Barbershop competition winner

Until now, when I thought of barbershop style vocal music, I thought of four guys standing still and working some really tight harmonies. Take a look at this video from the 2009 International Barbershop championship, featuring the winners in the chorus division, the Ambassadors of Harmony. Incredible harmonies and movement. For more on this competition, see this article by Robert Elisberg at Huffpo.

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On hiring a musician to get your girl back

Maybe the lesson is that you shouldn't hire a prominent musician to get back your girl, even if you originally fell in love while listening to his music. Maybe getting back your girl is one of those things that you just shouldn't delegate. Or maybe I'm saying too much . . . Here' the story in a nutshell, as heard on NPR's This American Life with Ira Glass. It is titled Act Two. "Lonely Hearts Club Band . . . Of One."

Musician David Berkeley has gotten a lot of requests in his life, but none quite like the offer his agent got last year. A fan wanted Berkeley to come to his house and help save his relationship by serenading the troubled couple with a personal concert. Ira Glass talks to Berkeley about why he took the gig, and what happened when he got there.
This strange and awkward concert occurred in the guy's living room, with the woman sitting at the opposite end of the couch from the guy. David Berkeley's job was to serenade the struggling couple in an attempt to get them back together. Berkeley shares his perspective of the events, along with some of his music. If you want to hear the story yourself, here the site of Glass's show, where you can download the entire show--the story is about 12 minutes long, starting at the 33 minute mark.

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Hip hop has a bad ‘rap’.

Whether you consume rap and hip-hop or not, you know the genres have dingy reputations. I believe the hate for hip-hop and rap blossomed in the 90's. Rappers were actually cold-blooded gangsters at the time, people who occasionally shot one another. The music reflected the turmoil that its creators had experienced- growing up in crack-infused ghettos, resorting to crime to scrape by, and dying in a swarm of bullets even if they did finally make it out and become famous. "I'm twenty-three now but will I live to see twenty-four/ the way things is going I don't know," Coolio said in "Gangster's Paradise", and he was by no means a Tu-pac; he was gangster-rap-lite. The depression of 90's rappers manifested itself in loud, brash talk of guns and glory; no wonder white outsiders were scared. The violent content of 90's rap inspired Tipper Gore and their ilk to censor and criticize with fervor, cementing rap's image as a crude, violent genre for future gang-bangers. Hip-hop and rap also have the reputation of being degrading to women. This present stereotype was also inspired by past trends. After 90's gangster rap subsided, it was replaced with a money-cash-hoes mentality. In the early aughts, Jay-Z, 50 Cent and others spat mainly about their wealth, their rise from the streets, and the women that their amassed wealth could attract (Jay-Z wrote a song called "Money, Cash, Hoes"). Women were called hoes and bitches in earlier rap and hip-hop songs, it's true, but in the early 00's the music seemed more intently focused on the subject. Rap and hip-hop from this period was all about the ascent into fame, and the amassing of expensive objects. One of these objects happened to be attractive women. "I'm into having sex, I'm not into making love," 50 Cent reminds listeners in one of his most popular singles. Thus rap and hip-hop received another nasty label: it was degrading and shallow.

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