Funeral Misbehavior

I don't follow gossip columns, or even broadcast news. But I do read a few blogs. Yesterday FriendlyAtheist posted Tony Danza’s Funeral Outburst Makes Sense. I don't particularly care about the actor or the author involved. But apparently he has gotten some negative press for an action that I wish I'd had the cojones to do a couple of times. He cut off a a cleric who was in full stride in a fire and brimstone recruiting speech at the funeral of a friend, to redirect focus to the friend. Personally, I think the cleric was misbehaving, not the friend. And I wish more people would stand up at funerals and demand that the subject be of the life departed, not of the faith of the orator. Better yet, make sure the minister knows beforehand that bald propagandizing will not be tolerated. If the deceased had been a pious person, then discussing the faith and piety of the departed meets with my approval. But using the occasion simply as a recruiting drive is too common of an occurrence. I've been to a few funerals where the cleric/priest/minister had nothing particular to contribute about the guest of honor, but went on and on about how doomed the rest of us were unless we took his preferred sacrament. He simply knew a captive audience and marketing opportunity when he had one. Very dissatisfying to those of us who knew the decedent. I have also been to good memorials, where the focus was on the life as lived. My two favorite memorial services ended with a participatory kazoo performance, or recessional music by Groucho Marx. They were fully celebrations of the life departed, not dire warnings to the audience. Unless as a cautionary example to enjoy life while you can. Here is an example of an appropriate farewell, although NSFW:

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The Dollar Got More Annoying

This is not about the falling value of our currency with respect to the rest of the world, but rather a reprise on my 2007 post, In God We Trust wherein I complained about the propagation of the cold war addition of God to our money in the latest series of presidential dollar coins. The had stamped "In God We Trust" around the edge, along with the date. But the latest dollars have God on the face, and hide the date and the uniquely and importantly American "E Pluribus Unum" on the edge. Do they think that Sacajawea trusted in in the Old World God? I really think that we should get rid of the old cold war legacies, and take God back off of our money and back out of the pledge to the flag (as I discussed in The Changing Recipe of Pleasure Lesion Stew). One could argue that this would show the world that we are confident of our faith, instead of protesting it too much.

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Did Anne Frank go to hell?

Now here is a question I'd never thought to ask. Not of myself, mind you. I discarded belief in any afterlife long ago. But it is a good question to pose to fundamentalist Christians. And so Rachel Evans did. Credit where due, I found it via the Friendly Atheist. If you read her post and comments, you see a lot of hemming and hawing from Chrisitans who believe a) in a kind, loving, and just God who b) sends everyone to hell except the most extreme sycophants. They try to have it both ways. In brief, yes, all Jews go to Hell. But when considering this actual young, innocent person, who was a victim of Martin Luther's plan enacted by a Catholic leader, they sputter.

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Why Take a Road Trip?

I claim to be a traveler. But I don't travel for business. I work from home, so there is not even a daily commute. I have been on only two commercial jets trips in the last decade. So how can I claim to be a traveler? My wife and I take road trips. During our most recent one, we distinctly experienced the disconnect between "travel" and "vacation." Recall National Lampoon's Vacation, but a longer trip, no kids, and most of our destination sites were (barely) still open. Had we left a few days later, and we would have missed much more. This latest trip (click on the map for more details) was an effort: We drove 6,000 miles in 22 days, across thirteen states, in a sedan that I'd bought new for $12k in 1998. It now has over 185,000 miles on it, but still averaged better than 36 mpg for the journey. We took some stretches of older roads to better see America. My narcissistic self photo-blogged as we went. At least on days when there was enough time left for writing and digital darkroom work. About half of the trip got posted only after we got back. But my subscribers could keep track of where we were because I'd skip days and back fill rather than writing from beginning to end. I didn't report certain points in my travelogue, in the interest of time. A tour guide under Seattle asked the group how far we'd traveled. The farthest was from Japan. I mildly resented the question, because the farthest of these "travelers" simply walked into an aluminum tube and were delivered to this city a few hours later. Practically teleportation. But our trip was a journey of several days longer than that of any of these other folks. We worked harder to get here, and know the route. Travel, to me, is a process in the spirit of the Odyssey. Popping to a new town by jetliner isn't really travel because there is no transition. A flight to New Orleans is exactly like a flight to San Francisco. But if you drive, one route traverses woods, bayous and moss forests, and the other covers mountains, deserts, and ferny rain forests. When driving, you know that you are in a different world, and get a feel for why the endpoint is how it is. We do hit the road with a destination in mind, but remain open to seeing what we can see. As in "The bear went over the mountain" song, the target is the mountain. But the goal is yet to be determined. Yes, this song was stuck in my head a few times on the trip. But some of the best stops were unplanned detours. In my youth I was a poor candidate for a road tripper; I got car sick. Any ride more than a half hour, however smooth, had me heaving. I survived family trips to Florida and Michigan, and an annual week at Bull Shoals Lake (about 8 hours away back before I-44 was opened). By the end of each trip my car sickness would subside. We even drove all over Europe when I was 11, so I decorated roadsides in many countries. Travel was not a good word to me. But I had enjoyed reading Henry Reed's Journey so much when I was 8, that I re-read it annually till I was as old as -- and even a few years older than -- the protagonist. I've also read several other classic road trip books. And there was the TV Series "Route 66". I even have a cousin featured in a chapter of The Electric Kool-Aid Acid Test. So my early nauseated travel disposition was largely trained and enticed out of me. Sadly, the tradition of a road trip grew until 1960's, and then withered up. I think that three major factors did it in:

  • Dropping air fares made flight cheaper than road travel except for the largest families. Figure in gas and motels versus car rental, and a trip longer than a couple of hundred miles became cheaper to fly.
  • The Eisenhower Interstate system created level and straighter and restricted access routes, often replacing or bypassing the WPA Roosevelt Federal Highways. This turned travel from adventure to boredom. How can you stop for the cutie in the produce stall when they are forbidden to be within 100' of the road on which you are forbidden to park? At 75mph, a tourist draw needs to be advertised miles in advance on huge and expensive billboards, and is expected to provide every amenity.
  • And television brought the world into your living room in living color. The producers want you to feel as though you've been there. But until you actually go to these places, you don't know how much you are missing. Now the internet lets you view almost any place you want to, real time and on demand. Why go anywhere? Here's the Colorado River in Canyonlands. But you cannot feel the breeze, hear the subsonic rumble of the water, or smell the piñon pines.
One now can cross the country on the ground without ever seeing a town smaller than a big city. The older roads were slightly slower, but much more interesting to drive. One had to slow down for towns and see things by the road. Even in between towns, you were only feet away from the cows and trees, not 1/4 mile away. As Piet Hein put it in his 1960's Grook
[caption id="attachment_15038" align="alignright" width="225" caption="Click to Shop for Grooks books"][/caption]

Road Sense

God save us, now they're murdering another winding road,
and another lovely countryside will take another load
of pantechnicon and car and motorbike. They're busy making bigger roads, and better roads and more,
so that people can discover even faster than before that everything is everywhere alike.
I disagree that everywhere is alike. Sure, the near-instant transportation that the end of the 20th century took for granted is homogenizing culture. So too is the media endorsement of multiculturalism making all products available in all cities. But there is still regional pride. But you may have to get off the interstate to find it. Also, some of the improved divided Federal Highways are not quite as bland as interstates. Yet. These sections of road have one direction on modern, flat, straight pavement, and the other way is still the old, scenic roller coaster road. US-36 in Missouri is still like that. If you are going east, it is almost like taking the old roads. Alas, our country is now full of ghost towns. Not just the old wild-west and mining boom towns that were tourist stops half a century ago. A few still are. But now most of the highway tourist boom towns of the 30's through 70's are largely boarded up. Some states worked to preserve the old highway life. As did Oklahoma with its turnpike paralleling US-66. But the old classic motels and diners of the heyday of mid 20th century travel are dead or dying where the old road drifts too far from free interstates. Road travel is a somewhat poignant experience, as I feel nostalgia for the era I missed. But there is still a living culture of travel. TV shows like Rare Visions Road Trip and websites like RoadsideAmerica.com try to keep it alive. But relatively few people actually go to these locations. Too many are satisfied to see them on their HDTV, not knowing what they miss. And the only way to find out is to travel. Knowledge may be what you read or are told. But wisdom is what you find out the hard way; what you work to learn. The serendipitous adventure of a road trip, however well planned, brings wisdom and understanding of our country, its culture, and its destiny.

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Craftsmanship in the Modern World

I recently read (yet another) column in the journal Communications of the Association of Computing Machinery about deficiencies in programmer education, that reminded me of a recent paint job for which I'd recently paid "professionals". The connecting point is a certain lack of meticulousness, precision, and professionalism that we now seem to accept in most professions. This lack goes back to how crafts people are trained. In software, as in many crafts on which our daily lives now depend, the problem is that beginners are quickly taught the rudimentary skills, and then exhorted to creatively solve problems as presented. If a program appears to give the correct result for expected input, then it gets an "A" grade. Similarly, if a paint job looks to be the right color at completion, then it also is judged superlative. However, what if the input is different than expected? What will the paint look like after a few seasons? What will happen when someone tries to add on to the current code/coat? That is where the basic training process fails. Code written to accept "2 + 2" and return "4" might take "7 + 3" and possibly return "10" or "4" or "21" (fellow geeks will see how). What happens when (not if) the input is "G + #"? Likewise, a perfect paint job over a dirty surface won't last a season. If it does last that long, then it may peel when the next coat of paint over it dries. What is missing is a basic principle of craftsmanship: Depth of knowledge. The best painter on my recent job had decades of experience. But all he really knew was how to lay color on a clean surface, and basic prep work. He didn't understand enough about architecture to know what did or did not require caulk (he sealed sashes to frames, and left gaps between frames and siding). He didn't know that many surfaces should not have been painted with latex, like hinges and sash runners. He didn't know the implications to longevity of using a brush versus a roller. I would have thought that he might have learned these things in his first couple of jobs, or years, or decades of practice. But one aspect is overlooked in training these crafts-folk: Temperament. Certain people have the curiosity and meticulous dedication to understand every aspect of a task, while others (the majority) just do as they are told, at best. But in America, everyone is created equal. One cannot discriminate. Back in the bad old days of exclusionary guilds, only those who showed the necessary aptitude were accepted to apprentice. Only those who proved themselves adept moved on to journeymen, and eventually mastery. One therefore knew that any carpenter could make solid chairs, and a random tinker could permanently fix a leak. Now, anyone who can pony up the price of the tools, the schools, or union dues can call himself a programmer or a painter or what have you, and hang out a shingle. I freely admit that I am a self-taught programmer, and painter, and carpenter, and plumber, and electrician, and so on. But I've got the borderline OCD tendencies to read the full manuals (Kernighan & Ritchie, NEC, whatever) and I like to play with things to find out their limits. Part of my self-education is also to find and work with or study from someone who got good results, to see how it is done. The point is, a true craftsman has the temperament to know what he is doing, plus several levels of abstraction on either side. A painter should know what pigments actually are, beyond the color they produce. That way he can choose paint either that is safer around kids, or better at preserving wood (generally complementary characteristics). A painter should know how different binders work, to choose a paint that is better for metal, or vinyl, or wood. But to my chagrin, given the universe of things that I think every painter should know, few that I've hired even knew the questions for, or even that there was an issue to wonder about (2nd or 3rd orders of ignorance). And this is part of why our civilization is coming apart. Note: Earlier posts here on similar themes: Incompetence as the Basis of Civilization and Incompetent people don’t realize that they are incompetent.

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