was our passion. The proof is that we were willing to split our $200 fees eight or nine ways. I'm now three times the age that I was back then, but I felt like an adult even back then. I was studying in a pre-med program, totally unaware that I would switch paths and end up practicing law. Totally unaware that I would be raising 10 and 12-year old daughters 35 years later. I could have never imagined giving up music, and I haven't, though I have never played with a large group since Ego. Several of the other players still have careers playing music, two of them (Charles Glenn and Kelly Durbin [not in the above photo]) on a high level. It was a lot of work to organize a band in 1974, given that this era was pre-email and pre-cellphone. We wrote out much of our own music with pencil and paper, including detailed brass parts. None of this could have happened without everyone pitching in, and the band was filled with talented and hard-working people, all of whom had good senses of humor. Somehow it all worked for more than two years before we went our separate ways, pulled by a variety of things, none of which I can clearly articulate at this point. There's nothing like an old photo to bring these memories flooding back. In fact, I'd never before seen this photo, so seeing it was like stepping into a time machine. This photo makes me want to jump back in time to play Chicago's "Make Me Smile" with the group or to struggle once more through an original tune we wrote in 7/4 time. It is such an amazing gift to see this photo so many years later (and to be alive to see it 35 years later). It is such an amazing thing that the mind, though it forgets so many episodes of the past, clings for decades to emotionally-embedded memories. This photo also makes me wonder whether it was the hard work of co-running and marketing a band that might have prepared me for resolving many of the conflicts I encountered later in life. There was a lot of improvising that was required back then and only some of it involved music. Much of that improvisation involved logistics, like how to afford necessary equipment, how to build our own mixer and lights and how many of us needed to convince parents yet again that we needed to borrow the family station wagons to make it to the gig. This photo also reminds me of that wonderful tired feeling, at about 3 am, when we had finished working and finished unloading the equipment back home, when we knew that we brought some joy to the audience, and that we would have a chance to do it again a day or a week later. In case it's not obvious, I'm really proud of what we accomplished as teenagers. If a parent asked me to suggest a way for their own teenager to grow into a responsible adult, I might blurt out: "Tell them to run a band." It's not the only way to come of age, but for me it was a terrific path. This photos is packed with emotion for me, and looking back at it, the emotion was the logic of what we did. Whoever says that humans are primarily rational rather than emotional creatures has it so very wrong, indeed.

Continue ReadingOld photos

Holiday video tips, FCE tips and much more, by Israel Hyman

I recently upgraded to an HD camcorder and I've started producing video on Final Cut Express using an iMac.  Although it is an excellent program, I found myself struggling with FCE, because it is quite different than than Adobe's Premier Video, which I had been using. How do you learn to use FCE proficiently and quickly? I spent a lot of time reading the FCE online manual, but I was looking for more hands-on help. I even considered hiring a tutor for a couple of hours, but then I ran across a comprehensive training series produced by Israel Hyman (www.izzyvideo.com). I was immediately and extremely impressed with Izzy's teaching abilities.  He displays a working knowledge of the process of shooting, processing and producing high grade videos on Final Cut Express.You would be hard pressed to find anyone who can explain the detailed process more clearly.  His FCE course costs $49 (Izzy's introductory FCE course is free).  Alternatively, you can surf YouTube, where you'll find lots of people who are trying to be helpful, many of them pre-teens. But you won't find many excellent teachers who really display a working knowledge. Izzy also offers a comprehensive membership regarding video shooting in general. He offers this information in the form of blogs posts and videos. I'm impressed with all of many written materials and videos that I've viewed. Warning: Izzy strives for excellent video, which sometimes requires pricey equipment or a lot of extra work, though many of his tips involve no expense (above and beyond having a video camera and a rudimentary editing program).  Izzy makes much of his training available to the general public without charge.   For instance, here's a highly useful set of suggestions (text and video) for getting good video in low light. Is this a plug? Absolutely. But I can assure you that I have never met Izzy (though it seems like I know him, based on viewing 30 of his short videos) and I'm not receiving a cent for this plug. I'm posting this information for others who are struggling with the beginning or intermediate stages of FCE, or those who want their videos to look like they were shot and edited by professionals. For any of you who are looking for some tips for shooting holiday video (regardless of whether you use FCE) consider this introduction to holiday video by Izzy. [Note: Adobe's Premier Video repeatedly choked and froze on my extremely fast PC, even though it has 8 GB RAM; I got tired to screwing with Premier for HD video (Premier did handle my DV camcorder footage OK, but choked on HD) and a couple other PC version contenders.  I decided to invest in an iMac for my multimedia project (including music production on Logic Express --another excellent Apple program).  The iMac runs and edits HD video effortlessly, which makes me wish I hadn't spent so much time trying to cut HD video on a PC.  Anecdote: Adobe's website offers troubleshooting for Premier that has lists of dozens of things you might need to check if the program is not working-I tried many of these before giving up on Premier].

Continue ReadingHoliday video tips, FCE tips and much more, by Israel Hyman

Stumbling around tonight

I took a few moments to Stumble around tonight (at Stumbleupon.com). I found a most unusual bedroom. And then this delightful worksheet on Fibonacci numbers. I learned a lot about stress over at Psychology Today. It's "worse than you think."

The experience of stress in the past magnifies your reactivity to stress in the future. So take a nice deep breath and find a stress-stopping routine this instant. . . . We may respond to stress as we do an allergy. That is, we can become sensitized, or acutely sensitive, to stress. Once that happens, even the merest intimation of stress can trigger a cascade of chemical reactions in brain and body that assault us from within. Stress is the psychological equivalent of ragweed. Once the body becomes sensitized to pollen or ragweed, it takes only the slightest bloom in spring or fall to set off the biochemical alarm that results in runny noses, watery eyes, and the general misery of hay fever. But while only some of us are genetically programed to be plagued with hay fever, all of us have the capacity to become sensitized to stress.
How does one best relief stress? Here are several tried and true ways. But then off I was, learning how to close a bag without a bag clip. And I learned in disarming detail how the TSA is keeping us "safe." And then I stumbled onto an article told me how to disappear. And here is a really cool photo of Albert Einstein Marilyn Monroe. Speaking of illusions, it is claimed that this cube illusion will work on you only once, and I believe that. But the last thing I stumbled onto tonight was the most spectacular. These are 24 scanning microscope photos from a book called Microcosmos by Brandon Brill. These photos are stunning. Thank you, Brandon Brill. Thank you, Stumbleupon, for a delightful 30-minute journey.

Continue ReadingStumbling around tonight