Taking Liberties with the National Anthem

I’m not a fan of singing the national anthem before a baseball game. Patriotism and the anthem have nothing to do with playing a sport. Absolutely nothing. The anthem wasn’t even played at Major League Baseball games until 1918. There’s nothing magic about the anthem. The lyrics are not compelling today and it’s not even a beautiful melody. It is a great excuse for powerful people to push ordinary people around by challenging their patriotism if they resist. That’s why, even since the anthem started being played in 1918, no one was able to uproot it and yank it out of baseball games to speed up the games (which desperately need speeding up). In fact, given that there were 2,430 Major League Baseball games played in 2022, assuming that it takes 2 minutes to sing the anthem and given that 65 million American fans attended attended MLB baseball games in 2022, this means that more than 5 Billion person/hours were spent listening to the National Anthem at MLB games in 2022 (5,265,000,000). The song is not a fan favorite. It doesn’t stand on its own. I doubt that of those fans ever bought a recording of the national anthem, none of them sing it in the shower, and none of them seek to listen to it as a work of art.

Enter musician Jose Feliciano, who sang the national anthem for Game 5 of the World Series between the Cardinals and the Tigers. Here is Jose’s unique version, which is much in keeping with his musical style. I enjoyed it.

But this version was too much for some of the fans, who booed after Jose finished singing. The Tigers even blamed him for the losing that game. Here’s what Feliciano had to say about his version of the anthem:

Baseball is permeated with ritual, one of which is the singing of the national anthem, which must be played, or else. And even if one is a gifted musician, it must be song close enough to the standard version, or else. Why? Just because.

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Erich Vieth

Erich Vieth is an attorney focusing on civil rights (including First Amendment), consumer law litigation and appellate practice. At this website often writes about censorship, corporate news media corruption and cognitive science. He is also a working musician, artist and a writer, having founded Dangerous Intersection in 2006. Erich lives in St. Louis, Missouri with his two daughters.

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