{"id":6531,"date":"2009-04-30T18:49:46","date_gmt":"2009-05-01T00:49:46","guid":{"rendered":"http:\/\/dangerousintersection.org\/?p=6531"},"modified":"2009-05-01T10:23:53","modified_gmt":"2009-05-01T16:23:53","slug":"culture-and-copyright-in-the-21st-century","status":"publish","type":"post","link":"https:\/\/dangerousintersection.org\/2009\/04\/30\/culture-and-copyright-in-the-21st-century\/","title":{"rendered":"Culture and Copyright in the 21st Century"},"content":{"rendered":"<p>On 24 March, 2009 Lawrence Lessig delivered the keynote speech, <em>Getting the Network the World Needs<\/em>,  at the OFC Conference in San Diego, CA. This is a revision of a REMIX talk, distinguishing between parts of the 20th Century that were Read-Only and parts that were Read-Write.<\/p>\n<p>His brilliantly delivered thesis discusses how culture prior to the 20th century was essentially read-write, everyone consumed and created the culture interactively.  During the 20th century centralization and control of media and distribution transformed our culture to a read only &#8211; where creation was almost exclusively the province of professionals and professional distribution channels (tv, movies, music).<\/p>\n<p>He then suggests that the 21st century brings the promise and the demand for building a read-write culture once more, and for moving far beyond the mash-up of the past decade.  He also discusses the necessary legal and infrastructural changes needed to accommodate this changed reality.<\/p>\n<p><object width=\"407\" height=\"319\" data=\"http:\/\/blip.tv\/play\/lG326zWBolM\" type=\"application\/x-shockwave-flash\"><param name=\"src\" value=\"http:\/\/blip.tv\/play\/lG326zWBolM\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<p>Warner Music has tried to serve a DCMA takedown, based on his inclusion of some music and media clips &#8211; despite the obvious and clear &#8220;fair use&#8221;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On 24 March, 2009 Lawrence Lessig delivered the keynote speech, <em>Getting the Network the World Needs<\/em>,  at the OFC Conference in San Diego, CA. This is a revision of a REMIX talk, distinguishing between parts of the 20th Century that were Read-Only and parts that were Read-Write.<\/p>\n<p>His brilliantly delivered thesis discusses how culture prior to the 20th century was essentially read-write, everyone consumed and created the culture interactively.  During the 20th century centralization and control of media and distribution transformed our culture to a read only &#8211; where creation was almost exclusively the province of professionals and professional distribution channels (tv, movies, music).<\/p>\n<p>He then suggests that the 21st century brings the promise and the demand for building a read-write culture once more, and for moving far beyond the mash-up of the past decade.  He also discusses the necessary legal and infrastructural changes needed to accommodate this changed reality.<\/p>\n<p><object width=\"407\" height=\"319\" data=\"http:\/\/blip.tv\/play\/lG326zWBolM\" type=\"application\/x-shockwave-flash\"><param name=\"src\" value=\"http:\/\/blip.tv\/play\/lG326zWBolM\" \/><param name=\"allowfullscreen\" value=\"true\" \/><\/object><\/p>\n<p>Warner Music has tried to serve a DCMA takedown, based on his inclusion of some music and media clips &#8211; despite the obvious and clear &#8220;fair use&#8221;.<\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[31,967,27,21,47,4079,49],"tags":[636,3599,4290,6457,4289,515,4291,4292],"class_list":["post-6531","post","type-post","status-publish","format-standard","hentry","category-communication","category-computers","category-culture","category-economy","category-entertainment","category-intellectual-property-law","category-noteworthy","tag-change","tag-copyright","tag-creative-commons","tag-culture","tag-lawrence-lessig","tag-legal","tag-p2p","tag-remix","entry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/posts\/6531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/comments?post=6531"}],"version-history":[{"count":0,"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/posts\/6531\/revisions"}],"wp:attachment":[{"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/media?parent=6531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/categories?post=6531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dangerousintersection.org\/wp-json\/wp\/v2\/tags?post=6531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}