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Feminism, Aliens, and James Tiptree jr.

One of the things that sends me straight up a wall to paw helplessly and violently at ceilings comprised of crushed glass, old nails, and asbestos fibers is when I hear a young woman blithely claim that she isn’t a Feminist and, in fact, “wouldn’t want to be one.” They make this claim with all the insouciant self confidence they might apply to choosing a new dress or deciding which shoes to wear or whether this or that club is trendy enough. Inside, I rage, and want to scream at them “WHAT THE HELL IS WRONG WITH YOU? DON’T YOU HAVE ANY IDEA WHAT YOU’RE SAYING?”

Of course they don’t. They’ve grown up in a world that has been substantially changed by feminism, a world in which it would no more occur to them that they couldn’t do a particular job if they wanted to than it would occur to them that they might be forbidden to vote, drink or smoke in public, or get a divorce from a man and expect to leave with actual belongings. They don’t understand that the very fact that they can choose not to be a feminist is because of feminism and the struggles of those they now see, probably, as dreary, frumpy, unromantic, possibly man-hating, poorly groomed sexless harridans.

And who wants to be bothered with all that politics and political correctness anyway?

I want to shake them, open their well-coifed heads and pour history into their brains. On the one hand, I’m thrilled they can make that choice, that it is a matter of choice, that they can go on about whatever lives they choose and not be concerned about the fact that some Male might decide—because they have no penis—that they should be barred from certain career choices, or prohibited from opting out of a marriage, or committed to an asylum because of a hysterical dissatisfaction with limitations they shouldn’t question anyway because, after all, women who work out of the home are “unnatural” and “neurotic” and women who want things beyond that which society deems appropriate for them to have are suffering delusions of self-ownership. I am happy about that.

But like any freedom, the utter ignorance of how it came to be infuriates me. As if the freedom now enjoyed is somehow permanent and will never go away.

I’d like to recommend a new book. James Tiptree, Jr.: The Double Life of Alice Sheldon [1]. For those who may know a little something about science fiction, James Tiptree jr. was one of the finest writers of the Seventies. To my mind, it would not have mattered which genre the work came out in, Tiptree was a first class thinker. As suggested by the title, he was also a woman, one Alice Bradley Sheldon.

Myth surrounded Tiptree almost from the moment the stories began to appear in 1969. He was reclusive to the point of insanity, there were hints that he worked for the CIA, no one knew anything about him, not even the editors soliciting stories. Sheldon allowed and later fed the myths through voluminous letter-writing. It was finally revealed that Tiptree was a woman, after several major figures in the field had made pronouncements about her gender (Robert Silverberg’s is the most famous, made in print, that there was something “ineluctably masculine about Tiptree’s writing.”), and it turned a world-full of preconceptions on end.

The Seventies was the decade of rising Women’s Consciousness. It came after a century of preparatory work and followed hard upon the Civil Rights movement. What women enjoy today in terms of freedom of self and action was established in that decade. So you can imagine that the dialogue was heady and a lot of bad ideas were being touted and shot to pieces and we were all learning a new language. Tiptree, in the small pond of science fiction, had a huge impact simply by virtue of writing work that transcended gender.

But the story is infinitely more complex. Alice Sheldon came from a famous family and had the kind of life we imagine for writers like Hemingway or Genet or Joyce. It took decades for her to come out from beneath the shadow of a very famous mother and find her own voice—and when she found it, perversely, she had to write it in the guise of a man.

Julie Phillips, a freelance journalist, became intrigued, wrote a couple of articles about Sheldon, then produced this superb literary biography which is also a textbook on the struggles of women in the 20th Century. She never makes the mistake of coopting Alice Sheldon’s story for larger purposes of politics, because she recognized how her life and the politics around it were essentially inseparable.It is a book I would like to thrust into the hands and down the cranium of any young female who disses feminism while clearly understanding nothing about it. One passage alone should suffice to suggest that things are Really Different Now—Alice Sheldon was one of the first to join the Women’s Auxiliary Army Corps in the early days of World War II (The WAAC preceded the WAC). Her company was part of a WAAC parade for the benefit of Eleanor Roosevelt in Des Moines. And—

“As the women marched in formation through the city streets to receive the first lady, they drew a large crowd of men who kicked slush at them and bombarded them with garbage.” Pg. 113

I suggest it as invaluable reading also for its psychological insight into the problem–the challenge–of any Out Group struggling to be heard by the majority culture. It is brilliant, well-written, and timely. A great antidote for the mindless acceptance of rights and liberties that, for no better reason than simple biology, a world of men are struggling today to remove.

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