The elephant in the (Hollywood) living room

In the days of the Hollywood studio system, films were classified as “A” or “B” pictures: the former were the studio’s prestige projects, the latter generally shorter and produced cheaply and quickly. Ironically, sometimes “B” pictures are more interesting today because they were less subject to studio control (due to…

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Val Lewton and the Madness of Authoritarianism

I’ve always been a fan of Val Lewton films, and I recently discovered a “new” one which can be enjoyed for reasons which go beyond the Lewton trademark cinematography and low-budget creativity. The Ghost Ship (dir. Mark Robson, 1943) was pulled from theaters almost immediately after its release due to…

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Is Brokeback Mountain a universal story?

Continuing to sort out my thoughts from the recent Popular Culture Association convention in Atlanta, I recall a discussion about whether the movie Brokeback Mountain told a universal love story or whether the point of the movie lay in its specificity. I think that's the sort of question which doesn't…

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Memory and Representation, Part 2

Another theme that came up during the Memory and Representation session at the recent Popular Culture Association convention in Atlanta was how using different names for things can shape our memory of events. For instance, labeling people as "heroes" may shift attention away from inquiries as to whether their deaths…

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