Touch – New Drama

If you like numbers and supernatural drama, take a look at the new show on FOX, Touch. The stories center around a speechless autistic boy, the red thread and interconnectedness. And it’s about choices and trust. It’s extremely well-written and well acted, tapping into both that which is intellectual and deeply emotional. You can watch the pilot and the only two episodes here.

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Erich Vieth

Erich Vieth is an attorney focusing on civil rights (including First Amendment), consumer law litigation and appellate practice. At this website often writes about censorship, corporate news media corruption and cognitive science. He is also a working musician, artist and a writer, having founded Dangerous Intersection in 2006. Erich lives in St. Louis, Missouri with his two daughters.

This Post Has 4 Comments

  1. Avatar of Niklaus Pfirsig
    Niklaus Pfirsig

    I’ve seen the pilot and actually liked the story, but the pilot promoted a few stereotypes about autism.
    There is a general belief, particularly among religious people, that autistic individuals have some form an mental compensation for what appears to be a mental deficit. While there are a few autistic people with an exceptional ability, known as autistic savants, such cases are very rare.
    TV typically portrays an autistic child as silent, preferring to sit alone for hours totally absorbed in the task of staring blankly at their hands as they flap them around in front of their faces. TV usually portrays an autistic child as becoming very upset when touched, and showing a tendency to wander off when an adult looks away for even a few seconds.

    Sometimes this is the case, but as the father of an autistic son, I know better.

  2. Avatar of Jim Razinha
    Jim Razinha

    We watched the pilot when it came out in January and it jumped the shark by the end of the show. I’ve heard the actual series is better, but I haven’t decided if I want to try again.

  3. Avatar of Erich Vieth
    Erich Vieth

    Jim: I hadn’t before heard the expression “jump the shark.” Here’s what Wikipedia says:

    In its initial usage, it referred to the point in a television program’s history when the program had outlived its freshness and viewers had begun to feel that the show’s writers were out of new ideas, often after great effort was made to revive interest in the show by the writers, producers, or network.

    The usage of “jump the shark” has subsequently broadened beyond television, indicating the moment in its evolution when a brand, design, or creative effort moves beyond the essential qualities that initially defined its success, beyond relevance or recovery.

    http://en.wikipedia.org/wiki/Jumping_the_shark

    Sounds like a useful phrase that I will consider using too.

  4. Avatar of Mike M.
    Mike M.

    The show we’re all most interested in– “The American Empire”, (as well as its spin-off, “The American Dream”) has, I believe, jumped the shark. It happened about 40-some years ago, when The Producers changed the format from its inception as high-minded drama, to sit-com, and then finally to its current incarnation as horror-comedy (a la ‘Buffy The Vampire Slayer’).

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