Carrot music
This video shows you how to play a carrot (with a little help from a reed). You'll get the idea in the first m
This video shows you how to play a carrot (with a little help from a reed). You'll get the idea in the first m
I've seen a lot of ordinary wedding photography, much of it from high-priced photographers. So have you. While riding in a plane from St. Louis to Los Angeles two weeks ago, I found myself sitting next to a man named Jon Abrahams. After a bit of conversation, he mentioned that he photographed weddings. I thought I knew what to expect. A few seconds later, after he showed me some of his images on his iPhone, I was a believer. I rarely find myself fully engaged when looking at wedding photos, even when the subjects are people I know, and especially when viewing the photos on a tiny screen. Jon's photos were unusual, however. He works the genre harder and more elegantly than most wedding photographers, in order to get artistic shots that nonetheless capture the mood. Jon, who often flies hundreds or thousands of miles to shoot weddings, kindly gave me permission to print the images you see at this post. His website offers a slideshow featuring many additional images. I hope you enjoy these images (including "The Last Supper" photo, below) as much as I did.
I hate to sound like a Tea-Party nutbag, but I really love the United States' Constitution. As I've mentioned before, I'm a free-speech fanatic. I love the Constitution's sharp focus on individual liberties, its emphasis on the rights of the accused, and that grade-school-civics favorite, the checks and balances of power. I despair when these ideals meet real-life sacrifices, especially glaring ones like, oh, the utter lack of Congressional declarations of war since WWII. I also don't like to sully the document's purity with excessive amendments, interpretations and adaptations. No Defense of Marriage Amendment, please, but while you're at it, no marriage at all (it violates the establishment clause, you see). But don't call me a Scalia-esque strict constructionist. If I could, I would copy-edit the otherwise brilliant Constitution and correct a centuries-old omission with no qualms: I would give the United States a monarch. It probably seems unamerican, undemocratic and all-around anti-freedom-y to propose that we foist an unquestioned figure to the crown of government. It probably sounds old-fashioned, all uppity and needlessly symbolic and European. I know it does. It's exactly my point.
Here's a great way to end the evening. In this video of a musical duet, Peter Martin is accompanying Dianne Reeves on the tune "That's All." There is some pretty amazing musicality going on here, starting with Peter's gorgeous introduction to the tune (but sorry that the ending is cut off a bit too soon). BTW, Peter's children attend school with my children. Last year, he volunteered to accompany the third graders for their musical. During the big performance, somehow . . . somehow . . . he made sure that he never stole the spotlight from the children--it was an incredible musical experience to hear the voices of little children framed by the music of a world-class jazz pianist. Every other month here in St. Louis, Peter is playing jazz at the beautiful Sheldon Theater in the Central West End. The next show is June 4 at 8pm. The first two installments (the February show featuring Peter and Dianne Reeves and the show two nights ago featuring Peter and Jeremy Davenport) were everything you could have hoped for. If you're interested in hearing some great jazz live for a reasonable price of $25 per seat at the Sheldon, visit Peter's site. If you'd like to view and listen to more of Peter's music online, here's where you need to go. [BTW, if you'd like to know more about how to play jazz piano like Peter, check out his "2 minute jazz piano" video podcasts on iTunes. Free piano lessons from a guy who really knows his way around the keyboard.]