Archive for August 26th, 2011
Back in 1978, Justice William Renquist wrote a dissent that is extraordinary reading today. This nugget of jurisprudence was dug up by Linda Greenhouse, who write an excellent NYT Op-Ed titled “Over the Cliff.”
This dissenting justice did not take issue with a corporation’s status as a “person” in the eyes of the law (as Mitt Romney recently reminded a heckler at the Iowa State Fair). But corporate personhood was “artificial,” not “natural,” the justice observed. A corporation’s rights were not boundless but, rather, limited, and the place of “the right of political expression” on the list of corporate rights was highly questionable. “A state grants to a business corporation the blessings of potentially perpetual life and limited liability to enhance its efficiency as an economic entity,” the dissenting opinion continued. “It might reasonably be concluded that those properties, so beneficial in the economic sphere, pose special dangers in the political sphere … Indeed, the states might reasonably fear that the corporation would use its economic power to obtain further benefits beyond those already bestowed.”
Noting that most states, along with the federal government, had placed limits on the ability of corporations to participate in politics, the dissenting justice concluded: “The judgment of such a broad consensus of governmental bodies expressed over a period of many decades is entitled to considerable deference from this Court.
Why is writing so difficult, and why is it that I write so slowly? These are two questions addressed by a well-written and presumably slowly-written article by Michael Aggar at Slate.
Kellogg is always careful to emphasize the extreme cognitive demands of writing, which is very flattering. “Serious writing is at once a thinking task, a language task, and a memory task,” he declares. It requires the same kind of mental effort as a high-level chess match or an expert musical performance. We are all aspiring Mozarts indeed. So what’s holding us back? How does one write faster? Kellogg terms the highest level of writing as “knowledge-crafting.” In that state, the writer’s brain is juggling three things: the actual text, what you plan to say next, and—most crucially—theories of how your imagined readership will interpret what’s being written. A highly skilled writer can simultaneously be a writer, editor, and audience.
Several weeks ago I passed this restroom door, which was located in a grocery store.
Cannot? Oh yeah? That sign made me want to prove the sign wrong by carrying tons of merchandise into the restroom until it was completely full of merchandise.
I don’t know why the “can” vs. “may” error gripes me so much–perhaps it’s because I hear and see this problem so often, and also because it seems that it would be so very easy to understand the problem and stop making the error.