Santa’s day job
I believe I posted this once before, but it's that time of year. Many years ago a friend of mine (Michael Harty) and I created a two-panel Christmas card/cartoon revealing what Santa did most of the year.
I believe I posted this once before, but it's that time of year. Many years ago a friend of mine (Michael Harty) and I created a two-panel Christmas card/cartoon revealing what Santa did most of the year.
Perhaps the most important street photographer of the twentieth century was a nanny who kept everything to herself. Nobody had ever seen her work and she was a complete unknown until the time of her death. For decades Vivian’s work hid in the shadows until decades later (in 2007), historical hobbyist John Maloof bought a box full of never developed negatives at a local auction for $380.
I'm still an amateur at Photoshop. I can do quite a few things, but nothing like what you'll see in the work of Erik Johansson. Check out these highly imaginative images. Here's a video of Johannson explaining his thought process. And check out this additional innovative project by Johannson - A chance to simulate looking down from the top of a building.
Keith Williams (a fantastic dance teacher at Grand Center Arts Academy) highly recommended that I Google "Yoyo Ma" and "dancer." Now I see why.
Does Terror Management Theory (TMT) push creativity to a head in later life. I recently ran across an article that suggests exactly this in Adult Personality Development: Volume 2: Applications, by Lawrence S. Wrightsman, Mar 15, 1994. Here's the relevant excerpt:
Creativity can undergo a resurgence in the later years of life, and especially in life's last years (Simonton, 1990, p. 630). Sometimes during the late 60s and 70s an increase in output appears (Simonton, 1988). This secondary peak In output may be a manifestation of an Eriksonian final-stage contemplation of death and review of one's life accomplishments. Does any empirical evidence exist for the existence of such a "swan song" phenomenon? Simonton (1989) examined 1,919 compositions by 172 classical music composers, assessed each of numerous aesthetic qualities, and determined how many years before the composers' death the piece was composed. A clear pattern emerged: As the composers approached their final years, when death was raising a fist to knock on the door, they began to produce compositions that are more brief, that have simpler and more restrained melodic lines, and yet that score high in aesthetic significance according to musicologists and that eventually become popular mainstays of the classical repertoire. It is as if when the composers see the end approaching fast on the horizon, warning that their last artistic temperaments dwell among their current works in progress, they put their utmost into every creation, yielding truly noteworthy products. (Simonton, 1990, p. 630).